Tras casi dos años el podcast enfrenta problemas de derechos de autor.

La música de fondo es mía.

Sean todos bienvenidos a Psicología, Música e Historia. De la controversia Mahler-Rott viajamos al medioevo para la segunda edición del misceláneo medieval.

Música utilizada:

Cantos Gregorianos para los Muertos - Ensamble vocal femenino Aurora Surgit dirigidos por Alessio Randon, quien hará ocasionalmente de solista.https://open.spotify.com/intl-es/album/1ZfxbseEf5eFbhn3oqyEQt?si=KLsOw7RqSpyuYn5MbouS0wMusica amores allicit - Ensamble Elthin.https://open.spotify.com/intl-es/album/1jZdkVotjBCq5i2pRKpy87?si=jwVc1bPdR4u2G3HcWr-MhA

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

“Si Mahler estuviera vivo hoy en día enfrentaría una demanda por plagio”

—Paavo Järvi

Sean todos bienvenidos a Psicología, Música e Historia.

Después de varios meses peleándome con los guiones para hablar de la Primera Sinfonía de Mahler, decidí que antes de entrar de lleno a esa obra, hay un par de temas que merecen ser abordados con calma.

Así que hoy, vamos a ponernos los trajes y subir al estrado para hablar de un caso que ha dividido opiniones durante décadas: la controversia Mahler–Rott.

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Música utilizada:

Hans Rott: Sinfonía en Mi Mayor - Orquesta de Bamberg, dirige Jakub Hrusahttps://open.spotify.com/intl-es/album/3muyWKaSOclVXt9biOMKOn?si=9a2a3c3d42164108Hasn Rott: Sinfonía para Orquesta de Cuerdas en La Bemol Mayor - Orquesta Gürzenich de Colonia, dirige Christopher Ward.https://open.spotify.com/intl-es/album/1Uz9D9zKAtXUHtxRSyOhBL?si=FJtGScbBTl2SFSUv8m3YCA

Sean todos bienvenidos a Psicología, Música e Historia.

El episodio sobre Mahler está llevando más tiempo del queimaginaba, así que, para no dejar el podcast abandonado hasta que lo termine voy a presentar otro artículo del Musical Quarterly. “Sobre el culto a las Notas equivocadas” de Frederick Corder.

Música utilizada

Prospero - Corder (The Orchestra of Opera North, David Lloyd-Joneshttps://open.spotify.com/intl-es/track/4MFXMLJWIO9G7kqac0P5le?si=5b70472b05884529Preludio de Así Habló Zaratustra - Strauss (Berliner Philharmoniker, Herbert von Karajan)https://open.spotify.com/intl-es/track/43YwOmGUOS3zzGvj1Feszb?si=9c8df90beecf4f0eIb. Allegretto un poco agitato de Sinfonía 2 - Mendelssohn (NDR Radiophilharmonie, Andrew Manze) https://open.spotify.com/intl-es/track/0jAiwsbd4u8GzKPVHiCsNb?si=ee4d1299db204777Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance - Holst (Ulster Orchestra, JoAnn Falletta)https://open.spotify.com/intl-es/track/4p7WmQq40D4EMK2O1y2Vzm?si=4b2e7909a00e430cVers la Flamme - Scriabin (Vladimir Horowitz)https://open.spotify.com/intl-es/track/1KNDO0UjXWKuM6KjtBNnlW?si=5efc3b7994d84584Aimons-nous et dormons, CD 7 - Debussy (Jennifer France y Malcolm Martineau)https://open.spotify.com/intl-es/track/6kGZQwzPmJTofyrJx1SikU?si=0efd0638bb7145c12 Elegies, Op. 8b, Sz. 41 - Bartók (Samson François)https://open.spotify.com/intl-es/track/0ArZVWm5ad4X2e5XeJaMID?si=49663a2a97e943f8https://open.spotify.com/intl-es/track/3pJZOKtxUjRC7MnIJZBhp7?si=ae3919dcde854b6cHamlet, S104/R421 - Franz Liszt (New Zealand Symphony Orchestra, Michael Halasz)https://open.spotify.com/intl-es/track/2olFy2LNllskr2qDwlCCgJ?si=36f661ee339a4f7fNocturne et Scherzo, L. 39 - Debussy (Henrik Brendstrup y Per Salo)https://open.spotify.com/intl-es/track/6ZyYNCkZwpC3UJ0jjaueKV?si=9f1f4b7ac7bd4aca

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Francia del siglo XIII viajamos a las oficinas de The Musical Quarterly, en Oxford de principios del siglo XX para hablar del artículo “Some Aspects of Modern Music” de W. H. Hadow.

