Projections Podcast

Sarah and Mary are back with another episode of The Double series. This time we're looking at stage personas in Casey Affleck's performance piece I'm Still Here (2010) and Todd Haynes' cult masterpiece Velvet Goldmine (1998). We discuss the psychoanalytic persona and Mary gives an insight into her own change of name–plus numerous fun facts about David Bowie and Joaquin Phoenix.rous fun facts about David Bowie and Joaquin Phoenix.

Mary and Sarah are back on the theme of ‘The Double’, discussing the Jungian shadow in Jordan Peele’s Us (2019) and Christopher Smith’s Triangle (2009). Ideas thrown about include ‘the deplorables’, the interior world of the abuser and why Australians are so damn good at cinema.

In this bonus episode, Mary and Sarah review two recently released rape revenge films; Emerald Fennell's highly anticipated Promising Young Woman (2020) and Madeleine Sims-Fewer's Violation (2020) which several listeners recommended to us. Spoiler warning!

For episode 3 of The Double series, Sarah and Mary discuss ‘Clones’ and relationship anxiety in Sean Ellis’ 2008 film The Brøken and Duncan Jones’ Moon (2009). Deviations include Edgar Allan Poe and… Jackie Collins.

Continuing our series on the subject of The Double, Mary and Sarah discuss lookalikes in Krzysztof Kieślowski’s sublime film The Double Life of Veronique (1991) and John Woo’s ridiculous one Face/Off (1997). We talk Otto Rank’s influential text, projection, creativity and religion.

Welcome to Series 6, in which we will explore The Double in cinema, an uncanny storytelling device often relied upon to represent self-division, a split in personality, or an emotional conflict. In Episode 1, Mary and Sarah discuss the desire to return to the womb and the doubling of the psychoanalytic process in David Cronenberg's Dead Ringers (1988) and François Ozon's L'Amant Double (2017).

In this relaxed fit bonus episode, Sarah and Mary speculate over the things left unsaid in the New York Times documentary Framing Britney Spears (2021)

We tried to take January off, but felt duty bound to analyse the FEAST of signifiers within the (alleged) Armie Hammer DMs situation. Mary and Sarah talk abandonment issues, wife envy and borderline personality disorder, and come up with an amazing idea for a screenplay. Slide into our DMs producers! We do read these messages aloud so TW for mentions of cannibalism, mutilation, rape and Olympic swimmers.

In the final episode of our Cults on Film series, Sarah and Mary talk deprogramming in Jane Campion’s Holy Smoke! (1999) and Mary Harron’s Charlie Says (2018). Our discussion covers the termination of psychoanalysis, education and the ‘cult of love’. Also we wonder whether any Manson family member really cut an umbilical cord with their teeth and find out whether babies can breathe underwater. Thanks for listening to our latest series, we’ll be back with a new one in February.

In the penultimate episode of our Cults on Film series. Mary and Sarah tackle two heavily alliterative titles; Sean Durkin’s Martha Marcy May Marlene (2011) and Josephine Decker’s Madeline’s Madeline. We discuss isolation, disassociation and the psychically dangerous profession of acting.