Public

Wilson, who has died at the age of 82, was the creative force behind The Beach Boys. He wrote and produced many of their hits, including "I Get Around," "Help Me Rhonda," and "God Only Knows." Wilson spoke to Terry Gross in 1988 and 1998 about creating the distinctive Beach Boys sound and his decision to leave the Beach Boys to pursue a solo career. Plus, Ken Tucker reviews new albums by Willie Nelson and Ken Pomeroy.

Learn more about sponsor message choices: podcastchoices.com/adchoices

NPR Privacy Policy

“I’m an essayist, not a podcaster,” says Lapham’s Quarterly acting editor Donovan Hohn, “but then the same could be said of Lewis, who took the form and the medium of the podcast and did with it what he’d done all of his adulthood: have conversations with people whose voices he wished to hear. Seasoned listeners to The World in Time may rest assured that similar conversations will resume shortly. This episode, my first behind the microphone, won’t be a conversation, but it will be a duet. I’ll be sharing the microphone some with Lewis Lapham.”

On Point news analyst Jack Beatty on how political activist Christopher Rufo became one of the most influential voices in conservative politics today.

In this captivating discussion, Iain and Philip ask what makes us who we are? Are we merely our brains, or does science only capture part of the human story? Is the universe conscious?

Dr. Iain McGilchrist, renowned psychiatrist, neuroscience researcher, philosopher, and author of the critically acclaimed The Master and His Emissary: The Divided Brain and the Making of the Western World, engages in a thought-provoking event at the UnHerd club with Professor Philip Goff, a leading panpsychist philosopher from Durham University and author of Galileo’s Error: Foundations for a New Science of Consciousness.

McGilchrist and Goff dive into the intersections of neuroscience, philosophy, and consciousness, exploring the limits of reductionist science, the nature of the self, and the profound implications of their work for understanding the human mind and its place in the cosmos.

Hosted on Acast. See acast.com/privacy for more information.

This week, we catch up with Jonathan's dad about the years since his appearance in our first ever episode — #1 Buzz. Buzz and Sheldon are brothers in their eighties who’ve been estranged for decades. Buzz visits Sheldon to see if there’s still a relationship left to salvage.

Credits

This episode was produced by Jonathan Goldstein, Wendy Dorr, Chris Neary, and Kalila Holt, with editing by Alex Blumberg and Peter Clowney. Special thanks to Caitlin Kenney, Starlee Kine, and Rachel Ward. The episode was mixed by Haley Shaw. Music by Christine Fellows and Haley Shaw. Our theme music is by The Weakerthans courtesy of Epitaph Records.

See omnystudio.com/listener for privacy information.

Marguerite Yourcenar entered the Académie Française in 1981, the first woman to be admitted. Her novel Memoirs of Hadrian, published thirty years earlier, is ‘often considered the best French novel of the 20th century’, as Joanna Biggs wrote in a recent issue of the LRB. In this episode of the podcast, Joanna joins Tom to discuss Yourcenar’s life and work, and what makes Memoirs of Hadrian – a reimagining of the life of the Roman emperor – such a good book.

Find further reading on the episode page: https://lrb.me/yourcenarpod

Find Memoirs of Hadrian at the Bookshop: https://lrb.me/hadrianpod

Sponsored links:

Find out more about the National Gallery's Siena exhibition here: https://www.nationalgallery.org.uk/exhibitions/siena-the-rise-of-painting

Hosted on Acast. See acast.com/privacy for more information.

I interviewed Paul Harding, who won the Pulitzer Prize for Fiction for his very first novel Tinkers. Unlike most novelists, he’s not really interested in plots, and only halfway interested in characters. So what is he interested in? He’s focused on describing the wonders and mysteries of life, teaching us how to see, hear, and feel more vividly, and how to translate those sensations onto the page.

Hey! I’m David Perell and I’m a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Marion Milner, across her long career as psychoanalyst, essayist and artist, thought deeply about creativity in all its forms, exploring fields as diverse as anthropology, folklore, education, literature, art, philosophy, mysticism, and psychology. In Marion Milner: On Creativity, David Russell, Professor of English at the University of California, uses these ideas as a starting-point for an exploration of Milner’s thought and its continuing relevance today. Russell was in conversation with psychoanalyst and essayist Adam Phillips, whose most recent book is On Giving Up (Hamish Hamilton, 2024).

Hosted on Acast. See acast.com/privacy for more information.

In the second of this six-part series of The Economics Show, Martin Wolf, the FT’s chief economics commentator, and Nobel Prize-winning economist Paul Krugman discuss the way economic trends have fractured societies on both sides of the Atlantic and the jeopardy that poses to liberal democracies in Europe and America. 

Paul Krugman’s Cultural Coda: Let America Be America Again by Langston Hughes

https://poets.org/poem/let-america-be-america-again

Martin Wolf’s Cultural Coda: The Tariff Song by Dan Shore

https://m.youtube.com/watch?v=eWtn6kWXAsQ&utm_source=substack&utm_medium=email

Subscribe and listen to this series on The Economics Show on Apple Podcasts, Spotify, Pocket Casts or wherever you listen to podcasts. Episodes are also available on the FT’s YouTube channel.

If you’d like to get in touch and ask Martin and Paul a question, please email [email protected] 

Read Martin’s FT column here

Subscribe to Paul’s substack here

The Wolf-Krugman Exchange was produced by Sandra Kanthal and Mischa Frankl-Duval, and the broadcast engineer was Andrew Georgiades. The sound engineer was Breen Turner. Manuela Saragosa is the FT’s acting co-head of audio.

Read a transcript of this episode on FT.com

Hosted on Acast. See acast.com/privacy for more information.

When you think of classist societies, the most familiar one you may think of would be the UK, with accents over there maybe leading you to make all kinds of assumptions on their wealth and background.

But, how classist is Irish society? Are we just as bad as them?

Author and Playwright Kevin Barry has some thoughts on this, and joins Seán to discuss.