For this episode of Processa Talks, we have the pleasure of hosting Artist Diana Eusebio and Dr. Omaris Z. Zamora where they discuss Eusebio's solo exhibition, Alchemy: Pigments of Probability, opening at the Art and Culture center in Hollywood, Florida.

Tune into the new season of Processa Talks (formerly known at AW CLASSROOM) with an interview with artist Piero Penizzotto, a Peruvian-American artist born and based in Queens, NY. Penizzotto’s practice consists of creating life-size painted papier-mâché sculptures as an ode to the friendships and communities he is a part of in New York and South Florida.
This recording is from an artist talk between Piero Penizzotto and curator and founder of Processa, Kiara Cristina Ventura, on October 14th 2023, at Penizzotto's solo exhibition at White Columns in NYC. In tandem with themes within this exhibition, Penizzotto and Ventura discuss themes of home, belonging, migration, and honoring family history. 

You can also watch the video of this interview on White Column's Youtube: https://www.youtube.com/watch?v=1q0TLanPM4I

For more info about Processa, visit processa.art .

For this bonus episode officially ending Season 1 of the AW Classroom podcast, curator Kiara Cristina Ventura interviews artist Luis Santana for a discussion around his current solo exhibition, "As Time Stood Still," currently at the Mynt Gallery in Chelsea, NY till February 16th, 2022. Here, they speak about photography work in the NFT world, the process behind Santana's work, and his journey in combining the practices art and photography.   

“As Time Stood Still,” curated by Luis Santana and co-curated by Kiara Cristina Ventura, is a NFT photography solo exhibition highlighting the works of artist and documentarian Luis Santana. Taking place at the Mynt Gallery, an experimental NFT Lab and art gallery in Chelsea, the exhibition is Santana’s first NYC solo exhibition and NFT genesis drop. 

The show centers around 18 pieces from framed black and white photographs to blue mixed media cyanotype works on paper and canvas that are connected to NFTs online.  

Follow Santana's work at: @luissantanaaaa on IG & www.luis-santana.com  *

Cover image of Luis Santana by Shravya Kag * 

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For more information about “As Time Stood Still” and to view the NFTs:  https://luis-santana.webflow.io  

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Follow Mynt Gallery at @themyntlab and @CryptoFlowerz IG & Twitter

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Follow us: @processa.art on IG Website: Processa.art  To support our podcast and the work we do, please donate to us at processa.art and click the "donate" tab. Or join us on patreon! Much love.

For the 20th episode of AW CLASSROOM podcast, we covered the NADA Miami 2021 art fair where we interviewed various artists and galleries about the works they are presenting. In order, we chatted with Danny Baez of Regular Normal Gallery, artist Melissa Joseph, artist Jeffery Meris with Fragment gallery, Dominique Clayton of Dominique Gallery, artist Amber Ahmad with Tone Gallery, Anthony Akinbola with False Flag Gallery, Chela Mitchell of Chela Mitchell Gallery, Graham Wilson of Swivel Gallery, and lastly, artist Vyczie Dorado.

social media handles:

@digitaldannybaez

@regularnormalnyc

@melissajoseph_art

@jeffreymeris

@fragment_gallery

@lookatdominique

@dominique.gallery

@amber.ahmad.art

@tonememphis

@heyitsbunmi

@falseflaggallery

@chelamitchellart

@chelamitchellgallery

@_graham_wilson_

@swivelgallery

@vyczie_dorado_art

The New Art Dealers Alliance (NADA) is the definitive non-profit arts organization dedicated to the cultivation, support, and advancement of new voices in contemporary art. @newartdealers

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Follow us: @artsywindow | artsywindow.com

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To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon (@artsywindow) ! Much love

This 19th episode of AW CLASSROOM features an artist talk in tandem with our past August 2021 virtual exhibition, "Cocinando," led by the curator Kiara Cristina Ventura. This episode was recorded in August 2021 & features 4 of the artists included in the show: Cielo Felix Hernandez, Emmanuel Massillon, Estelle Maisonett, and Nicole Bello.

Thinking of the kitchen as a space of gathering, cooking, experimenting, connecting and so on, the "Cocinando" exhibition relates the kitchen to the artist studio. Here, we update ourselves on what these NYC based Latinx artists have been experimenting with and cooking up. Speaking on themes of home, identity, and food via the mediums of painting and sculpture, the artists collectively chop up the conversation, raise the temperature, and serve us fresh perspectives. Curated by ARTSYWINDOW.

