It is May 1918.
Eight artists have been made US Army captains and have arrived in France.
Their job is to prepare artistic scenes from World War I for distribution to American magazines.
These works should be historically accurate but also inspiring.
The War Department wants to boost public support for the war.
These combat artists produced seven hundred works of art but their commanding officers didn’t like them.
“They do not serve either a military purpose or propaganda purposes,” said one, noting that everyone who had viewed the works was of the same opinion.
French artists had prepared “splendid color reproductions” of French forces which had an “inspirational quality and vigor,” the officer said.
The American artists had depicted war’s dirty, grinding reality instead.
So, the artists’ works weren’t distributed to magazines.
And only a few were shown briefly in New York after the war had ended.
When the next war erupted and the Army instituted another government combat artist program, Congress defunded it after just six months.
A lesson of sorts had been learned.
If you want to sell the public on a war, don’t show people what it really looks like.
Congress knows that voters often prefer a fairy tale to the truth.
I’ll see you tomorrow.
— Brenda
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