Professor Kozlowski continues his discussion of Dostoevsky's Demons with an examination of many of the minor characters introduced so far, and how their relationships are revealed, piecemeal, through careful details and subtle interactions.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

Today Professor Kozlowski discusses the first two chapters of Dostoevsky's Demons, introduces three of our primary characters, and connects them to their archetypes in 1860s Russian society. Also jokes.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

Professor Kozlowski attempts to recount the developments in the Russian literary world between 1864 and 1871 (when Demons is written), including a brief summary of Crime and Punishment and its relevance to the literary representation of Russian Nihilism at the time.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

Professor Kozlowski tackles the second half of Dostoevsky's Notes from Underground, with special attention to exploring the references to 1840's Russian literature (and to Chernyshevsky's What is to Be Done?) found throughout this section.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

At long last, Professor Kozlowski confronts Dostoevsky's most widely discussed and controversial creation: Notes from Underground. Come for the tortured consciousness of the underground man, stay for the literary skullduggery and speculations about censorship.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

Professor Kozlowski muses on the Utopian hopes and missing realities of Chernyshevsky's promised revolution at the end of What is to Be Done?

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

Now that we've gotten all the rage sweats cleaned up, it's time for Professor Kozlowski to take a deep dive into Chernyshevsky's convictions and ideology, both to appreciate the merit of those convictions, and to examine the similarities between radical idealism of the 1860s in Russia and in the years since. Hopefully this will be a bit more even-handed than last time, but we're never going to have *no* angry biased grumpiness.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

Professor Kozlowski offers his first impressions of Chernyshevsky's What is to Be Done? Despite his efforts to be even-handed and charitable, there is still a great deal of hand-wringing, criticism, and outright swearing.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

To conclude his General Humanities class (again), Professor Kozlowski examines the broad-strokes legacy and theming of the James Bond franchise as an artifact of the Cold War and late Twentieth Century art and popular culture.

UPDATE: A friend of the show, patron, and library archivist apparently took it upon herself to track down the text of Film Critic Hulk's James Bond essay on Wayback Machine: I include the links below:

web.archive.org/web/20160221040638/http://birthmoviesdeath.com/2014/07/14/hulk-vs.-james-bond-staring-into-the-id-of-a-boner-incarnate

web.archive.org/web/20160114024556/http://birthmoviesdeath.com:80/2014/07/15/hulk-vs.-james-bond-day-2

web.archive.org/web/20160228071757/http://birthmoviesdeath.com/2014/07/16/hulk-vs.-james-bond-day-3

https://web.archive.org/web/20170910143552/http://birthmoviesdeath.com/2014/07/17/hulk-vs.-james-bond-day-4

Professor Kozlowski concludes his examination of Turgenev's Fathers and Sons with a deep-dive look at Bazarov's painful relationship with his parents, his ignominious final acts (and death), and Turgenev's complicated relationship with Russian ideology, both within the novel, and as Russia reacted to it.

To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ or contact him directly at [email protected].

And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.