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This episode I'm joined once again by writer and occultist John Michael   Greer, to discuss his book The Twilight of Pluto Astrology and the Rise and Fall of Planetary Influences

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They cost anything from less than £20 to more than £250. So how do you pick the right pair? And will paying more make you run faster?

With the ‘Couch to 5K’ app breezing past 5 million downloads, and marathon season well underway, two listeners ask Greg: What will they get for the extra money? A shoe more suited to their running style? More cushioning and fewer injuries? And will a top of the range pair with a carbon plate in the sole make them faster?

Greg Foot gets the answers from biomechanist, Dr Hannah Rice and sports technologist Professor Mike Caine. Plus, running writer, journalist and world record holder [for the fastest marathon in a full body animal costume (female)], Kate Carter.

This season we’re testing YOUR suggested wonder-products. If you’ve seen an advert, trend or fad and want to know what the evidence says drop us an email to [email protected] or drop Greg a message direct on his social media where he’s @gregfoot

Presenter: Greg Foot

Producer: Julian Paszkiewicz

In his long essay Losers (Peninsula) psychoanalyst and critic Josh Cohen examines, with characteristic wit and acuity, what our culture loses by undervaluing what Elizabeth Bishop famously called ‘the art of losing.’ Drawing on a wide range of sources and inspirations from mythology, psychology and literature, including Freud, Winnicott, Beckett, Kafka, Thomas Bernard and Robert Walser, Cohen was in conversation with novelist and essayist Deborah Levy, who has written of Losers ‘With compassion, skill and verve, Josh Cohen eloquently dismantles societal and personal delusions about winning and losing.’

Hosted on Acast. See acast.com/privacy for more information.

The Matrix, The Truman Show, and now more recently Westworld. Popular culture has long been captivated by the notion that our lives and the world we inhabit in are nothing more than an advanced computer simulation. But it’s also an argument that is being given more credence by world renowned philosophers and scientists. The leading proponents of the “simulation hypothesis” believe that the mathematical nature of the universe is itself the strongest proof we exist in an artificial reality. They point to human DNA and string theory in particle physics as but two of a growing number of so-called naturally occurring phenomena that behave remarkably similar to computer code - too close to be an accident. The mainstream scientific community is taking exception to these claims. They say the simulation hypothesis is based on overly complicated hypotheses that verge on circular reasoning. They argue the universe can be beautiful, even harmonious, mathematically and empirically down to the smallest atom or strand of DNA. Occam's Razor or the maxim that the simplest explanation is usually the right one, is all the proof we need that the universe is real and not a computer program.

Arguing for the motion is Rich Terrile, Director of the Center for Evolutionary Computation and Automated Design at NASA’s Jet Propulsion Laboratory. He is a voyager scientist and has discovered moons on Saturn, Uranus, and Neptune.

Arguing against the motion is David Kipping, Assistant Professor of Astronomy at Columbia University where he leads the Cool Worlds Lab. His research focuses on extrasolar planets, the search for life in the universe, and astrostatistics.

Sources: HBO, Space.com, The New York Academy of Sciences, Google Zeitgeist, IGN Entertainment Inc., Gave Dev Guide, FragHero

The host of the Munk Debates is Rudyard Griffiths - @rudyardg.  

For detailed show notes on the episode, head to https://munkdebates.com/podcast.

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Members receive access to our 10+ year library of great debates in HD video, a free Munk Debates book, newsletter and ticketing privileges at our live events.

This podcast is a project of the Munk Debates, a Canadian charitable organization dedicated to fostering civil and substantive public dialogue - https://munkdebates.com/

The Munk Debates podcast is produced by Antica, Canada’s largest private audio production company - https://www.anticaproductions.com/

