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Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's new period drama, The Gilded Age!

This week on a special episode of New Money, Old Rules: The Gilded Age Podcast, Caroline & Mike sit down with series composers, Harry Gregson-Williams and Rupert Gregson-Williams.   

Can't get enough of The Gilded Age's music? Well, now you can download the official soundtrack for purchase from the iTunes Store and Amazon Music. It's also available for stream at Spotify, Apple Music, Soundcloud, and everywhere else you listen to music.

The official soundtrack features 39 tracks from the show's composers, Harry Gregson-Williams and Rupert Gregson-Williams, and has a run time of 1 hour and 18 minutes. 

Here is a link to the soundtrack on Spotify!

Standing-Rupert-Gregson-Williams-at-Keyboard-is-Harry-Gregson-Williams-photo-credit-by-Riley-Donavan

GUEST BIOS:

HARRY GREGSON-WILLIAMS is one of Hollywood’s most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents.  He most recently wrote the music for “The Last Duel” and “House of Gucci” both directed by Ridley Scott.  In addition, he wrote the music for Disney’s live action feature film “Mulan” which was directed by Niki Caro with whom he worked previously having scored her film “The Zookeeper’s Wife.” Gregson-Williams also co-wrote the original song “Loyal Brave True” for “Mulan” performed by Christina Aguilera.  He and his brother composer Rupert Gregson-Williams wrote the original score for the drama series “The Gilded Age” which debuted on HBO on January 24, 2022 in the US and will be available to stream on HBO Max. “The Gilded Age” launched on Sky Atlantic and streaming service NOW in the UK on January 25, 2022. They previously worked together on the miniseries “Catch-22.”

He was the composer on all four installments of the animated blockbuster “Shrek” franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning “Shrek.”  He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson’s “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.” He has collaborated multiple times with a number of directors, including Ben Affleck on “Live by Night,” “The Town” and “Gone Baby Gone”; Joel Schumacher on “Twelve,” “The Number 23,” “Veronica Guerin” and “Phone Booth”; Tony Scott on “Unstoppable,” “The Taking of Pelham 1 2 3,” “Déjà Vu,” “Domino,” “Man on Fire,” “Spy Game” and “Enemy of the State”; Ridley Scott on “The Martian,” “Prometheus,” “Exodus: Gods and Kings,” “Kingdom of Heaven,” “The Last Duel” and “House of Gucci”; Bille August on “Return to Sender” and “Smilla’s Sense of Snow”; Andrew Adamson on the “Shrek” series, the first two “Narnia” movies and “Mr. Pip”; and Antoine Fuqua on “The Replacement Killers,” “The Equalizer,” The Equalizer 2” and “Infinite.” Some of his other recent film projects include the documentary “Return to Space” directed by Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin with an original score by Harry and composer  Mychael Danna which marks their first collaboration together and premieres April 7, 2022 on Netflix, Disneynature’s all-new feature film “Polar Bear” which streams exclusively on Disney+ beginning April 22, 2022, “The Ambush” directed by Pierre Morel, “Life in a Day 2020” directed Kevin Macdonald, “The Meg” directed by Jon Turteltaub, Aardman’s “Early Man” directed by Nick Park for which he received an Annie Award nomination and Disneynature’s “Penguins.”  His television credits include “Whiskey Cavalier,” the miniseries “Catch-22” along with his brother Rupert Gregson-Williams and creating the main title theme and scoring two episodes of the anthology series “Philip K. Dick’s Electric Dreams” for which he received an Emmy nomination for the episode titled “The Commuter.”

Gregson-Williams has scored three of the five games in the highly successful “Metal Gear Solid” franchise for Konami and scored “Call of Duty: Advanced Warfare” for Activision, which became the top-selling video game of 2014 and earned him various music gaming awards. Throughout his career, Gregson-Williams has collaborated with a diverse array of recording artists such as Regina Spektor, Imogen Heap, Tricky, Peter Murphy, Flea, Hybrid, Paul Oakenfold, Sasha, Trevor Horn, Trevor Rabin, Lebo M., Perry Farrell and Tony Visconti.