Música Utilizada

Fantasia on a Theme by Thomas Tallis – Ralph Vaughan Williams (Academy of Saint Martin in the Fields dirigida por Neville Marriner)

https://open.spotify.com/intl-es/track/04daeztQJg7lyDDAHJ70rT?si=5a6381a3cd5447d2

Prélude à l'après-midi d'un faune – Claude Debussy en versión de la Berliner Philharmoniker bajo la batuta de Claudio Abbado.

https://open.spotify.com/intl-es/track/4NXmcUMQauqEtDYDgP0MEi?si=ae552465e7004ac2

Pelléas et Mélisande – Claude Debussy Apertura del Agundo Acto e Interludios 3 y 4 en versión de Abbado con la Berliner Philharmoniker https://open.spotify.com/intl-es/track/0LGutDI2q2c9KbZchjgOMX?si=4b5e0505fe5b4bc7

Fragmento del concierto para violín no. 1 de Jean Sibelius versión de Maxim Vengerov con la Chicago Symphony Orchestra dirigidos por Daniel Barenboim

https://open.spotify.com/intl-es/track/3UaYgoJGnI4uJjsUywHliR?si=c5959e039f6b4824

Chamber Symphony No. 1 V. Etwas – Arnold Schönberg Boston Symphony Chamber Players https://open.spotify.com/intl-es/track/1ehyZZ0qihrFI7dOu2vZSV?si=ef44307354ac40c2

Fragmento de Risveglio di una città – Luigi Russolo https://open.spotify.com/intl-es/track/6GYB7YLxttW1VGp5kLSfLv?si=f412648953bc4989

Le Sacre du Printemps – Igor Stravinsky Augurios de Primavera en versión de la Orquesta de Cleveland bajo la batuta de Richard Chailly. https://open.spotify.com/intl-es/track/2IETPr99QczxMBjVz77YKE?si=6fdd8056ca2a4feb

Gurre-Lieder – Arnold Schönberg en versión de Pierre Boulez con la Berliner Philharmoniker Pt. 3 Gegrüst

https://open.spotify.com/intl-es/track/1fNxv0wQ3FjhJukIu0zDI2?si=7cc3591cb23b4f22

Pavane pour une infante défunte - Ravel (ver. Keith Hardy & Linn Henry)

https://open.spotify.com/intl-es/track/1Vyb58eKfloJzyXFLxtXcn?si=433f10da1a5d4d9a

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Francia del siglo XIII viajamos a las oficinas de The Musical Quarterly, en Oxford de principios del siglo XX para hablar del artículo “Some Aspects of Modern Music” de W. H. Hadow.

Música Utilizada

Fantasia on a Theme by Thomas Tallis – Ralph Vaughan Williams (Academy of Saint Martin in the Fields dirigida por Neville Marriner)https://open.spotify.com/intl-es/track/04daeztQJg7lyDDAHJ70rT?si=5a6381a3cd544Prélude à l'après-midi d'un faune – Claude Debussy en versión de la Berliner Philharmoniker bajo la batuta de Claudio Abbado.https://open.spotify.com/intl-es/track/4NXmcUMQauqEtDYDgP0MEi?si=ae552465e7004ac2Pelléas et Mélisande – Claude Debussy Apertura del Agundo Acto e Interludios 3 y 4 en versión de Abbado con la Berliner Philharmoniker https://open.spotify.com/intl-es/track/0LGutDI2q2c9KbZchjgOMX?si=4b5e0505fe5b4bc7Fragmento del concierto para violín no. 1 de Jean Sibelius versión de Maxim Vengerov con la Chicago Symphony Orchestra dirigidos por Daniel Barenboimhttps://open.spotify.com/intl-es/track/3UaYgoJGnI4uJjsUywHliR?si=c5959e039f6b4824Chamber Symphony No. 1 V. Etwas – Arnold Schönberg Boston Symphony Chamber Players https://open.spotify.com/intl-es/track/1ehyZZ0qihrFI7dOu2vZSV?si=ef44307354ac40c2Fragmento de Risveglio di una città – Luigi Russolo https://open.spotify.com/intl-es/track/6GYB7YLxttW1VGp5kLSfLv?si=f412648953bc4989Le Sacre du Printemps – Igor Stravinsky Augurios de Primavera en versión de la Orquesta de Cleveland bajo la batuta de Richard Chailly. https://open.spotify.com/intl-es/track/2IETPr99QczxMBjVz77YKE?si=6fdd8056ca2a4febGurre-Lieder – Arnold Schönberg en versión de Pierre Boulez con la Berliner Philharmoniker Pt. 3 Gegrüsthttps://open.spotify.com/intl-es/track/1fNxv0wQ3FjhJukIu0zDI2?si=7cc3591cb23b4f22Pavane pour une infante défunte - Ravel (ver. Keith Hardy & Linn Henry)https://open.spotify.com/intl-es/track/1Vyb58eKfloJzyXFLxtXcn?si=433f10da1a5d4d9a

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Del Concilio de Trento viajamos a la Francia del siglo XIII para hablar de la Pastorela, El Juego de Robin y Marion.