Artist Bios:

Nicole Bello is a Dominican-American artist born and raised in the Bronx. She attended Hunter College and received a degree of The Arts, currently she is working on a Visual Arts Masters degree at City College. Her work deals with themes of identity, sexuality, gender, home, self love and power. IG: @nicolebello__

Cielo Felix-Hernandez is a Puerto-rican transdisciplinary artist, primarily working in oil paint, the figures in Felix-Hernandez oil paintings author their own narratives constructed out of familiar Boricua and Caribbean iconographies.Having grown up between both lands, Felix-Hernandez processes their relationship to land, indigeneity, the historical, and the personal and how those themes affect survival. IG: @cielofelixhernandez

Emmanuel Massillon (b. 1998 in Washington D.C.) is an African American conceptual artist who works in several different mediums including painting, photography, and sculpture. With these varying mediums, He explores the complex history of race, identity, culture and it's the relation to people of African descent. Massillon's upbringing in the inner city of Washington D.C. shapes the unique narrative that he strives to convey through his work, which is introducing others to new ideas by creating work from day-to-day life to politically charged topics. IG: @massi____

Estelle Maisonett is a Mexican and Puerto-Rican mixed-media interdisciplinary artist that uses found objects, photography, and sourced clothing to create life size collages that document her experience living in NYC. The interior and exterior spaces she builds are collages of photographs, patterns, and archived found objects she has collected. Creating figures void of the human body, she explores how the assumed figures' relationship to consumer products, location, and material inform sociocultural identity. IG: @elle915

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*This episode is wonderfully sponsored by Flower Shop Collective. *

Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español. For more information please head to flowershopcollective.com or @flowershopcollective on Instagram.

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Follow us: @artsywindow | artsywindow.com 

To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon (@artsywindow) ! Much love

For the 18th episode of AW CLASSROOM, curator Kiara Cristina Ventura interviews artist TJ Shin about how they use their practices in science and art to speak on colonialism, the body, queerness, and identity.

TJ Shin is a Canadian-Korean artist living and working in Los Angeles, California. Shin explores the porousness of bodily boundaries and the ceaseless movement of living processes, like fermentation, echoing the history of colonialism. They are interested in the history of conquest and the literal digestion of materials – smells, microbes, and food – as a system of relations that emerges from a complicated history of entanglement.

Follow their work at: @fff00slut on IG

TJ Shin links:

https://www.corneliamag.com/article-set/microbes-bodies-biomes-borders-a-pandemic-ferment

https://www.recessart.org/anaiwataki/

https://aaa.org.hk/en/ideas/ideas/yellow-skin-white-gold

*Cover image of TJ Shin by Mary Kang @Mary.kang *

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*This episode is wonderfully sponsored by Flower Shop Collective. *

Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español. For more information please head to flowershopcollective.com or @flowershopcollective on Instagram.

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Follow us: @artsywindow | artsywindow.com To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon! Much love

For the 17th episode of AW CLASSROOM, we virtually sat with artist Khari Johnson Ricks and discussed what it means to have a multidisciplinary practice where one practice informs and supports another. In the interview, Khari speaks to the power of his work and practices being rooted in love, community, relationships, the body, and of course, Jersey Club dance and music.  

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In his own words, here's a bit about artist Khari Johnson Ricks:  

"I am an artist and DJ whose work spans a range of audiovisual media and often exists in the public eye. This includes the production of zines, works on paper, performances, murals, and nightlife spaces. I often desire reprieve from the failures of the state and the constant peril black people face. My new work explores fellowship and engages acts of fiction and poetry to capture moments with kith and kin that feel loving. I ask myself what it means to make a family, community, friendship, when the world is so precarious, when the water rises, when death comes, and when all that is visible is capital. While my older work had been in conversation with vernacular movement traditions and martial arts practices like Shotokan Karate and Jersey Club dancing, which act as covert languages for those most targeted for capital extraction, I now explicitly center the fantastical and poetic nature of the Sublime. The works find their dramatic tension in the context of fragility, addressing my subjects’ deep alienation from, and even guilt in the face of, extended moments of peace. In this light, my work become testaments to the irrepressible urge of the imagination to metabolize, to reinvent, and to transcend." 