Born in England to a musical family, Gregson-Williams earned a music scholarship to St. John’s College, Cambridge, at the age of 7 and later gained a coveted spot at London’s Guildhall School of Music & Drama, from which he recently received an honorary fellowship. He started his film career as assistant to composer Richard Harvey and later as orchestrator and arranger for Stanley Myers, and then went on to compose his first scores for director Nicolas Roeg. His subsequent collaboration and friendship with composer Hans Zimmer led to Gregson-Williams providing music for such films as “The Rock,” “Armageddon” and “The Prince of Egypt” and helped launch his career in Hollywood.

In 2018, Gregson-Williams received the BMI Icon Award, in recognition of his unique and indelible influence on generations of music makers, and the Society of Composers & Lyricists’ prestigious Ambassador Award. He has also been a regular mentor at the Sundance Composers Lab, working directly with talented emerging composers from all over the world.

RUPERT GREGSON-WILLIAMS was born in England and educated at St. John’s College Choir School, Cambridge.

A multi-award winning composer, Gregson-Williams has written the scores for a wide range of feature films, including the Oscar-winning “Hotel Rwanda,” for which he was awarded the European Film Award for Best Composer; the animated films “Abominable,” “Over the Hedge” and Jerry Seinfeld’s “Bee Movie,” receiving an Annie Award nomination for his score for the latter. He received an Emmy nomination in 2017 for Outstanding Music Composition for a Series (Original Dramatic Score) for his work on “The Crown.”

Gregson-Williams also wrote the music for the hit film “Aquaman” directed by James Wan which was released in December 2018; scored the blockbuster and critically acclaimed “Wonder Woman” directed by Patty Jenkins which opened in 2017; the award-winning war drama “Hacksaw Ridge,” starring Andrew Garfield and directed by Mel Gibson, which premiered at the Venice International Film Festival and opened nationwide in 2016 and the international hit “The Legend of Tarzan,” starring Alexander Skarsgård and Margot Robbie and directed by David Yates.

Most recently, Gregson-Williams wrote the original score for “Fatherhood” starring Kevin Hart and directed by Paul Weitz (June 2021) and the popular Netflix Animation film “Back to the Outback” which was directed by Harry Cripps and Clare Knight and was released in December 2021.

For television, Gregson-Williams’s most recent projects were “Behind Her Eyes” for Netflix in 2021, “Catherine the Great” starring Helen Mirren which premiered on HBO in October 2019 and the limited series “Catch-22” directed and executive produced by George Clooney for Hulu which premiered in May 2019 for which he wrote the music with his brother Harry Gregson-Williams. He wrote the music for TNT’s “The Alienist” starring Dakota Fanning, Luke Evans and Daniel Bruhl which premiered in January 2018. He has also composed the music for various other TV projects, including the Emmy-award winning HBO series “Veep,” AMC’s “The Prisoner,” and Sky Vision’s “Agatha Raisin.” He received an Emmy nomination for the 2002 telefilm “Jack and the Beanstalk: The Real Story,” for Outstanding Music Composition for a Miniseries, Movie or a Special (Dramatic Underscore).

He and his brother composer Harry Gregson-Williams wrote the original score for the drama series “The Gilded Age” which debuted on HBO on January 24, 2022 in the US and will be available to stream on HBO Max. “The Gilded Age” launched on Sky Atlantic and streaming service NOW in the UK on January 25, 2022. They previously worked together on the miniseries “Catch-22.”

Gregson-Williams has had a long association with Adam Sandler and has composed the scores for many of his films over the years. Their collaborations include “Click,” “Bedtime Stories,” “Grown Ups,” “Just Go with It,” “Blended,” “The Ridiculous 6,” “The Do-Over,” “Sandy Wexler” “Murder Mystery” and “Hubie Halloween.”

His other film credits include “The Eight Hundred.” “Winter’s Tale,” directed by Akiva Goldsman; “Made of Honor,” starring Patrick Dempsey; and “Thunderpants.”

His commercial and film collaborations have included working with Ben Folds, Mark Knopfler, Hans Zimmer and Skylar Grey.

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Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)!

Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you!

