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How should we see the Israeli-American War on Iran? How should we understand it, or maybe even escape it? The writer and historian Daniel Immerwahr is our guest, with the essential qualifications, starting with his own grip on history, and a taste also for irony, tragedy, absurdity—in his own freewheeling and unpredictable style.

Daniel Immerwahr.

The post Hit-and-Run Belligerence appeared first on Open Source with Christopher Lydon.

Host Meg Wolitzer presents two humorous stories about marriages not made in heaven.In James Thurber’s classic “The Breaking Up of the Winships,” a long-married couple fall out over Donald Duck. The reader is Kristine Nielsen. And in Louise Erdrich’s “The Big Cat,” read by Keir Dullea, two powerful wives, a bemused husband, and a symphony of bone-jarring snores.   The program also features an interview with Erdrich.

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UnHerd's Freddie Sayers speaks with Professor of Political Economy at Cambridge University, Helen Thompson, to dismantle the mainstream narrative surrounding the conflict in the Middle East. Moving beyond the idea that the U.S. is stumbling into war, Thompson reveals a possible strategic plan by the Trump administration to weaponise energy markets against China, while exploring how the closure of the Strait of Hormuz serves American interests in the global AI race, and how a reverse Suez moment is fundamentally redrawing the map of global power.

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Misha Glenny and guests discuss the short life and lasting works of Keats (1795-1821), who in one year wrote some of the most loved poems in English. Among these are Ode to a Nightingale, Ode on a Grecian Urn and Ode on Melancholy. That most productive year began in autumn 1818, when Keats had been stung by some reviews labelling him an uncouth Cockney who should go back to his former work as an apothecary, work he had left for poetry only two years before with the encouragement of enthusiastic friends. Just over two years later, Keats was dead in Rome from tuberculosis, before his work found fame, though some who knew him, including Shelley, believed his true killer was the critics.

With

Fiona Stafford

Nicholas Roe

And

Meiko O’Halloran,

Producer: Simon Tillotson

Reading list:

John Barnard, John Keats (Cambridge University Press, 1987)

Katie Garner and Nicholas Roe (eds), John Keats and Romantic Scotland (Oxford University Press, 2022)

Ian Jack, Keats and the Mirror of Art (Oxford University Press, 1967)

John Keats (ed. John Barnard), John Keats: Selected Writings (Oxford University Press, 2020)

John Keats (ed. John Barnard), John Keats: Oxford 21st-Century Authors (University Press, 2017)

John Keats (ed. John Barnard), Selected Poems (Penguin, 2007)

John Keats (ed. John Barnard), The Complete Poems (Penguin, 2nd edition, 1977)

John Keats (ed. Jeffrey N. Cox), Keats’s Poetry and Prose: A Norton Critical Edition (W. W. Norton & Company, 2008)

Carol Kyros Walker, Walking North with Keats (Edinburgh University Press, 2021)

Richard Marggraf Turley (ed.), Keats’s Places (Palgrave Macmillan, 2018)

Lucasta Miller, Keats: A Brief Life in Nine Poems and One Epitaph (Jonathan Cape, 2021)

Michael O’Neill (ed.), John Keats in Context (Cambridge University Press, 2017)

Christopher Ricks, Keats and Embarrassment (Oxford University Press, 1974)

Nicholas Roe, John Keats: A New Life (Yale University Press, 2012)

Susan J. Wolfson, Reading John Keats (Cambridge University Press, 2015)

Susan J. Wolfson (ed.), The Cambridge Companion to Keats (Cambridge University Press, 2001)

In Our Time is a BBC Studios Production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

In this show Robert Harrison and Ato Quayson discuss tragedy and postcolonial literature (the topic of Professor Quayson’s 2021 book of the same title). Ato Quayson is the Jean G. and Morris M. Dolye Professor of Interdisciplinary Studies and English at Stanford University, and chair of the Department of African and African American Studies. Songs in […]

In Francis Spufford’s new novel, ‘Nonesuch,’ magical, time-traveling fascists want to go back in time and murder Winston Churchill before he shores up Britain's will to fight the Nazis. The book’s hero, a young woman named Iris, is trying to survive the Blitz while navigating her love life and sexism in ‘40s London. The author spoke with Fresh Air Executive Producer Sam Briger.

TV critic David Bianculli reviews the new movie adaptation of the TV series ‘Peaky Blinders.’


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This episode is presented by Mercury, the banking platform that makes this show possible. I can’t imagine trying to run my business without them. Learn more at https://mercury.com

Do you ever wonder how the book publishing industry works? How does the CEO of a top-five publishing house even think? That's what this episode is all about.

My guest is John Yaged. He runs Macmillan, which is one of the top five publishing houses. I asked him to talk to me like I'm a young writer who has never published a book before. And that's what he did.

If you're interested in improving your writing, if you want to be a super successful writer and understand how this industry works, then you're going to like this episode.

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In Time Regained, the concluding volume of Marcel Proust’s In Search of Lost Time, an older version of the narrator gloomily decides to attend a gathering at the Guermantes' mansion. He’s thinking, as Joshua Landy paraphrases here, "I might as well go and waste my time with these high-society snobs." But then he experiences a jolt of involuntary memory, prompted by a step onto uneven paving stones. His memory casts him across time, and he begins to think that he could commit himself to writing that might also access something true and enduring, beyond conventional time. 

"With Proust,” Hannah Freed-Thall tells us, “chance and contingency are so at the center of his aesthetic and epistemological world." Involuntary memory, by which the narrator senses a connection to a kind of being apart from the usual passage of time, has to happen by surprise, or it won’t be involuntary. Chance, therefore, leads to a feeling for something kind of magical. "Precisely because nothing is ordering this," Freed-Thall says, "enchantment is possible." 

When Proust’s narrator joins the party, however, he encounters aging characters, and the unavoidable force of mundane time is made vivid. He and the reader are left with a sense of something enduring along with recognition of the passage of time. Neither time nor timelessness seems to win here. “We can make of music what we will,” Alex Ross said earlier this season, and similarly, readers are free to make of this conclusion—and all of In Search of Lost Time—what they will.

Guests this season include: The New Yorker’s Alex Ross—see especially "Imaginary Concerts"; Christine Smallwood, author of La Captive; Rick Moody, author of The Ice Storm; Hannah Freed-Thall, author of Modernism at the Beach; and Joshua Landy, author of The World According to Proust.

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