Pop Screen

Get ready for (a) love (-in): Graham is joined once again by the Uncut Network's Rob for a look at Iain Forsythe and Jane Pollard's massively acclaimed sort-of documentary about Nick Cave. As well as providing an intimate look at the Australian legend's creative process and history, it also features appearances from his deeply unexpected celebrity friends: Ray Winstone and Kylie Minogue, together at last!

Along the way, there's time to consider the idiosyncratic concert demands of Nina Simone, while a look back at Forsythe and Pollard's career lets us talk about The Cramps and reveal the name of God. But mostly, this is a celebration of Cave - and there's more to come, with Andrew Dominik's duology of One More Time With Feeling and This Much I Know To Be True out tomorrow on our Patreon...

On this week's Pop Screen, Graham has a very important and special guest: Mark's dog! And, fine, yes, also Mark, with our favourite quizmaster and Film Stories writer coming back to talk about Russell T Davies's most personal drama. Set across the early years of the AIDS crisis, It's a Sin has a cast full of breakthrough young stars, memorable cameos from acting veterans, plus Olly Alexander, whose day job in Years and Years allows us to cover the show.

Our Halloween special is over and done with, but this week Graham faces his most terrifying challenge yet - enjoying a film about jazz. If you're going to watch one film about jazz, though, Bertrand Tavernier's 'Round Midnight is the one to watch. Its bona fides are impeccable: named after a Thelonious Monk song, starring Dexter Gordon, with a score by Herbie Hancock and inspired by the lives of Lester Young and Bud Powell.

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Oh god, Graham's shining the spooky light under his face again - sounds like time for a Halloween special. And it is, with Mark Cunliffe of We Are Cult joining the show once again to talk about The Haunted House of Horror, a 1960s British horror movie with an all-bases-covered title. It's the familiar tale of a group of horny and stupid teens who go to an old house for a seance and end up beset by entities even older and more sinister than Frankie Avalon, the Beach Blanket Bingo star who plays a character described as the essence of Swinging London.

So, not entirely persuasive casting in the lead role, but there's an impressive supporting cast including Jill Haworth and Get Carter's George Sewell, who does not play one of the teens, as he was never young. Aside from exploring the varied CVs of cast and crew, Graham and Mark also appreciate the movie's surprisingly nasty kills, the reshoots that led to the ending making no sense at all, and the time when Mark accidentally went to a Chesney Hawkes concert.

If you want to keep us buying clothes at the Men's Shop, you can donate to our Patreon where Mark and Graham are about to reteam and tackle Taylor Swift's Eras concert film in a Pop Screen exclusive. You'll also find regular written reviews of classic British sci-fi television and our favourite Asian genre movies, the monthly movie miscellany podcast Last Night..., and cult franchises reviewed in From the Video Aisle. Follow us on Instagram, Twitter and Facebook for more news.

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Don't call it a comeback! Literally, given the number of alternative titles Pete Walker's 1978 chiller goes under. Best-known as The Comeback, stars crooner Jack Jones as crooner Nick Cooper - a stretch, then - who is all fresh from a stay in rehab and ready to record his comeback album. The process is interrupted by artistic conflicts, record industry politics, scary ghosts and a hag-masked killer armed with a sickle. Not necessarily in that order.

If you'd like to help us detox from heroin and restart our tarnished careers, you can donate to our Patreon, where you'll get a monthly bonus episode of this show. The next one, about aliyah's posthumous role in Queen of the Damned, is out tomorrow. Plus a new series of reviews of Asian genre classics in Fantastic Asia, cult franchises go under the lens in From the Video Aisle, weekly reviews of Doctor Who, Red Dwarf and The X-Files, and much more. Follow us on Facebook, Instagram and that which once was Twitter for more.

When we announced a month of Madonna-themed movies, we could have just looked at her acting performances, maybe a documentary or two. Instead, we felt like it was our journalistic duty to blow the lid off her steamy affair with 'Weird' Al Yankovic. That's just one of the extremely accurate facts contained in Weird: The Al Yankovic Story, a merciless lampoon of biopic cliches which Weird Al superfan Jeff is back on the podcast to discuss with Graham.

The film immediately received attention for Daniel Radcliffe's insanely committed lead performance, but there's more - and not just Evan Rachel Wood's superb turn as Madonna, either. Jeff and Graham discuss which of the film's cavalcade of cameos they'd like to see a full biopic about, the film's long gestation period and how the rock biopic changed (or didn't) during production, and the critical importance of preserving the Quibi archive for future generations.

If you'd like to help us dare to be stupid, you can donate to our Patreon, where you'll get a monthly bonus episode of this show, as well as our movie and TV round-up podcast Last Night..., cult franchises reviewed in From the Video Aisle, weekly written reviews of Doctor Who, Red Dwarf and The X-Files, plus Unseen Asia and more.

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This week, Pop Screen is showing you Dick. As part of our ce-e-le-bration of the fortieth anniversary of Madonna's breakthrough single Holiday, we're taking you back to 1990, when Warren Beatty became one of the few men to ever tell her what to do as he directed his then-partner in the comic book hit of the summer, Dick Tracy.

Obviously, the landscape of comic book adaptations has changed since the days when a 1930s detective strip was a box office smash and Captain America was the subject of a cheap B-movie. But has it changed for the better? This question can only be answered by bringing back Andrew of Behold! podcast, who revisits his childhood favourite film to ask: does it hold up, and why isn't it set on the moon? Plus vital detours to discuss the film's excellent make-up, Al Pacino's, uh, high-intensity villain performance, the documentary Six by Sondheim and the insane excess of a film that can afford to get Kathy Bates for, essentially, one great sight gag.

If you'd like to help us hold on to the rights for a 1930s comic strip using a series of Zoom calls - seriously, it's a thing we discuss - you can back us on Patreon, where you'll get an exclusive episode on Dangerous Game, another of the many curios in Madonna's screen career. Plus written reviews of Red Dwarf, The X-Files and classic series Doctor Who, From the Video Aisle works its way through the [Rec] series, the film and TV miscellany podcast Last Night... and more. Follow us on Twitter, Facebook and Instagram for more.

Some people think little girls should be seen and not heard, but Pop Screen says: welcome to our episode on Poly Styrene: I am a Cliche! Co-directed by Celeste Bell in collaboration with Paul Sng, it follows

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This week, Mark Harrison from Film Stories rejoins Pop Screen to taunt Graham about one of his most extravagantly failed predictions. Remember our The Dead Don't Die episode? Where we looked at that film's star Austin Butler's upcoming movies and decided there was no way an Elvis biopic was going to make bank in 2022? WELL...

It's our 100th episode! And what better way to celebrate than to look back at one of the great musical flops of all time, 1980's Xanadu. Starring Olivia Newton-John, Gene Kelly and a guy from The Warriors, it's the story of a Greek Muse sent to Earth on a mission to inspire. If she knew she was going to inspire him to make a swing dancing/roller disco fusion club, she'd have stayed on Mount Olympus.