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 Follow his work at: @madebykhari on IG  

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 *This episode is wonderfully sponsored by Flower Shop Collective. *  Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español.  For more information please head to flowershopcollective.com or @flowershopcollective on Instagram.  ___________ 

 Follow us: @artsywindow | artsywindow.com  To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon! Much love

For the 16th episode of AW CLASSROOM, we virtually sat with curator Claire Kim and discussed what it means to navigate the art world with care and intention. In the interview, Kim breaks down highlights from her current exhibition, Un/Common Proximity, which is showing at James Cohan gallery NYC till August 13, 2021. The group show is a result of her recent fellowship with NXTHVN where she worked alongside all the artist residency fellows. More info on this exhibition here: https://www.jamescohan.com/exhibitions/nxthvn

Claire Kim is a Korean-American independent curator and arts administrator based in New York City. She was raised in San Diego, California. Kim is currently the Special Assistant to the President at BRIC. She recently completed a 2020 Curatorial Fellowship through NXTHVN. Previously, Kim has worked in museum education and programming with numerous arts institutions and organizations, including the New Museum, the Asian American Arts Alliance, the Solomon R. Guggenheim Museum, and the Mark Morris Dance Group. She has curated and consulted for exhibitions in spaces such as at BRIC, MoCADA, The Border Project Space, Mom’s Gallery, and Gymnasium. Kim graduated from the Downtown Brooklyn Arts Management Fellowship in August 2018. She received her BA in English and Art History from Fordham University. She is currently pursuing her Masters degree at Bard. Follow her work at: @mediumrareclaire on IG  

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*This episode is wonderfully sponsored by Flower Shop Collective. * 

Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español.  For more information please head to flowershopcollective.com or @flowershopcollective on Instagram.

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Follow us: @artsywindow | artsywindow.com  To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon! Much love

For the 15th episode of AW CLASSROOM, Kiara Cristina Ventura interviews multidisciplinary artist and musician, Albany Andaluz. In the interview, Andaluz speaks about her identities and cultural backgrounds and how they result in multidimensional artworks. She also speaks on her nomadic experience moving to Mexico during the pandemic. Now temporarily based Dominican Republic, the artist ends the interview with an exclusive art performance just for us here at AW! 

*FYI there are roosters in the background of this interview so if you hear some cock-a-doodle-dooing in the background it's our rooster friends haha*

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Albany Andaluz (b. 1995, Bronx, New York) uses colloquialisms to draw intersections between Caribbean, Latin American, and American experiences. A life-taught artist, her practice reflects a repurposed, multidisciplinary approach with works that resurrect discarded textiles as mixed-media sculptures, paintings, and photographs to allude to the intersections of conflict, migration, and settlement. Andaluz’s practice examines the psychosocial and socioeconomic shifts that happen during the process of acculturation through the intertwining of techniques sourced from craft, fine, folk, low and high-brow cultures. Such work has awarded Andaluz residencies, grants and features with ProjectArt NYC, BronxArtSpace, Joan Mitchell Foundation, Bronx Documentary Center, BronxNet, ArtForum, and Aperture Foundation’s magazine. 

Follow her work at: @albanyandaluz on IG or www.albanyandaluz.work

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*This episode is wonderfully sponsored by Flower Shop Collective. * Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español. For more information please head to flowershopcollective.com or @flowershopcollective on Instagram. ___________

Follow us: @artsywindow artsywindow.com To support our podcast and the work we do, please donate to us at artsywindow.comand click the "donate" tab. Or join us on patreon! Much love

For the 14th episode of AW CLASSROOM, AW intern Abe Centeno interviews Bronx artist and educator, Sofie Vasquez. In the interview, Sofie talks about her journey being an artist from The Bronx, how she developed her skills, and also her part time practice in photographing the NYC wrestling scene.  

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Sofie Vasquez (b. 1998) is an Ecuadorian documentary photographer born and raised in The Bronx, New York.  Her work has been featured in The New York Times and has been exhibited with the Bronx Museum of the Arts, the Bronx Documentary Center, the Ecuadorian-American Cultural Center, The Clemente Soto Vélez Cultural and Educational Center, the Shirley Fiterman Art Center, the DGT Alumni Association Gallery House, Photoville and En Foco Inc.   She is an alumni of the International Center of Photography's Community Fellows, and is a part of the first graduating class of the fellowship (2018-2020) She was a student at The City College of New York until the COVID-19 global pandemic forced her to pause her studies. She currently works at the Bronx Documentary Center as well as freelances as a traveling documentary photographer.  

Follow her work at: @bullsinthebrnx on IG   

*This episode is wonderfully sponsored by Flower Shop Collective. *  Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español.  For more information please head to flowershopcollective.com or @flowershopcollective on Instagram.

Follow us: @artsywindow artsywindow.com  

To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon!  Much love