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On today’s date in 1946, the octogenarian German composer Richard Strauss conducted the final rehearsal of his latest work, Metamorphosen, a study for 23 strings. Paul Sacher, the Swiss conductor and music patron, had commissioned the work and conducted the public premiere later that day in Zurich.
Strauss had begun work on the piece on March 13, 1945, one day after the Vienna State Opera house had been bombed by the Allies. When the Nazis had come to power in 1933, Strauss was at first fêted as the greatest living German composer, but he soon fell out of favor. While his music was not banned, official Nazi support for Strauss eventually fell away, and the fact that Strauss’ beloved daughter-in-law was Jewish meant increasing anxiety about her fate and that of his grandchildren as the Nazi’s race laws tightened their noose.
In a postwar memorandum, Strauss wrote, “The most terrible period of human history has come to an end, the 12-year reign of bestiality, ignorance and anti-culture under the greatest criminals, during which Germany’s 2,000 years of cultural evolution met its doom and irreplaceable monuments of architecture and works of art were destroyed.”
Richard Strauss (1864-1949) Metamorphosen; Vienna Philharmonic; Simon Rattle, cond. EMI 56580
By American Public Media4.7
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On today’s date in 1946, the octogenarian German composer Richard Strauss conducted the final rehearsal of his latest work, Metamorphosen, a study for 23 strings. Paul Sacher, the Swiss conductor and music patron, had commissioned the work and conducted the public premiere later that day in Zurich.
Strauss had begun work on the piece on March 13, 1945, one day after the Vienna State Opera house had been bombed by the Allies. When the Nazis had come to power in 1933, Strauss was at first fêted as the greatest living German composer, but he soon fell out of favor. While his music was not banned, official Nazi support for Strauss eventually fell away, and the fact that Strauss’ beloved daughter-in-law was Jewish meant increasing anxiety about her fate and that of his grandchildren as the Nazi’s race laws tightened their noose.
In a postwar memorandum, Strauss wrote, “The most terrible period of human history has come to an end, the 12-year reign of bestiality, ignorance and anti-culture under the greatest criminals, during which Germany’s 2,000 years of cultural evolution met its doom and irreplaceable monuments of architecture and works of art were destroyed.”
Richard Strauss (1864-1949) Metamorphosen; Vienna Philharmonic; Simon Rattle, cond. EMI 56580

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