MORE IN THIS SERIES

Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9

FOLLOW THE HOSTS ON TWITTER

Caroline | Mike 

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Credits:

Music:

“String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák.

New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

THE THING ABOUT PAM -- "She's Not Who You Think She Is" Episode 105 -- Pictured: (l-r) Renée Zellweger as Pam Hupp, Rachael Thompson as Tina -- (Photo by: Skip Bolen/NBC)

In our continuing coverage of NBC’s The Thing About Pam, Stef, Sheila, and Colleen bring you an in-depth discussion about episode 5, She’s Not Who You Think She Is.

This is the penultimate episode folks! Only one more hour left in this tale about Pam and her bananas story. Seriously, this real-life story sounds more made up than most of the fiction out there. We see Pam starting to become ... unhinged. She's still winning left and right, but she's starting to feel the walls closing in on her. As Dateline presses on her, Leah reveals Pam's fate if the people of Troy elect another District Attorney. Mundane events turn into epic showdowns, and even Mr. Hupp pushes back, leaving Pam feeling twitchy. We dive into yet another trial where Pam heavily features. Betsy's daughter's growth in this episode comes up a lot in this podcast as we try to deflect the spotlight away from Pam. We talk about how this episode appears to set us up for the inevitable train wreck finish for next week's finale. Join in the twisty plot with us as we talk about The Thing About Pam!

Listen to other episodes in this series

1 | 2 | 3 | 4

Follow the hosts on social media!

Sheila | Stef (Twitter) (Insta) | Colleen

The True Crime TV Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited and assembled by Paul Daley.

Welcome to Pod Clubhouse's Press Pass Podcast, your one stop shop podcast where we take you behind the scenes with coverage of festivals, cons, and live events!

This episode features some of our coverage from WonderCon 2022, which took place April 1-3 in Anaheim, California.

This episode, Caroline and Mike discuss:

Kevin Smith's Return to WonderCon!

The Bob's Burgers Movie Panel.

Ted Lasso: The Hero to Believe In

Hulu's Woke, including Roundtable Interviews with the cast and creatives:

Actors Lamorne Morris, Blake Anderson, and T Murph (Time Code for Start of interview with Actors: 16:03)

Executive Producers Keith Knight, Marshall Todd, and Anthony King (Time Code for Start of interview with Creatives: 28:35)

Check out our OTHER WONDERCON 2022 coverage

Disney's The Quest | The Boys Presents: Diabolical

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Credits: 

Music: “Summer Festivals Are Coming” by Infraction, licensed by Pod Clubhouse.

Podcast Recorded and Produced at Pod Clubhouse Studios.

Welcome to Pod Clubhouse's Press Pass Podcast, your one stop shop podcast where we take you behind the scenes with coverage of festivals, cons, and live events!

This episode features some of our coverage from WonderCon 2022, which took place April 1-3 in Anaheim, California.

Wandering the Exhibition Floor is a highlight of any Con and that was definitely true at WonderCon 2022! This episode, Caroline and Mike discuss:

Highlights of the WonderCon 2022 Exhibition Floor

Amazon Prime Video's The Boys Presents: Diabolical, streaming now, exclusively on Amazon Prime Video.

Roundtable Interviews with the creatives behind The Boys Presents: Diabolical:

Simon Racioppa, Executive Producer and Showrunner (Time Code for Start of interview with Simon Racioppa: 16:37)

Giancarlo Volpe, Supervising Director (Time Code for Start of interview with Giancarlo Volpe: 25:21)

Check out our OTHER WONDERCON 2022 coverage

Disney's The Quest | Hulu's Woke

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Credits: 

Music: “Summer Festivals Are Coming” by Infraction, licensed by Pod Clubhouse.

Podcast Recorded and Produced at Pod Clubhouse Studios.

Welcome to Pod Clubhouse's Press Pass Podcast, your one stop shop podcast where we take you behind the scenes with coverage of festivals, cons, and live events!

This episode features some of our coverage from WonderCon 2022, which took place April 1-3 in Anaheim, California.

In Person Conventions are back and Caroline and Mike were at WonderCon 2022 to bring you all the action. In this episode, Mike and Caroline discuss:

The overall feelings and vibe of WonderCon and being back in person with the fandom culture.

