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In late October 1921, a 67-year-old sports columnist finished a piece on boxing at the New York Morning Telegraph and died of a heart attack at his typewriter. He was Bat Masterson, born in Quebec in 1853, a former buffalo hunter who survived the five-day siege of Adobe Walls in 1874, took a bullet to the pelvis in Sweetwater, Texas, and walked with a cane for the rest of his life. This episode follows how a frontier survivor became a Manhattan celebrity.
Masterson won election as Ford County Sheriff by three votes, lost his brother Ed to a cowboy's bullet in April 1878, and then began treating his reputation as something he could sell. He worked as a hired gun in a Colorado railroad war, dealt faro in Tombstone beside Wyatt Earp, and helped stage the Dodge City Peace Commission, a show of force that never fired a shot. In 1902 he moved to New York, wrote three columns a week for nearly two decades, and befriended Theodore Roosevelt.
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In November 1934, a woman named Helen left her husband's bullet-riddled body beside an Illinois cemetery, wrapped in a blanket because he always hated being cold. The dead man was Lester Joseph Gillis, known to the press as Baby Face Nelson and to his friends simply as Jimmy. This episode traces his path from a Chicago boy who shot a playmate in the jaw at age 12, through a gas station that fronted for tire thieves, to jewel robberies, a prison escape in 1932, and a crew of his own.
What set Nelson apart was volatility. He sprayed submachine gun fire at bystanders in Brainerd, Minnesota, shot a paint salesman dead over a traffic dispute, and carried a custom fully automatic .38 pistol against agents armed with six-shot revolvers. His gang financed John Dillinger's Crown Point escape, and the botched raid at Little Bohemia in April 1934 brought calls for J. Edgar Hoover to resign. The story ends near Barrington, Illinois, where a mortally wounded Nelson walked into gunfire and killed two more agents.
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Arsenic, element 33, has been an assassin's tool, a cosmetic, and a medicine, sometimes in the same era. The explanation starts on the periodic table, where it sits directly below phosphorus. The two elements bond in nearly identical ways, so cells that depend on phosphorus for DNA and energy let arsenic in by mistake. Once inside it cannot do the job, energy molecules fall apart, and the cell dies. The element is odd in other ways too: heated past 600 degrees Celsius it never melts but turns straight into toxic gas, and it can give off a strong smell of garlic.
This episode traces what people did with that chemistry. For centuries arsenic poisoning passed for cholera or dysentery and earned the name inheritance powder, until chemist James Marsh devised a test in the 1830s that made it traceable. Manufacturers then sold it as brilliant green dye for gowns, toys, sweets, and wallpaper. Modern medicine learned to aim the poison, from an early syphilis drug to a leukemia therapy, while millions today drink it unknowingly in groundwater.
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Arnold Rothstein, known as the Brain, built a criminal empire with arithmetic instead of muscle. Born in New York City in 1882 to an affluent family, he was the son of Abraham Rothstein, a businessman so upright he was called Abe the Just, and the brother of a future rabbi. Arnold hated school, loved numbers, and gambled from childhood despite his father's orders. By 1910, at 28, he ran his own casino in Manhattan's Tenderloin district, invested in a racetrack at Havre de Grace, Maryland, and paid for a network of informants. He was a millionaire by 30.
This episode explains how a man who despised leaving anything to chance moved from playing the odds to engineering outcomes. It covers his hidden hand in the Black Sox scandal, his recognition that Prohibition was a national market, and his role as banker and mediator to New York's gangs under the protection of Tammany Hall. It ends with the poker debt he refused to pay, the shooting at the Park Central Hotel on November 4, 1928, and the power vacuum that followed.
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Apollo Robbins once walked into the protective bubble around former President Jimmy Carter, chatted with the Secret Service agents on the detail, and came away with Carter's itinerary and the keys to the motorcade. He used no weapon and no gadget, only an understanding of how attention works. Born in 1974 in Plainview, Texas, Robbins was a soft-spoken child who wore leg braces and grew up with a father who was entirely blind. Kept from the playground, he learned to watch people closely, and he picked up his first sleight of hand from his two brothers.
This episode follows how that childhood produced a self-described gentleman thief whom Forbes called an artful manipulator of awareness. The central idea is that attention is not a floodlight but a laser pointer, and whoever steers it controls what a person perceives. Robbins turned the Carter stunt into a career teaching law enforcement, founded the consulting group Whizmob Inc. in 2006, started a training company with his wife, the magician and mentalist Ava Do, in 2012, and became a resource for neuroscientists and filmmakers alike.
