This week, we’re diving headfirst into Bring Her Back — a film that’s already being hailed as one of the most haunting, gut-punching horror stories of the last decade. Written and directed by Chris Stuckmann, this indie powerhouse blends grief, obsession, and the supernatural into something that feels both intimate and cosmic.

We’ll unpack what makes Bring Her Back so devastatingly effective — from its emotionally raw performances and eerie slow-burn pacing to the way it weaponizes silence, memory, and loss. We’ll talk about Stuckmann’s journey from YouTube critic to serious filmmaker, the movie’s minimalist production that turns limitation into tension, and the deeper questions it asks about what it means to truly “bring someone back.”

No cheap scares, no easy answers — just a modern horror film that cuts straight to the bone.

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Intro music by Atomic Witch

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This week on Pod of the Dead, we dive headfirst into the eerie world of underground haunted attractions with the 2014 found footage horror film The Houses October Built. Blending documentary-style realism with chilling fiction, the movie follows a group of friends traveling across America in search of the scariest haunted houses they can find. What starts as a fun Halloween road trip quickly spirals into something darker when they encounter the elusive “Blue Skeleton” group, a mysterious troupe promising a truly extreme haunt experience.

We unpack the film’s clever use of real haunted house footage, the way it blurs the line between fact and fiction, and how it taps into the growing obsession with extreme haunts. Expect discussion on the behind-the-scenes origins, the challenges of shooting on the road, and how the movie captures both the excitement and danger of chasing the ultimate scare.

So grab your flashlight, climb aboard the RV, and get ready—because some haunted houses don’t want you to just visit… they want you to stay.

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Intro music by Atomic Witch

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On this episode of Pod of the Dead, we dive into the terrifying depths of space with Paul W.S. Anderson’s 1997 sci-fi horror cult classic Event Horizon. When a rescue crew investigates a starship that vanished beyond the boundaries of known space, they uncover something far worse than they could ever imagine. Part haunted house, part cosmic nightmare, Event Horizon has become legendary for its disturbing imagery, behind-the-scenes chaos, and the lost footage that fans still demand to see. We explore its gothic horror roots, shocking production history, and lasting impact on the genre—from Hellraiser in space vibes to inspiring Dead Space and modern cosmic horror.

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Intro music by Atomic Witch

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This week on Pod of the Dead, we sink our fangs into Ken Russell’s wild and wicked 1988 cult classic The Lair of the White Worm. Loosely based on Bram Stoker’s final novel, the film slithers between gothic horror, surreal psychedelia, and campy dark comedy. We break down the bizarre tale of an archaeology student who uncovers an ancient skull tied to a local legend, a seductive snake goddess, and a string of hypnotic hallucinations that make this one of the strangest vampire-adjacent movies of the ’80s.

Join us as we explore the film’s outrageous performances (including a young Hugh Grant and Peter Capaldi), the mythological roots of the White Worm legend, and Ken Russell’s trademark mix of sexuality, satire, and nightmare imagery. From giant serpents to pagan rituals and unforgettable dream sequences, this episode is a deep dive into one of horror cinema’s most eccentric cult favorites.

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Intro music by Atomic Witch

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This week on Pod of the Dead, we’re diving into the cursed videotape that haunted an entire generation—Gore Verbinski’s The Ring (2002). A chilling remake of Hideo Nakata’s Ringu, the film follows journalist Rachel Keller (Naomi Watts) as she races against time to unravel the mystery behind a VHS tape that kills anyone seven days after they watch it. With its unforgettable imagery, suffocating atmosphere, and the nightmare fuel of Samara climbing out of the television, The Ring became one of the defining horror films of the early 2000s.

We’ll dig into how the movie reshaped J-horror for Western audiences, the unnerving performances from Naomi Watts and David Dorfman, and the eerie behind-the-scenes stories that helped turn this film into a modern classic. Plus, we’re debuting a brand-new segment: Dustin and Natasha’s Creepy Corner, where they bring you spine-tingling stories, unsettling lore, and strange real-world horrors to keep the chills going even after the credits roll.

