This is an audio version of a presentation I deliver at Hi-Fi shows and to interest groups. 

It covers:
Application
Reels sizes
Track layout
Tape speeds
Reversable machines 
Eq
New or used machines

A transcription can be found as a blog on the Reel Resilience website.
https://www.reelresilience.co.uk/post/press-play-episode-28-buying-a-reel-to-reel

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Reece Beard is a final-year student at Salford University in the UK.  I thought he would make a great interview as to why GenX, Millenials and Gen Zeds are going back to the analogue tape format.

You can also hear why it's good that a machine doesn't record sometimes and how I trashed an MRL alignment tape. 

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In part 2 of this two-part podcast (see Ep 24 for Part 1)  we continue our talk with Dan Labrie owner of  Myriad Magnetic.

Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of  working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR Magnetics, he has gained valuable experience in, not just the machines, but also  in the tape they record and play.

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I have been meaning to do  this for a long time, a bit more about me and my experience, so you get an idea of the person behind all of this. I did an outline of my background in Episode 1 but there is nothing like being interviewed and answering those, sometimes tricky questions, that get you searching the depths of your memory to answer them.

I was asked to appear on Darren Harte’s radio show on Harborough FM, to talk about the resurgence of tape. Darren is a client of Reel Resilience , I have serviced his cassette deck and reel to reel machine in the past. In the interview Darren also mentions the audio archive at the University if Leicester who are also one of my clients.

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In part 1 of this two-part podcast we talk to Dan Labrie owner of  Myriad Magnetic.

Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of  working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR Magnetics, he has gained valuable experience in, not just the machines, but also  in the tape they record and play.

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The resurgence of reel-to-reel, whilst great, has brought with it a few myths and misnomers and, shall we say, less than best practice in using them. In part 2 of this 3 part mini-series on supporting reel-to-reel, Iain Betson of Reel Resilience discusses with his guests, Rob Brinkworth and  Gary Hedge, about looking after the audio format we love. 

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In the 1960s to 1980s, when tape recorders were in regular use, there were many people to fix them. Half a century down the line, the number who now do this has reduced for many reasons. So who's going to keep these recorders running for the next generation to enjoy? In part 1, of this two-part podcast, Iain Betson of Reel Resilience is in conversation with Rob Brinkworth and Gary Hedge, two UK based people who do just that.  We talk "Guinea pigs", Fostex reliability and why a hit making studio of the 1980s hated their Studer A800! 

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Part 2 of my conversion with Rob Brinkworth. In Episode 20 we talked about Rob's collection of Revox A77 and B77 machines and we carried on talking about the other recorders in his collection too, so I thought it would be a shame not to hear it. 

One of the models we spoke about was the successor to the B77,  Studers attempt to bridge the gap between their consumer, Revox badge products and the professional Studer line-up, the Revox PR99.

Then we got onto the "fun" of owning a Revox  A700 and comparing it to its Studer brother, the B67. Listen on!

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It’s rare you can use the term game-changer in the world of reel-to-reel, In the genesis of the format developments came organically, with perhaps only the discovery of AC bias, to radically improve the recorded audio quality,  being worthy of that title. 

But in terms of actual machines that title must go to a product introduced in 1968 by Studer under it's Revox brand name: The A77. 3 heads, 3 motors and tape handing that could match some professional machines.
In this episode of Press Play> we talk all thing A77 (and a bit about its successor the B77) with a collector, font of knowledge about these models. and owner of an A77 that was mad eon day one of its production.

We talk about our upcoming events too:  The next webinar on the 29th January  and the big one – the one day live attendance workshop on March 20th 2022. Both events can be found on Eventbrite.co.uk – search for Buying and Owning  Revox A77 and B77 Tape Recorders  and The Reel to Reel Tape Recorder Experience or go the home page on the Reel Resilience website www.reelresilience.co.uk and click on the Orange event tab on the home page. 

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This episode is part 2 of our two-part look at (Sony) MCI  tape machines - I am told, by those with minds immeasurably superior to mine, that there is no difference between those machines badged with the Sony or MCI logo. 

We talk to Graham Nystrom of Rope Room Studio based in Astoria, Oregon (www.roomstudio.com). He has an MCI  JH-24, or nearly one, because as you will hear, it’s a both a work in progress and a labour of love to get his machine up back up and running. 

Our next webianr on an aspect of reel-to-reel ownership is on the 31st July 2021. It's about the stuff no reel-to-reel can do without: Tape. The What, Why and How of tape to be exact. 

We’ll have a Q & A too, so you can ask your questions and I’ll do my worst at answering them. You can send them to me in advance if you to [email protected] 

Booking on our webinars is easy just go to www.eventbrite.co.uk and search for reeltoreel or openreel and that should find it. 

https://roperoomstudio.com/

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