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For Stephen Procter a chance encounter with clay grew into a passion and a mid-life career change. Formerly a classical guitarist, Stephen found that making gestures through sound and time offered many analogies to making gestures in clay and space. Large scale is a hallmark of his wheel-thrown vessels, and an attribute that contributes to the quality of animate presence Stephen aspires to achieve. In his forms Stephen seeks to reconcile classical Mediterranean influences, organic shapes, and the innate tendencies and beauty of the material.
By Paul Blais4.9
527527 ratings
For Stephen Procter a chance encounter with clay grew into a passion and a mid-life career change. Formerly a classical guitarist, Stephen found that making gestures through sound and time offered many analogies to making gestures in clay and space. Large scale is a hallmark of his wheel-thrown vessels, and an attribute that contributes to the quality of animate presence Stephen aspires to achieve. In his forms Stephen seeks to reconcile classical Mediterranean influences, organic shapes, and the innate tendencies and beauty of the material.

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