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Intro music by Atomic Witch

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This week on Pod of the Dead, we’re diving into one of the scariest international horror films of the last decade: Terrified(2017), an Argentine nightmare from writer-director Demián Rugna. Known in Spanish as Aterrados, the film has earned a cult reputation for its relentless atmosphere, shocking imagery, and inventive scares that linger long after the credits roll.

We’ll break down the eerie suburban setting where neighbors begin to experience grotesque hauntings, disembodied voices, and even the impossible return of the dead. Along the way, we’ll dig into Rugna’s inspirations, the film’s chilling practical effects, and why its unique approach to paranormal terror struck such a nerve with horror fans worldwide.

Of course, we’ll also get into the legacy of Terrified—from its festival buzz and streaming success, to Guillermo del Toro’s involvement in a planned remake, and its reputation as one of the most effective ghost stories in recent memory.

Turn off the lights, check under the bed, and join us as we get… Terrified.

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Intro music by Atomic Witch

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This week on Pod of the Dead, we sink our teeth into the infamous cult classic Troll 2 (1990) — the so-bad-it’s-good masterpiece that gave us goblins, green goop, and some of the most memorably terrible line deliveries in horror history. We dig into its bizarre production, strange legacy, and why it’s earned its place as one of the most beloved bad movies ever made.

But that’s not all — we also count down our Top 10 favorite movies we’ve covered on the podcast so far, revisiting the highlights, the surprises, and the films that stuck with us most. Whether you’re here for the Nilbog weirdness or our ultimate ranking, this episode is packed with cult horror goodness.

If you love horror, cult classics, and chaotic cinema history, this one’s for you.

🎧 Listen now and find out where Troll 2 lands in the Pod of the Dead universe!

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Intro music by Atomic Witch

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Do you read Sutter Cane? This week on Pod of the Dead, Dustin and Natasha dive into John Carpenter’s 1995 cult classic In the Mouth of Madness — a Lovecraftian descent into madness, monsters, and metafiction. From Sam Neill’s unhinged performance to Carpenter’s eerie blending of cosmic horror and satire, we break down how this underrated gem became a fan favorite for horror diehards.

We’ll explore the film’s themes of reality vs. fiction, Carpenter’s place in ‘90s horror, behind-the-scenes production details, and why In the Mouth of Madness might be Carpenter’s most terrifying vision. Plus, we share our own ratings and discuss where it stands in the pantheon of Carpenter classics.

If you love cosmic dread, creepy small towns, and horror that messes with your head, this is one episode you won’t want to miss.

👉 Subscribe, rate, and join the cult — new episodes of Pod of the Dead drop every week!

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On this week’s episode of Pod of the Dead, we’re diving into Stephen King’s The Monkey (2025), the brand-new horror adaptation from director Osgood Perkins (Longlegs, I Am the Pretty Thing That Lives in the House). Based on King’s chilling short story, The Monkey follows two brothers haunted by a cursed cymbal-clapping toy that brings death every time it plays.

We break down the film’s terrifying set pieces, Perkins’ unique directing style, and how this adaptation stacks up against other recent Stephen King films. Plus, we get into behind-the-scenes details, cast performances, and where The Monkeylands in the 2025 horror landscape.

If you’re a fan of Stephen King movies, cursed object horror, or creepy toy scares, you won’t want to miss this one.

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This week on Pod of the Dead, we’re getting cursed with Drag Me to Hell (2009), Sam Raimi’s gloriously gooey return to horror. Nicholas is joined by Dustin and Natasha as we unpack the film’s blend of slapstick scares, gross-out gags, and demonic morality tales. Is this a spiritual sequel to Evil Dead? Does Raimi secretly hate loan officers? And what does this movie have to say about guilt, punishment, and capitalism?

We break down Alison Lohman's performance, Raimi’s signature camera work, and that unforgettable (and nasty) ending. Plus, we talk gypsy curses, screaming goats, and the ethics of button ownership.

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