Public

On Point news analyst Jack Beatty on one of President Trump’s oft-repeated rhetorical tropes and what its conjectured origin story might say about his internal salience map.

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When Norway was invaded by Nazi Germany in 1940, a collaborative government led by Norwegian Vidkun Quisling was put in place.

Quisling believed that Norwegians would become more receptive to Nazi ideology if the education system was controlled.

However, thousands of the country’s teachers resisted joining a new union. More than 1,000 of them were sent to concentration camps for their refusal.

Mr Roll Hansen taught in Norway during the occupation. He told the BBC in 1944 about what it was like working in those conditions.

This edition of Witness History is produced and presented by Tim O’Callaghan in collaboration with the BBC Archives.

Witness History is a short BBC World Service podcast about history that takes you inside big moments from the past through first-hand testimony and archive. Each weekday, in around nine minutes, we revisit one moment that helped shape the world and hear it through the voice of someone who was there. Scientists, artists, campaigners, soldiers, leaders and everyday people tell their true stories.

When you subscribe to Witness History, you’ll be taken inside turning points in world affairs from West Africa’s fight back against Boko Haram in 2015 to the behind-closed-doors talks that led to the US-Cuba “thaw” and the surprise announcement of restored relations.

If you’re new to Witness History, the appeal is simple: real voices, one strong true story, and a fresh way to understand today through events from history – all in the time it takes to enjoy a cup of tea or a walk around the block. Join millions of BBC World Service podcast listeners around the globe and enjoy the insight, context and detail Witness History will bring you.

(Photo: Nazi German soldiers parade through Oslo during the occupation of Norway. Credit: Ullstein Bild via Getty Images)

The award-winning Irish writer Sebastian Barry speaks to Take Four Books about his latest novel, The Newer World, and, together with presenter James Crawford, they explore its connections to three other books.

The Newer World takes us back into post-civil war America as we follow the character of Tennyson Bouguereau, a formerly enslaved man, and nascent singer as it turns out, who is forced to leave his home for fear of being killed, and heads to Nashville, until a surprising trip to Victorian England changes things.

Sebastian Barry was the laureate for Irish Fiction from 2018 to 2021 and is a two-time winner of both the Costa Book of the Year and the Walter Scott prize for historical fiction. For his three influences he chose: The American Spelling Book by Noah Webster (1783); Army Life in a Black Regiment by Thomas Wentworth Higginson (1869); and A Journey in the Back Country by Frederik Law Olmstead (1860).

Producer: Dominic Howell

Joyce Carol Oates reads her story “Lost Child,” from the September 21, 2026, issue of the magazine. A winner of the National Humanities Medal and the Jerusalem Prize, among others, Oates is the author of more than seventy books of fiction, including the novel “Fox” and the story collections “Flint Kill Creek” and “The Frenzy.”

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Today’s episode in our series about twentieth-century philosophy and biography explores the life and thought of Elizabeth Anscombe (G. E. M. Anscombe), a remarkable and remarkably uncompromising philosopher. David talks to Nikhil Krishnan about Anscombe’s relationship with Wittgenstein, her relationship with Catholicism and her fierce relationship with the truth. Why did she believe that consequentialism was capable of corrupting the young? And why did she insist that Harry Truman was a war criminal?

You can find out everything you need to know about this podcast – who we are, what we do, plus upcoming events and full lists of all episodes including PPF+ bonus episodes on our website https://www.ppfideas.com

Next time in the Lives of the Philosophers: Hannah Arendt

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The writer, presenter and podcaster Richard Osman has released his latest novel – We Chase Shadows, the second book in his We Solve Murders series. The release follows the success of his Thursday Murder Club novels which have sold millions of copies since the first book was published in 2020. It has since been made into a film produced by Steven Spielberg.

PRODUCTION:

ARCHIVE:

Francis Fukuyama's “The End of History and the Last Man” is one of the most insightful books for understanding the strangeness and instability of this political moment.

Fukuyama wrote his landmark book more than 30 years ago, and it’s typically remembered as a triumphalist argument, heralding the permanent victory of liberal democracy at the end of the Cold War. But that’s not quite right. Fukuyama also talked about the serious weaknesses he saw in liberal democracy — how it may not fully satisfy the human soul — and his warnings feel very prescient now. 

So I wanted to have Fukuyama on the show to talk through the ideas in his book and how he sees them today, at a time when liberal democracy seems increasingly imperiled around the world. Fukuyama is a political scientist at Stanford University and the author of a number of other great books of political theory, as well as a new memoir, “In the Realm of the Last Man.”

Mentioned:

“The End of History?” by Francis Fukuyama

“The Righteous Mind” by Jonathan Haidt

Book Recommendations:

“Recoding America” by Jennifer Pahlka

“Why Nothing Works” by Marc J. Dunkelman

“The God Test” by Robert Wright

Thoughts? Guest suggestions? Email us at [email protected].

You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html

This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones, Aman Sahota and Gautam Sirkishan. Our recording engineer is Aman Sahota. Cinematography by Marina King. Video editing by Kristen Williamson, Dani Dillon and Brandon Belk-Yee. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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If you were a reading adult in the early 2000s, you probably tackled, or at least heard about, “The Corrections,” Jonathan Franzen’s best-selling and much discussed book.

The novel won the National Book Award, was a Pulitzer finalist, and an Oprah Book Club pick.

The book arrives at its 25th anniversary this month, and in today’s episode of the “Book Review” podcast, host Gilbert Cruz talks with Taffy Brodesser-Akner, a writer for The New York Times magazine and novelist, about why this novel is so essential to modern American literature. And that’s not just her take: “The Corrections” ranks fifth on our list of the 100 Best Books of the 21st Century, as voted on by hundreds of influential readers.

“The Corrections” is a book about America at the turn of the century; it was published just before 9/11. Brodesser-Akner, who admits to having read the novel 20 times, says that Franzen’s work “became the defining book of America’s golden moment, which ended on Sept. 10.”

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We Want to Hear From You

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Credits

The “Book Review” Podcast is hosted by Gilbert Cruz, produced by Amy Pearl, Sarah Diamond and Patricia Sulbarán. The show is mixed by Pedro Rosado. Special thanks to Dahlia Haddad.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Meg Wolitzer presents two favorite Selected Shorts works in which food and nourishment figure both literally and symbolically.  The narrator of Haruki Murakami’s “The Year of Spaghetti” seems to be just sharing pasta recipes, but it’s the recipe for assuaging loneliness that may elude him.  The reader is Sopranos alum Michael Imperioli.  And unusual family dynamics shape Amy Bloom’s “Love is Not a Pie,” performed by Hope Davis.  We also share a discussion of this work by the mother and daughter book club organized by our frequent reader Rita Wolf and her daughter Anjeli.

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This is a catch-up version of James O'Brien's Mystery Hour. To join the game, call 0345 60 60 973, Thursdays at 12pm.