PiCast

Audiphones are highly recommended!... Buckled your seat belts too. This John M. Kennedy's music compilation will make you think philosophically, feel relax and sophisticatedly numb or cognizant of other dimensions as definitely you will sense the most deepest parts of your perception traveling in a vibrational space-time throughout your mere existence.

Therefore, as many people have suspected about some of these compositions, they could be tele-transporters to unknow regions, perhaps portals, if you wish, from and to another dimensions. In ulterior episodes, John M. Kennedy will share his research, musings and elucubrations over those unbelievable poetical-musical stories for now enjoy this episode full of mysterious music. Stay tune; lastly, in this episode John M. Kennedy interpret the Poem written and published in 1839 by Rev. Edwin H Chapin: "The Ocean Burial" based on which they made the "Lament of the Cowboy" or "Bury Me Not In the Lone Prairie" and the more older version "Ocean Burial" composed or arranged in 1850. Notwithstanding, "As above so Below" find one of the most original version of the poem, which is aka "Bury Me Not In The Deep Deep Sea":    

"O, bury me not in the deep, deep sea,"

The words came low and mournfully

From the pallid lips of a youth who lay

On his cabin couch at the close of day;

He had wasted and pined till o'er his brow

The death-shade had slowly passed and now,

Where the land and his fond-loved home were nigh,

They had gathered around him to see him die.

"For in fancy I've listened to the well-known words,

The free, wild winds, and the songs of the birds;

I have thought of home, of cot and bower,

And of scenes that I loved in childhood's hour;

I had ever hoped to be laid when I died,

In the church-yard there, on the green hillside;

By the bones of my fathers, my grave should be,

O, bury me not in the deep, deep sea.

"Let my death-slumbers be where a mother's prayer,

And a sister's tear shall be mingled there;

O, 'Twill be sweet, ere the heart's throb is o'er,

To know, when its fountains shall gush no more,

That those it so fondly hath yearned for will come,

To plant the first wildflower of spring on my tomb;

Let me lie where those loved ones will weep over me,

O, bury me not in the deep, deep sea.

"And there is another; her tears would be shed,

For him who lay far in an ocean bed;

In hours that it pains me to think of now,

She hath twined these locks, and hath kissed this brow;

In the hair she hath wreathed, shall the sea-snake hiss?

And the brow she hath pressed, shall the cold wave kiss?

For the sake of that bright one that waiteth for me,

O, bury me not in the deep, deep sea.

"She hath been in my dreams" - his voice failed there,

They gave no heed to his dying prayer;

They have lowered him slow o'er the vessel's side,

Above him has closed the dark, cold tide;

Where to dip their light wings the sea-fowls rest,

Where the blue waves dance o'er the ocean's crest;

Where the billows bound and the winds sport free,

They have buried him there, in the deep, deep sea.

John M. Kennedy compilation of the beautiful music of the songwriter, singer, and actress Katey Sagal.  

En ensayos notables, el escritor granadino, Francisco Ayala García-Duarte, nos entrega sus más incisivos análisis acerca de lugar que ocupa y los desafios que enfrentaban los escritores en el siglo XX.  John Manuel Kennedy Traverso lee el ensayo del abogado, jurista, traductor, sociologo, y escritor. "El Escritor en la Sociedad de Masas".

John Manuel Kennedy Traverso recuerda una de sus visitas a uno de los más tradicionales conventos en todas las Américas y te narra sus impresiones recompiladas a través del tiempo invitándote a que te camines por los Claustros, Capillas y Corredores del Museo de los Descalzos. Esos Claustros guardan joyas históricas de pintores que cultivaban diferentes escuelas ancestrales que tipifican el renacimiento del Perú colonial. Escuelas como la Limeña, Cuzqueña, y Quiteña.  Cuaidado con las disciplianas nomás porque te duelen no solamente en el alma pero también en la espalda. ¡Disfrútalo!

Através de lás décadas, casi después de un siglo, las composiciondes de Sol Paul Levy han llamado mucho la atencióm por su intensidad y dramatismo como por la oportunidad que brindan al quien las escucha para reflexionar o meditar sobre la naturaleza efímera y frágil de nuestra existencia. John Manuel Kennedy ha compilado una rara y esotérica lista de composiciones de Sol P. Levy interpretadas por diferentes músicos de todos los tiempos.  

John M. Kennedy's compilation of beautiful  posthumously rescued and published songs. 

John Manuel Kennedy habla de la inspiración de su Poemarium...

Roma, Roma, O Rom, O Roma

Legio! Aeterna! Aeterna! Victrix! 2x 

Verti Est Sua Aeterni  

Corda Nostra Solum Tibi 

Verti Est Sua Aeterni 

Vita Nostra Solum Tibi 

Roma, Roma, O Rom, O Roma

Legio! Aeterna! Aeterna! Victrix! (4x)  

A ferventi aestuosa Libya 

Volat Aquila Legion um 

Supra Terra Brittannorum 

Volat Aquila Legionum 

Roma, Roma, O Rom, O Roma

Legio! Aeterna! Aeterna! Victrix! (4x) 

Sit Italica Sua Vis 

Nostrum Munus Patri Marti 

Sit Italica Sua Vis 

Nostrum Munus Patri Marti 

Roma, Roma, O Rom, O Roma

Legio! Aeterna! Aeterna! Victrix! (4x)

LEGIO AETERNA! AETERNA VICTRIX! (3x) 

AETERNA! AHU!

b).- Intro - JMK 

c).- Himno del Imperio Romano SPQR

d).- Sobre el Himno de la A. S. Roma - JMK

e).- Himno de la A. S. Roma (En Italiano)

f).- Del Pomerium al Poemarium - intro a la coversación

      d.1 Rómulo y Remo

g) Roma (Dragón Blade, 2015)

John Manuel Kennedy interpreta Nocturno Nº 8 (1), un muestra de la poesía lírica del poeta peruano, Don José Santos Chocano.

El Hombre que Calculaba de Maba Tahan, capítulos XII & XIII.

John Manuel Kennedy Traverso recuerda al novelista, ensayista, cuentista y político mexicano:  Don Agustín Yáñez Delgadillo; quien naciera en Guadalajara, Jalisco un 4 de mayo de 1904 - y dejara sensiblemente de existir en la Ciudad de México, un 17 de enero de 1980.  Agustín Yáñez es considerado uno de los más grandes expositores de la novela mexicana posterior a la Revolución Mexicana, y también es recordado por ser el precursor de la novela mexicana moderna. En su ensayo "Raíces Indígenas de América", el maestro Agustín Yánez nos enseña y deleíta al recordar los origenes de las culturas de América incorporando exquisitas técnicas narrativas y estilísticas.