This week Susie and Gyles dive into the linguistic canvas of words. Join use as we explore the rich tapestry of illustrations and pictures as we trace the origins of these expressive terms. Together let’s uncover the hidden strokes of meaning as we paint a linguistic masterpiece, exploring the artistry behind the words we use to capture and convey the visual world.

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Enjoy Susie’s Trio for the week: 

Eleutheromania: A frantic desire for freedom.

Selcouth: Unfamiliar, unusual, rare; strange, marvellous, wonderful.

Snuggery: A cosy or comfortable place, especially someone's private room or den.

Gyles' poem this week was 'Musée des Beaux Arts' by 'W. H. Auden'

About suffering they were never wrong,

The Old Masters: how well they understood

Its human position; how it takes place

While someone else is eating or opening a window or just

walking dully along;

How, when the aged are reverently, passionately waiting

For the miraculous birth, there always must be

Children who did not specially want it to happen, skating

On a pond at the edge of the wood:

They never forgot

That even the dreadful martyrdom must run its course

Anyhow in a corner, some untidy spot

Where the dogs go on with their doggy

life and the torturer's horse

Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how everything turns away

Quite leisurely from the disaster; the ploughman may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the sun shone

As it had to on the white legs disappearing into the green

Water; and the expensive delicate ship that must have seen

Something amazing, a boy falling out of the sky,

had somewhere to get to and sailed calmly on.

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