Música Utilizada:

Je muir d’amorette - Evelyne Moserhttps://open.spotify.com/intl-es/track/6zhkqtHl8CqvBhq4DWz4tx?si=6b7d1bba00814e9e

L’autre jour - Ensembles Perceval & Sanacorehttps://open.spotify.com/intl-es/track/1r4xWsTV5XM0yFsJsXk84Y?si=e99437a6dd304dc1

Assenés chi, Grievilier - Henry Wickhamhttps://open.spotify.com/intl-es/track/75hcs5pE3t26dvEpVufBbV?si=93fbaf0073b54089

El juego de Robin y Marion:https://open.spotify.com/intl-es/album/3lXRBIHkREwKhUZykQeOEU?si=k_IOKj14RZiUnda9DHulIQ

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Rusia del siglo XX viajamos hasta el Renacimiento para hablar de uno de los acontecimientos más relevantes para el desarrollo de la música occidental.

Música Utilizada

Música para el Concilio de Trento de Jacobus de Kerle Vol. 2https://open.spotify.com/intl-es/album/4N3D9K3soqz1FfisCLPayB?si=Fm7yPGCIRE-LLMGV0AHXZQ

Entre Vous Filles - Jacob Clemens non Papahttps://open.spotify.com/intl-es/track/4eDX5FYJafrJN8cVISVu3S?si=8db57fa7da844a25

Kyrie de Missa Entre Vous Filles - Orlando di Lassohttps://open.spotify.com/intl-es/track/4mIAlcESquSFLh1pfoVlr3?si=fb79dea271f3452e

Suzanne un jour - Orlando di Lassohttps://open.spotify.com/intl-es/track/2WLMQb7ouPAHqqyHGBJ2ne?si=627b94ffc619435e

Kyrie de Missa Suzanne un Jour - Juan de Lineashttps://open.spotify.com/intl-es/track/7aog43vJ0IBmcj0G2LndEY?si=93b8b123604b40d2

Kyrie de Missa Mi Mi - Johannes Ockeghemhttps://open.spotify.com/intl-es/track/6PxJDr2DutsRdgphSXiEjz?si=e59f30cf930943d4

Missa de la batalla escoutez - Fransisco Guerrerohttps://open.spotify.com/intl-es/album/0LN94ubFjPCjvP6b4LsK3b?si=uGayreGDRMigTyxDrwHNhQ

Litaniae de Beata Virgine Maria - Giovanni Perluigi di Palestrinahttps://open.spotify.com/intl-es/track/0pxA0FNALJm0A8IHh9aIyi?si=2d308cd85b124bb0

Dignare Me Laudare Te - Fernando de las Infantashttps://open.spotify.com/intl-es/track/3PJbHLUij8B1YqbjuHYda8?si=ddcce6323eac4c0b

Gloria de Missa Papae Marcelli - Giovanni Perluigi di Palestrina https://open.spotify.com/intl-es/track/0pxA0FNALJm0A8IHh9aIyi?si=06d22f54b7bf4855

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Francia Romántica viajamos a la Rusia de comienzos del siglo XX para hablar del que es, en opinión de quien les habla, uno de los conciertos para piano más hermosos que se hayan compuesto nunca…

Música utilizada:

Sinfonía No. 1 en Re menor Op. 13, I. Allegro - Rachmaninoff (Concertgebouw Orchestra, Vladimir Ashkenazy)

https://open.spotify.com/intl-es/track/4N6jPL0azeMVMlpz0ahvAR?si=b340060a2f764e29

The Rock, Op. 7 - Rachmaninoff (Philadelphia Orchestra, Charles Dutoit)

https://open.spotify.com/intl-es/track/2E2QvFJnwbMasUo4ovE3H0?si=820dbe232fc54810

5 Morceaux de fantasie Op 3. No 2 - Rachmaninoff (Dimitri Alexeev)

https://open.spotify.com/intl-es/track/0xUHx0z34RGozRbdVia9e4?si=d4451ef799554a97

Suite No. 2 for 2 pianos, II. Waltz - Rachmaninoff (Vladimir Ashkenazy & Andre Previn)

https://open.spotify.com/intl-es/track/46MN6ahWCSSSFQFmqdouVM?si=851d972ce3e647f3

Romance in A (1891) for 6 hands -  Rachmaninoff (Vladimir Ashkenazy, Vovka Ashkenazy & Dody Ashkenazy)

https://open.spotify.com/intl-es/track/0dmVJhN9p1AGperZyh41pZ?si=47ce2afe714b4623

Piano Concerto No. 2 in C minor Op. 18 - Rachmaninov (Philadelphia Orchestra, Stokovski (cond.), Rachmaninoff (piano).

https://open.spotify.com/intl-es/track/2Ky0bjzqL8BZ2gARcHiri4?si=dc33599a653c4bf5

Rhapsody on a Theme by Paganini Op. 43 (Var. XVIII) - Rachmaninoff (Chicago Symphony, Reiner (cond.), Rubinstein (piano)).

https://open.spotify.com/intl-es/track/5LkFCPmFADnENuQ6UjK1wm?si=ee0554b0cc0f4706

 This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.