Executive Producer: Stuart Coxe, CEO Antica Productions

Senior Producer: Christina Campbell

Editor: Kieran Lynch

Associate Producer: Abhi Raheja

An interview with Jennifer Egan, winner of the Pulitzer Prize and the National Book Critics Circle Award, and author most recently of The Candy House (Scribner, 2022), the story of the intersections across space and time of characters desperate to understand their interior lives. At the hub of these stories, a machine capable of capturing and sharing memories, and even offering the possibility of joining a collectivity of consciousness. Jennifer Egan, as always, balances perfectly the profound intellectual problems of existence with characters who feel deeply real by virtue of their uncommon minds. We get to talking about how her process is one of discovery through the unconscious practice of writing, and the ways in which certain ideas of what the reader should feel and experience guide her structure. We discuss her creation of the futuristic machine in The Candy House that, in the end, fashions what only the novel can produce: a window into the minds and memories of another. On the subject of movement back and forth through time and place, Jennifer credits a marvelous children’s novel for the concept of parallel worlds into which characters can dip in and out of. In an incredibly wide-ranging discussion, we touch upon Dungeons and Dragons, the longest and possibly best 18th century novel, the possibility of reading The Candy House as the predecessor to A Visit from the Goon Squad, and so much more.

Jennifer Recommends:



Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Mary Oliver was one of our greatest and most beloved poets. She is often quoted by people across ages and backgrounds — and it’s fitting, since she described poetry as a sacred community ritual. “When you write a poem, you write it for anybody and everybody,” she said. Mary died on January 17, 2019, at the age of 83. She was a prolific and decorated poet, whose honors included the Pulitzer Prize and the National Book Award. In this 2015 conversation — one of the rare interviews she granted during her lifetime — she discussed the wisdom of the world, the salvation of poetry, and the life behind her writing.

Mary Oliver published over 25 books of poetry and prose, including Dream Work, A Thousand Mornings, and A Poetry Handbook. She won the Pulitzer Prize for Poetry in 1984 for her book American Primitive. Her final work, Devotions, is a curated collection of poetry from her more than 50-year career.

Find the transcript for this show at onbeing.org.

How does a poem emerge? So many ways to do it right, says Rosemerry. But in this episode, we take an intimate and critical look at one poem, “For When People Ask,” and talk about the genesis of the poem, how it changed and transformed, how the metaphors grew and how people responded to it. We also talk about saving first drafts–or not, trusting the process, leaning into uncertainty, letting our creative process be led by honesty, getting our egos out of the way, and, of course, paradox. 

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For When People Ask

I want a word that means

   okay and not okay,

  a word that means

devastated and stunned with joy.

   I want the word that says

  I feel it all all at once.

The heart is not like a songbird

   singing only one note at a time,

  more like a Tuvan throat singer

able to sing both a drone

   and simultaneously

  two or three harmonics high above it—

a sound, the Tuvans say,

   that gives the impression

  of wind swirling among rocks.

The heart understands the swirl,

   how the churning of opposite feelings

  weaves through us like an insistent breeze

leads us wordlessly deeper into ourselves,

   blesses us with paradox

  so we might walk more openly

into this world so rife with devastation,

   this world so ripe with joy.

World-renowned philosopher and cognitive scientist Daniel Dennett joins us for a special Munk Dialogue on the origin of human consciousness, and how our minds have been shaped by natural selection and generations of cultural evolution.

QUOTES:

DANIEL DENNETT

“We have more degrees of freedom than any other organism alive. We're autonomous, we pull our own strings… the primary moral responsibility of every human being is to not become a puppet of others.”

The host of the Munk Debates is Rudyard Griffiths - @rudyardg.  

Tweet your comments about this episode to @munkdebate or comment on our Facebook page https://www.facebook.com/munkdebates/

To sign up for a weekly email reminder for this podcast, send an email to [email protected].  

To support civil and substantive debate on the big questions of the day, consider becoming a Munk Member at https://munkdebates.com/membership

Members receive access to our 10+ year library of great debates in HD video, a free Munk Debates book, newsletter and ticketing privileges at our live events.

This podcast is a project of the Munk Debates, a Canadian charitable organization dedicated to fostering civil and substantive public dialogue - https://munkdebates.com/

Executive Producer: Rudyard Griffiths

Senior Producer: Ricki Gurwitz

Editor: Reza Dahya

Frank loves Nick Laird’s poetry. And manual typewriters. The collection referenced is On Purpose by Nick Laird and the poem referenced is The Underwood No. 4.

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Lauren Groff reads her story “Annunciation,” from the February 14 & 21, 2022, issue of the magazine. Groff has published four novels, including “Arcadia,” “Fates and Furies,” and most recently “Matrix,” which came out last year. Her second story collection “Florida,” which was published in 2018, won the Story Prize and was a finalist for the National Book Award.