Charlie opens up about discovering a Brazilian easy listening record by Tim Maia called "Tudo Vai Mudar" and they speak on how familiar the song feels. Then the fellas dive deep on the Yatch Rock sound of the 80's, and the importance of sampling and covering old songs. Finally, they cap the show with discussing Jo Koy's complaint of today's Rap records and older Rappers performing at Summer Jam.

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A throw back episode when Mixer Jon and Dj Deens were integral members of our old show on the Beat Junkie Radio channel. Everybody speaks on their experience from Djing, Promoting and creating music. And of course, some music opinion and talk.

After a few months, the fellas go over the "Meet The Grahams" record by Kendrick Lamar. They dive deep in how this ended any tracks released and the how this affects the tradition of diss track wars in hiphop.

Charlie on Nathan break down the the Saafir and the Hobo Junction vs Casual and the Souls of Mischief Crew in person rap battle. They breakdown how Saafir took on most of the opposition and what it societally means in dealing with finishing Rap Beefs.

Charlie asks Nathan if he listens to more instrumentals as he ages. Then they talk about Tupac's reputation and his artist style and what they do to music in order to preserve their enjoyment for older records.

The fellas talk about how their listening has evolved. They play artists for the Gen X'ers such as musician Kaidi Thatam, singer Benny Sings, dub artist Roots Radics and hiphop MC Blu and producer Shafiq Husayn.

Charlie and Nathan dive deep about the concept of "biting" meaning copying other artists style. They use Guerilla Black sounding excatly like Biggie Smalls and the Strange Fruit Project mirroring a Soul / Hiphop sound that sonically rendered modular for an underground approach.

Charlie and Nathan talk about why A Tribe Called Quest is the greatest hiphop group. They go through their favorite songs per album and elaborate how they ushered a new sound while featuring other artists.

Charlie plays music where house instruments are being used in Urban Pop and Nathan features a really good Dub / Reggae record. Then they across the board playing underground R & B, Electro Reggae and wonder what Major Lazer could've been if they only went the creative independent route.

Nathan opens up with Charlie's conversational ability, and then leads towards how music can help adulthood with a Big L record. Then Charlie compliments Nathan's points by playing two young musicians / singers and an old school soul singer releasing a relevant record today.