Kevin Smith's opening night one-man show.

Disney+'s The Quest, streaming exclusively on Disney+ beginning on May 11.

Roundtable Interviews with the Executive Producers of Disney+'s The Quest:

Elise Doganieri (Time Code for Start of interview with Elise Doganieri: 17:30)

Jane Fleming and Mark Ordesky (Time Code for Start of interview with Jane Fleming and Mark Ordesky: 29:36)

Michael Williams and Rob Eric (Time Code for Start of interview with Michael Williams and Rob Eric: 44:06)

Check out our OTHER WONDERCON 2022 coverage

The Boys: Diabolical | Hulu's Woke

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Credits: 

Music: “Summer Festivals Are Coming” by Infraction, licensed by Pod Clubhouse.

Podcast Recorded and Produced at Pod Clubhouse Studios.

THIS IS US -- "The Hill" Episode 609 -- Pictured: (l-r) Chris Sullivan as Toby, Chrissy Metz as Kate -- (Photo by: Ron Batzdorff/NBC)

Thought we'd given up on you? Never. We're here until the end of this series. In this mega-sized super-sode, Paul and Caroline take all three of the final season's Big 3 episodes and combine them into ONE big podcast.

For "Guitar Man", we discuss:

Kevin's longtime resistance to putting in the work to find "depth" in his personality

Kevin's final arc - does it require finding a wife by the end of the series?

For "The Hill", we discuss:

Whose "side" do your hosts agree within the fight between Kate and Toby

The merits of each sides' arguments

Toby's long history of having trouble with complete honesty

For "Every Version of You", we discuss:

The odd pacing of needing to hurry up and find Deja vs Rebecca's stop and smell the roses approach

Rebecca's decision to let Randall off the hook in favor of Kate

Caroline and Paul discuss these and MANY more in this week's podcast!

Be sure to check out our other podcasts for This Is Us:

Season 6

1 | 2 | 3 | 4 | 5 | 6 | 7

Season 5

1+2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15

Season 4:

7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18

Follow us on TWITTER, FACEBOOK, and INSTAGRAM!

This podcast was recorded at Pod Clubhouse Studios and edited by Paul Daley.

Welcome to The 52 Weeks of Comedy Podcast! Each week, Caroline and Mike take you on a journey through the funniest movies of all time!

The 52 Weeks of Comedy Podcast premieres in May 2022!

Join in the conversation on Twitter at @podclubhouse!

Listen, rate, review, and subscribe to The 52 Weeks of Comedy Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you!

FOLLOW THE HOSTS ON SOCIAL MEDIA:

Pod Clubhouse | Caroline | Mike

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Credits:

Music:

“'Longest Summer” by ihsandincer, licensed by Pod Clubhouse.

The 52 Weeks of Comedy Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

THE THING ABOUT PAM -- "She's a Loving Daughter" Episode 104 -- Pictured: Renée Zellweger as Pam Hupp -- (Photo by: Skip Bolen/NBC)

In our continuing coverage of NBC’s The Thing About Pam, Stef, Sheila, and Colleen bring you an in-depth discussion about episode 4, "She’s a Loving Daughter".

 

There were fascinating themes in this episode around control and the dynamic between mothers and daughters. We dive deep into both of these as we see Joel doing some fine work when he successfully motioned for a retrial with justice for Russ finally! Leah needs distance between her strategy and Pam, now seeing her as unreliable, but not a liar. We're still scratching our heads over the new details Pam opted to share for the retrial. We take a trip in the way-back machine for a glimpse at Pam's origin story, which is as icky as you think it might be. Pam's relationship with both her daughter and mother is strained in this episode, all by Pam's doing. And when is Betsy going to get justice in this town?! Join in the twisty plot with us as we talk about The Thing About Pam!

Listen to other episodes in this series

1 | 2 | 3

Follow the hosts on social media!

Sheila | Stef (Twitter) (Insta) | Colleen

The True Crime TV Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited and assembled by Paul Daley.