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Alvin Karpis did not die young in a hail of bullets like most Depression era outlaws. Born in Montreal in 1907 to Lithuanian immigrant parents and raised in Topeka, Kansas, he was running with gamblers and bootleggers by about age 10. Prison introduced him to Fred Barker, and after his release in 1931 the two formed the Barker-Karpis gang. Nicknamed Creepy for his smile, Karpis was the planner with a near photographic memory for bank layouts, escape routes, and police patrols, working out of the bribed safe haven of St. Paul, Minnesota.
This episode follows the gang from bank jobs to the kidnappings of brewer William Hamm and banker Edward Bremer, a crime that drew the anger of President Franklin D. Roosevelt and the full attention of the FBI. After 1934 wiped out Dillinger, Nelson, Floyd, and Bonnie and Clyde, Karpis was the last Public Enemy Number One. J. Edgar Hoover flew to New Orleans in May 1936 to claim the arrest. Karpis then spent 26 years on Alcatraz, met a young Charles Manson at McNeil Island, and died in Spain in August 1979 at 72.
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The African buffalo looks like a creature that should rule by force. A Cape buffalo bull can weigh up to 900 kilograms and carries a boss, a shield of fused bone across the forehead. Yet the herd is a matriarchy that settles its travel plans by something close to a vote. First described by the Swedish naturalist Anders Sparrman in 1779, Syncerus caffer is the only surviving species of its genus, split into four subspecies that range from the huge Cape buffalo of the open savanna to the small, reddish forest buffalo of about 265 kilograms.
This episode covers how the animal evolved, how it organizes itself, and how it shapes the land. Herds of a thousand or more break apart and rejoin with the seasons. Young males leave at four or five for bachelor groups, where rank is settled mostly by posture instead of combat. Feeding and ruminating fill 17 to 19 hours a day, and by mowing down tall, woody grasses the herds open the way for smaller grazers. The story also takes in the long contest with lions, the rinderpest catastrophe, and the buffalo's place in African art and myth.
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The hippopotamus of board games and cartoons is chubby, sleepy, and funny. The real animal is a one and a half ton fighter with an evolutionary secret. Its Greek name means river horse, and until 1909 naturalists grouped it with pigs because of its molar teeth. Molecular evidence overturned both ideas: the hippo's closest living relatives are whales, dolphins, and porpoises, with a shared semi-aquatic ancestor that split off roughly 60 million years ago. Hippos are the last survivors of a once diverse family called anthracotheres.
This episode walks through the body and habits of that survivor. Dense bones let it sink and trot along the riverbed instead of swimming. Its jaws open 100 to 110 degrees, and its lower canines, which never stop growing, can reach 50 centimeters and are used only for combat. By day hippos crowd together in pods of up to a hundred. At dusk they leave the water and walk three to five kilometers alone to eat about 40 kilograms of grass. The account closes with their long, violent history with humans and their vulnerable status today.
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The phrase public enemy calls up pinstripe suits, tommy guns, and Al Capone, but it began as a political weapon in ancient Rome. In AD 68 the Senate declared Emperor Nero a hostis publicus, cutting him off from the protection of the law so that anyone could kill him without penalty. The term surfaced again in the United Kingdom around 1642 and turned lethal in the French Revolution, when Maximilien Robespierre argued in 1793 that the government owed enemies of the people nothing except death.
This episode follows the label across the Atlantic to Chicago in April 1930, where Frank J. Loesch of the Chicago Crime Commission faced gangsters everyone knew were guilty but no court could convict. His answer was publicity: a short list of public enemies with Al Capone at the top, mailed to police, sheriffs, and newspaper editors. J. Edgar Hoover then took the idea national, reserving it for charged fugitives and turning Public Enemy Number One into a running drama that laid the ground for the Ten Most Wanted list in 1950.
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Say Machine Gun Kelly and some people see a tattooed musician on a red carpet while others see a Prohibition era gangster with a fedora and a tommy gun. This episode is the biography of a name instead of a person. The original Machine Gun Kelly was an American gangster who lived from 1900 to 1954, and for his whole adult life the name meant real danger and federal manhunts. Then, only four years after his death, a 1958 Hollywood film carried his name onto theater marquees and turned a threat into entertainment.
Once the man was gone and the movie had made him a character, the name was free to travel. Radio disc jockeys who grew up on that mythology borrowed it to promise rapid fire patter. Basketball adopted it as shorthand for relentless scoring, from an American player born in 1961 to a Filipino-American player born in 1982. Musicians then pulled it in opposite directions, from folk storytelling to punk defiance to modern crossover stardom, until a single phrase had shed nearly all of its history.
From the publisher's feed
pplpod is a podcast about people, places and lots of other stuff. Each episode takes a deep dive into the lives, choices, and legacies of fascinating figures from history, culture,…
Thoughtful, engaging, and story-driven, pplpod explores what makes these lives extraordinary—and what we can learn from them today.