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Does Socrates still have something to teach us? Agnes Callard thinks he has. Here she discusses the great Athenian and his continuing relevance with David Edmonds. 

My colleague Tom Friedman thinks we’re screwed.

That’s the first thing he told me when recounting his recent trip to China. It’s not just because of the trade war that President Trump is escalating right now. Friedman believes the whole Washington consensus on China — that the country is a hostile adversary — is dangerous and based on an outdated understanding of what China now is. He saw how China’s manufacturing and technology have advanced so far that in many ways it now surpasses the United States’.

In this conversation, Friedman walks me through the advancements he saw in some of the most critical fields of the coming decades — including A.I., E.V.s and clean energy. We discuss why he sees the current consensus as dangerous, what a different path might look like and what the United States should do to develop its domestic manufacturing so that we don’t “get steamrolled.”

This episode contains strong language.

Mentioned:

“I Just Saw the Future. It Was Not in America.” by Thomas L. Friedman

“China's overlapping tech-industrial ecosystems” by Kyle Chan

Genesis by Henry A. Kissinger, Eric Schmidt and Craig Mundie 

Book Recommendations:

The works of Yuval Noah Harari

Thoughts? Guest suggestions? Email us at [email protected].

You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Mixing by Isaac Jones, with Aman Sahota and Efim Shapiro. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Elias Isquith, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Zoe Zongyuan Liu, Kyle Chan and Matt Sheehan.

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Today’s Parisian revolution is a theatrical performance that produced a riot. David talks to theatre director Dominic Dromgoole about Alfred Jarry’s Ubu Roi (1896), which only ran for a couple of nights but left an indelible mark on the culture of the age and has resonated ever since. Why did a play effectively written by children provoke such a storm among the adults? What made it it blow the mind of W. B. Yeats who was in the audience? How can something so bad be so liberating?

Next time: Stravinsky’s The Rite of Spring

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There's no universal definition for the word freedom, according to American historian Timothy Snyder. He divides the word into two categories for people — the freedom "from" and the freedom "to" various things. In the U.S., Snyder calls oligarchs like Elon Musk and President Donald Trump "heroes of negative freedom,” focused on being against things. But the author of On Freedom says it's a trap, because once you’re against one thing, it builds into an endless loop of the next thing. True freedom, he says, is to thrive for the sake of our common future.

Walter Mosley in conversation with Richard Wolinsky, recorded March 5, 2025 discussing his two most recent novels, “Been Wrong So Long It Looks Like Right,”  a Joe King Oliver novel, and “Farewell, Amethystine,” an Easy Rawlins novel.

Today, Walter Mosley is one of America’s leading authors. He is best known for his series of mystery novels featuring the characters of Easy Rawlins and Mouse. To date, there are now twenty non-series novels by Walter Mosley, the most recent titled Touched, published in 2023, Along with three Fearless Jones novels, six Leonid McGill mysteries, three Socrates Fortlow books, three books in the Crosstown to Oblivion series, three books in the King Oliver series, plus two graphic novels, two plays, and six works of non-fiction. Always Outnumbered became a television film in 1998 starring Laurence Fishburne, and a TV miniseries titled The Last Days of Ptolemy Gray, based on Walter Mosley’s book, starring Samuel L. Jackson, on Apple+. At present, an adaptation of his novel The Man in My Basement is in post-production. This is the complete 40-minute interview.

The post Walter Mosley: The Easy Rawlins and King Oliver novels, 2025 appeared first on KPFA.

Adam Levin reads his story “Jenny Annie Fanny Addie,” from the April 21, 2025, issue of the magazine. Levin, a winner of the New York Public Library Young Lions Fiction Award, is the author of four books of fiction, including the novels “Bubblegum,” from 2020, and “Mount Chicago,” from 2022.

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Readers have been waiting for a new novel from Chimamanda Ngozi Adichie for 12 years … and Dream Count delivers a sweeping tale that was well worth the wait. In the novel, Chimamanda weaves together the perspectives of four women moving between Nigeria, Guinea and the United States. In this Canadian broadcast exclusive, she joins Mattea Roach to talk about her longing to be known, grappling with the sudden loss of her parents and how her mother’s spirit brought her back to fiction

Check out the full video interview on the CBC Arts YouTube channel. 

Today’s episode is the first of three this week with the theatre director and writer Dominic Dromgoole, exploring revolutionary events in the world of art and theatre, starting with the opening of the Salon des Refusés in Paris in May 1863. How did the Emperor Napoleon end up sponsoring such a counter-cultural event? Why did it provoke such public outrage and astonishment? And in what ways did Manet’s Le Déjeuner sur l’herbe revolutionise what was possible in the creation and consumption of modern art?

A new edition of our newsletter is out now with guides to the events of the Paris Commune and much more. Sign up to get it every fortnight https://www.ppfideas.com/newsletters

Next time: Ubu Roi w/Dominic Dromgoole

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For Descartes body is purely geometrical. So how does he understand features we can perceive, like color, and causation between bodies?

Eric Newman and Medaya Ocher speak with Andrea Long Chu about Authority a collection of previously published and new essays and criticism. Authority interrogates what it means to be a critic today, analyzing the work that the critic does in interpreting a book, film, or TV show for us as well as how the status of the critic has developed from antiquity to the present. Andrea, Medaya, and Eric talk about finding one's voice as a critic, how the critic approaches an object of analysis, and the increasingly siloed role of the full-time critic in an era of tectonic shifts in the media landscape.