Welcome to Decorating the Set: From Hollywood to Your Home with Beth Kushnick!  This week, Caroline and Beth sit down with legendary television producer and director, Mark Tinker, to discuss Mark's career working on episodic television and the relationship between director and set decorator.

GUEST BIO:

After graduating from Syracuse University in 1973, Mark Tinker secured an entry

level position as a production assistant at Lorimar Productions where he worked on

such shows as THE WALTONS and APPLE’S WAY His next opportunity was as

associate producer at MTM Productions on various programs including THE BOB

NEWHART SHOW where he was given his first shot at directing. In 1978, Bruce

Paltrow offered Tinker the job of producer on THE WHITE SHADOW. That

pairing led to a decade-long producing relationship highlighted by the long running

medical drama ST. ELSWHERE. Tinker wrote, produced and directed episodes for

both series.

In 1990, Tinker began his first working relationship with the inestimable David

Milch, producing and directing CAPITAL NEWS. Following a fifteen-year run at

MTM, Tinker directed several pilots and movies-of-the-week before landing at

20th Century Fox as executive producer for Steven Bochco's acclaimed divorce

attorney series CIVIL WARS. He then executive produced and directed the final

season of L.A. LAW before rejoining Milch for nearly twelve years as executive

producer and frequent director of NYPD BLUE.

Executive producing and directing HBO’s DEADWOOD and JOHN FROM

CINCINNATI were followed by six years doing similar double duty on Shonda

Rhimes’ ABC medical drama, PRIVATE PRACTICE and four years as Executive

Producer/Director on NBC’s CHICAGO P.D.. Most recently he served in the same

capacity on the final season of AMERICAN GODS from Starz.

During his nearly fifty year career in television, Tinker has been nominated for the

Emmy Award sixteen times, taking home four -- one for producing (NYPD BLUE,

1995) and three for directing (ST. ELSEWHERE, 1993; NYPD BLUE, 1997;

BROOKLYN SOUTH (Pilot), 1998). Additionally, he has been nominated seven

times for the DGA Award and has three George Foster Peabody Awards and three

Humanities Awards.

Follow Mark on Twitter at @MarkCTinker and Instagram at @wrongcoast!

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For over 35 years, Beth Kushnick has created character-driven settings for countless award-winning television series and feature films. As a Set Decorator, she's composed visuals that both capture and enhance any story. Now, she wants to help you capture and enhance YOUR story.

Join Beth and her co-host, Caroline Daley, each week as they go behind the scenes of Hollywood’s magic, and give you approachable, yet sophisticated tips to realize the space that best expresses who you are.

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Follow Beth Kushnick on Social Media

Instagram | Twitter | Website

Follow Caroline Daley on Social Media

Twitter | Website

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Credits:

"Giraffes" by Harrison Amer, licensed by Pod Clubhouse.

This is an original production of Pod Clubhouse Productions, LLC. Produced, engineered and edited at Pod Clubhouse Studios. For more information, visit our Website.

Snowpiercer Season 3 Episode 10 - "The Original Sinners": Daveed Diggs as Andre Layton, Sean Bean as Mr. Wilford. Image Copyright Warner Media and TNT 2022.

Snowpiercer's third season draws to a close with "The Original Sinners". Alliances are made and betrayed as the train races toward the Horn of Africa and Layton's dream of New Eden. One second, quickly thrown together armies face off in an agricultural car, the next they're hugging it out in the Night Car.

Your hosts, Paul, Cat, and Inez, team up one more time to give you their thoughts on this final episode of the season and on the third season overall. They also try to offer a glimpse into possible paths forward to what may lie ahead in season 4!

We discuss these plot points and more in this weeks' podcast! Listen, rate, review, and subscribe to the Podcast on Apple Podcasts or wherever you listen! And write in and leave us comments on PodClubhouse.com, we'd love to hear from you!

More in this series

Season

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

 Season 2

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8

Season 1

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10

Follow the show

TNT Website | Facebook | Twitter | Instagram

Follow the hosts

Paul: Twitter | Web

Cat: Twitter | Insta | Web

Inez: Twitter | Insta

Recorded at Pod Clubhouse Studios using Cleanfeed and edited by Paul Daley.