Podcasts - The Strange Brew

Ric Sanders, the fiddle player who has been an integral part of Fairport Convention for 40 years, takes us on a journey through his extraordinary musical life. From his early days discovering electric violin, to his simultaneous membership in both Soft Machine and the Albion Band, Sanders’ career reads like a who’s who of British jazz-fusion and folk-rock. Speaking with characteristic warmth, Sanders discusses the upcoming Fairport Spring 2026 UK Tour and provides insights into life on the road.

Beyond Fairport, Sanders reveals the rich tapestry of collaborations that have shaped his musical journey: moments following Indian violin legend L. Shankar on stage, late-night jam sessions with Nigel Kennedy in Malvern pubs, and the influence of Ashley Hutchings. He also discusses his ongoing projects, from the Ric Sanders Trio to his recent work with Rosalie Cunningham. While Ric considers himself “a very lucky little fellow” it’s clear that luck has been matched by extraordinary talent and a passion for making music.

Fairport Convention Spring Tour 2026

Ric Sanders podcast tracks

Podcasts also available: Ashley Hutchings, Rosalie Cunningham, Gordon Giltrap, Dave Mattacks, Chris Leslie, Simon Nicol (2023), Dave Pegg

This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms

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Steve Berlin revisits Los Angeles during its most volatile creative period, the late 1970s and early 1980s, when rent was $170 a month and sewage regularly seeped into the Cathay de Grande, the basement club where Top Jimmy and the Rhythm Pigs held their Monday night residency. Berlin recalls producing and playing on their newly reissued album Pigus Drinkus Maximus and joining Los Lobos after they’d spent years developing east of the LA River, completely off the west side scene’s radar. He also addresses the Graceland controversy head-on: Paul Simon’s failure to credit Los Lobos for writing the music to ‘All Around the World or The Myth of Fingerprints.’ Berlin also discusses his work with REM, producing Faith No More, and offers a moving tribute to Mavericks frontman Raul Malo.

Pigus Drunkus Maximus

Steve Berlin podcast tracks

Podcasts also available: Steve Wynn – The Dream Syndicate, Matt Piucci – Rain Parade, John Cowsill and Vicki Peterson, Harold Bronson – founder of Rhino Records

This podcast is also available on Apple Podcasts, YouTube, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post Gods Walking the Earth: Steve Berlin Remembers the LA Music Scene That Made Los Lobos and Top Jimmy appeared first on The Strange Brew .

Vox, lead vocalist of Chameleons, discusses the group’s successful reformation and their latest album Arctic Moon. The conversation explores the Chameleons’ origins in Manchester’s late 1970s post-punk scene, their breakthrough John Peel session, and challenging relationships with CBS Records and producer Steve Lillywhite. Vox reflects on their early years and the tensions that led to the band’s original dissolution. Throughout, the conversation highlights the Chameleons’ status as one of the most influential guitar bands of the 1980s, whose atmospheric sound has cemented their legacy as Manchester’s most underrated musical export.

chameleonsband.com

Chameleons podcast tracks

Podcasts also available: Steve Diggle – Buzzcocks, David Gedge – The Wedding Present, Peter Perrett – The Only Ones, Andy Gill – Gang of Four, Barry Adamson – Magazine

This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post Vox – Chameleons appeared first on The Strange Brew .

Damon Minchella, founding bassist and songwriter of Ocean Colour Scene, and longtime collaborator with Paul Weller and Richard Ashcroft, talks about his time in music. Damon reflects on a remarkable career spanning Britpop’s rise, creative battles with major labels, his friendship with Oasis, and performing with The Who for Live 8 and Paul McCartney for War Child. He also discusses his autobiography You’d Look Good on a Donkey, the realities behind Ocean Colour Scene’s success, and how a life-changing injury led him into academia while continuing to tour at the highest level.

Damon Minchella: You’d Look Good On A Donkey: Britpop, Basslines & Bad(Ish) Decisions

Podcasts also available: Steve Cradock, Stephen Street, Billy Bragg, Lynval Golding, Bruce Foxton

This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post Damon Minchella – Ocean Colour Scene appeared first on The Strange Brew .

In 1968, a group of Luton apprentices started creating a rock opera. Chris Stokes and his band Genesis (not that Genesis) conceived a concept album with baroque piano arrangements and experimental passages, then packed it away and got on with their day jobs. For over 50 years, this album and other material spanning a decade, existed only on deteriorating tape and acetates. Chris recorded with various lineups from the mid-1960s including The Mantis Set, Genesis, and Sunday Painter, mostly at home on a Revox tape machine; self-financed, largely improvised, never properly released. Then Dimorphodons from Hand of Glory Records bought a battered Hohner keyboard on eBay for £10, heard a sample track, and discovered a treasure trove of lost British psychedelia. Chris and Dimorphodons share highlights from this incredible archive, with the bulk of these tracks heard in public for the first time.

handofglory.co.uk

A Story By The Genesis

The Genesis – podcast tracks

Podcasts also available: The British Psychedelic Sounds of 1967, A Kaleidoscope Of Sounds Psychedelic & Freakbeat Masterpieces, Arthur Brown, Hawkwind’s Days of the Underground, Pete Brown – Cream/Jack Bruce

This podcast is also available on Apple Podcasts, YouTube, Google apps and all usual platforms

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The post The Genesis That Time Forgot: Unearthed British Psychedelia appeared first on The Strange Brew .

