Based on the book series of the same name, The Wild Robot explores the themes of survival, discovery and connection, through the story of Roz, a robot that’s shipwrecked on a deserted island, who then has to adapt to these new surroundings. We discuss this critically acclaimed movie, that’s also likely to be the last Dreamworks movie done in-house, before expanding the conversation to look at other animation classics that exist outside the Disney/Pixar studio system. Finally, we close off as always with The B-Side, a deep dive into the music of the big and small screen.

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Blumhouse is back with another horror outing, this time it’s Speak No Evil, a remake of the 2018 acclaimed Danish film. The 2024 film is directed by James Watkins and stars James McAvoy and Mackenzie Davis. We discuss if the film lives up to the original, and then in Take Two talk about remakes that worked (or didn’t) and finally on The B-Side explore the music of horror trailers.

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After a very long and circuitous road to being made, Beetlejuice Beetlejuice is out! The sequel to the original 1988 film sees the return of Tim Burton (of course), but also most of the main players: Michael Keaton, Winona Ryder and Catherine O’Hara, along with new additions Jenna Ortega and Willem Dafoe, among others. We discuss this much-anticipated sequel and whether it’s a return to form for Burton, before turning our attention to cult classics in Take Two. Finally, we close off with a deep dive into Danny Elfman’s original score for the movies, and a shout-out to Harry Belafonte.

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It’s a slow week in cinema releases, but there’ve been a slew of movies that either never made it to the big screen here in Malaysia (or that we didn’t get to review), including The Holdovers, Furiosa: A Mad Max Saga, and Kingdom of the Planet of the Apes, so we’re discussing them all and dissecting which one is worth watching and re-watching. Then on Take Two, we’re looking at the movies we wish would return to the big screen, since there’ve been a number of re-releases recently, including Sepet. And of course, we’re concluding with The B-Side, which is about the music of Mad Max.

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With Merdeka just around the corner, we’re having an all-Malaysian episode today! Kicking off with a review of Amanda Nell Eu’s much-lauded Tiger Stripes, in its full form on Netflix, before segueing into a discussion about the best that Malaysian film has to offer, before we close off with The B-Side as always.

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The Alien franchise rolls on with its latest instalment, this time as a standalone interquel that takes place in between the events of Alien and Aliens, when young space colonists encounter a xenomorph, while scavenging on an abandoned space station. Helmed by Fede Alvarez, it’s a highly anticipated movie especially following the (relative) disappointments of Prometheus and Alien: Covenant. We discuss if it’s lived up to the hype, and then in Take Two, cover some of our favourite on-screen extraterrestrials, before closing off with a very old track, You Are My Lucky Star on The B-Side.

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M. Night Shyamalan’s back with his latest high-concept thriller: this time about a serial killer trapped at a concert with his daughter, as the walls and law enforcement close in. We discuss whether this Josh Hartnett-led vehicle works, and whether the nepo baby accusations are warranted. Then on Take Two, we discuss the directors who are either the main draw for watching something, or the reason we avoid a project. Finally, on the B-Side, in honour of father-daughter duos in movies, we’re closing it out with Aerosmith’s classic tearjerker, I Don’t Want To Miss A Thing.

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The second season of House of the Dragon is done and dusted, with the tensions between the Greens and the Blacks at an all time high and more glorious dragon battles. We discuss the entire season before getting into the question of on screen kings & queens on Take Two and closing it off with another one of Ramin Djawadi’s iconic themes from the franchise on B-Side. 

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Carmy and the gang are back, cousins! Each season of The Bear has had its own unique flavours and travails, and Season 3 picks up exactly where we left off, with the crew of the newly formed restaurant on the search for their menu, and a good review. We discuss how this season stands up against the earlier ones, and then since the awards (and some viewers) keep insisting that The Bear is a comedy, Take 2 is all about the shows and movies that manage to straddle that fine line between drama and comedy, before we close off on The B-Side with some Taylor Swift.

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Everyone’s favourite motor mouthed masked hero is back, partnered (for real this time) with a well-loved cigar-smoking Adamantium-clawed member of the X-Men! In other words, this week we’re reviewing Deadpool & Wolverine, and discussing whether this heavily anticipated reuniting of Ryan Reynolds and Hugh Jackman lives up to the hype. Then on Take Two, we discuss the moments when other actors have been perfectly matched with iconic roles. Finally, we close off with the B-Side, focusing on that legendary X-Men animated theme.

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