Let's go crazy! This week's pick is "Psychotic Reaction" originally by The Count Five - a song which has to be in the Top 10 of all-time garage toonz ... a Yardbirds-style rave-up with great drums & atmospheric harmonica wails. Two versions, also from 1966, follow hot on the caped ones' heels - Texans Positively Thirteen O'Clock (who are actually Mouse & The Traps under a different name) and budget-rockers The Fire Escape. Labelmate Brenton Wood jumped on the song in '67 and reveals the secret original ending that the Counts ditched for their single. Television played the song live in Cleveland in '75 and they make quite a racket, but then Shockabilly's 1982 version add a ruckus to their racket! Take a ride!

Let's go crazy! This week's pick is "Psychotic Reaction" originally by The Count Five - a song which has to be in the Top 10 of all-time garage toonz ... a Yardbirds-style rave-up with great drums & atmospheric harmonica wails. Two versions, also from 1966, follow hot on the caped ones' heels - Texans Positively Thirteen O'Clock (who are actually Mouse & The Traps under a different name) and budget-rockers The Fire Escape. Labelmate Brenton Wood jumped on the song in '67 and reveals the secret original ending that the Counts ditched for their single. Television played the song live in Cleveland in '75 and they make quite a racket, but then Shockabilly's 1982 version add a ruckus to their racket! Take a ride!

Let's go crazy! This week's pick is "Psychotic Reaction" originally by&nbsp;The Count Five - a song which has to be in the Top 10 of all-time garage toonz ... a Yardbirds-style rave-up with great drums &amp; atmospheric harmonica wails. Two versions, also from 1966, follow hot on the caped ones' heels - Texans Positively Thirteen O'Clock&nbsp;(who are actually&nbsp;Mouse &amp; The Traps under a different name) and budget-rockers&nbsp;The Fire Escape. Labelmate&nbsp;Brenton Wood jumped on the song in '67 and reveals the secret original ending that the Counts ditched for their single.&nbsp;Television&nbsp;played the song live in Cleveland in '75 and they make quite a racket, but then&nbsp;Shockabilly's 1982 version add a ruckus to their racket! Take a ride!

Psychotic Reaction

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Psychotic Reaction

Psychotic Reaction

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