James Warren joins us to talk through a life in songs, from the playful invention of Stackridge to the studio-bound success of The Korgis. James reflects on writing Everybody’s Got to Learn Sometime, why its acoustic reworking finally restored a lost verse, and how choices around touring shaped the band’s fate. Along the way he discusses working with George Martin, later reformations, and highlights from recent Korgis releases.

thekorgis.com

James Warren podcast tracks

Podcasts also available: James Warren (2017), Chris Difford, Gordon Haskell, Steve Harley, Karl Wallinger

This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post James Warren – Stackridge, The Korgis appeared first on The Strange Brew .

In The Strange Brew’s 500th episode, Colin Blunstone returns to talk about his One Year and More live box set. Colin reflects on the development of his songwriting, collaborating with Rod Argent and Chris White and the making his early solo albums. He looks back on The Zombies and Odessey and Oracle and the lasting impact of their music. He also discusses working with Alan Parsons and his plans for live dates and new material in 2026.

One Year and More: Live from Union Chapel

Colin Blunstone website

Colin Blunstone 2025 podcast tracks

Podcasts also available: Colin Blunstone (2021), Colin Blunstone (2015), Chris White (2025), Chris White (2019), Rod Argent, Hugh Grundy, Russ Ballard, Mike Hurst, Alan Parsons

This podcast is also available on Apple Podcasts, YouTube, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post Colin Blunstone on One Year, The Zombies and New Music appeared first on The Strange Brew .

Matt Piucci joins us for a journey through Rain Parade’s story from the early 1980s Los Angeles music scene to the present day. Across a hand-picked set of tracks, Matt looks back at the group’s earliest recordings, the friendships that grew out of the Paisley Underground, and the way their influences found their way into Emergency Third Rail Power Trip and Explosions in the Glass Palace LPs. The conversation follows Rain Parade into their Island years and the projects that kept Matt and Steven Roback writing. Matt closes by reflecting on the rediscovery of their music by a new wave of groups and the run of new releases that has carried them to today.

Rain Parade website

Matt Piucci podcast tracks

Podcasts also available: Steve Wynn – The Dream Syndicate, John Cowsill and Vicki Peterson, Iain Matthews, Will Sergeant – Echo & the Bunnymen

This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post Matt Piucci – Rain Parade appeared first on The Strange Brew .

John McFee speaks in depth about his work with Southern Pacific, Jackdawg and his session career. He explains how Southern Pacific evolved, why Jackdawg’s album has been rediscovered, and why the focus of his songwriting is not with The Doobie Brothers. He also looks back at Clover’s time in the UK, backing Elvis Costello on My Aim Is True, and the steady flow of session work with Van Morrison, the Grateful Dead, and Steve Miller. John closes with an update on his solo project.

Jackdawg’s album

Podcasts also available: Stu Cook – Jackdawg and Creedence, Pete Briquette – The Boomtown Rats, Jorma Kaukonen – Jefferson Airplane, John Mayall

This podcast is also available on Apple Podcasts, YouTube, Google apps and all usual platforms

If you like what I do please support me on Ko-fi

The post John McFee – Clover, The Doobie Brothers, Southern Pacific, Jackdawg appeared first on The Strange Brew .

Graham Parker reveals the story behind his debut album Howlin’ Wind. Parker recalls his journey from suburban Surrey to the London music scene, his early jobs, and the moment he found his sound – a mix of soul, R&B and sharp songwriting. He looks back at the formation of The Rumour, his partnership with Dave Robinson, and the whirlwind that led to Howlin’ Wind and Heat Treatment being released within months of each other. Parker also reflects on his later work, collaborations, and enduring independence as an artist. Throughout, we hear why his debut stands as one of the strongest opening statements in British rock.

Graham Parker’s Howlin’ Wind by Jay Nachman

The Official Graham Parker website

Podcasts also available: Bruce Thomas – Elvis Costello and The Attractions, Clem Burke – Blondie, Pete Briquette – The Boomtown Rats, Pub rock and the birth of new wave

This podcast is also available on Apple Podcasts, Spotify, YouTube and all usual platforms

If you like what I do please support me on Ko-fi

The post Graham Parker appeared first on The Strange Brew .