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The fairytale opera Sadko by Russian composer Nicolai Rimsky-Korsakov had its first performance in Moscow on today’s date in 1898. This opera is still staged in Russia, but rarely anywhere else — even though some of its wonderful melodies have proven extremely popular. One of the opera’s arias had a tune so catchy that it was set to English words as “Play That Song of India Again” and became a best-selling Paul Whiteman recording in the 1920s. In the big-band era, Rimsky-Korsakov’s Song of India even made the American hit parade.
The line between popular culture and classical music has often been blurred — and seldom so wickedly as in the works of American composer Michael Daugherty. Take his Le Tombeau de Liberace, for example. Now, in classical music terminology, a “tombeau” is a memorial tribute to an eminent musician or composer — in this case, it’s Wladziu Valentino Liberace, the flamboyant, rhinestone-encrusted pianist and showman who died in 1987.
Many of Daugherty’s other concert pieces have also been inspired by pop icons, real and imaginary, ranging from Desi Arnaz to Superman.
Nikolai Rimsky-Korsakov (1844-1908): Song of India from Sadko (arr Kreisler); Gil Shaham, violin; Akira Eguchi, piano; DG 447 640
Michael Daugherty (b. 1954): Candelabra Rhumba from Le Tombeau de Liberace; Paul Crossley, piano; London Sinfonietta; Markus Stenz, conductor; Argo 458 145
By American Public Media4.7
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The fairytale opera Sadko by Russian composer Nicolai Rimsky-Korsakov had its first performance in Moscow on today’s date in 1898. This opera is still staged in Russia, but rarely anywhere else — even though some of its wonderful melodies have proven extremely popular. One of the opera’s arias had a tune so catchy that it was set to English words as “Play That Song of India Again” and became a best-selling Paul Whiteman recording in the 1920s. In the big-band era, Rimsky-Korsakov’s Song of India even made the American hit parade.
The line between popular culture and classical music has often been blurred — and seldom so wickedly as in the works of American composer Michael Daugherty. Take his Le Tombeau de Liberace, for example. Now, in classical music terminology, a “tombeau” is a memorial tribute to an eminent musician or composer — in this case, it’s Wladziu Valentino Liberace, the flamboyant, rhinestone-encrusted pianist and showman who died in 1987.
Many of Daugherty’s other concert pieces have also been inspired by pop icons, real and imaginary, ranging from Desi Arnaz to Superman.
Nikolai Rimsky-Korsakov (1844-1908): Song of India from Sadko (arr Kreisler); Gil Shaham, violin; Akira Eguchi, piano; DG 447 640
Michael Daugherty (b. 1954): Candelabra Rhumba from Le Tombeau de Liberace; Paul Crossley, piano; London Sinfonietta; Markus Stenz, conductor; Argo 458 145

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