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Today’s episode in our season of live recordings from the Regent Street Cinema looks at the biopic of a revolutionary: Margaretha von Trotta’s Rosa Luxemburg (1986), which explores the deeply unstable relationship between the personal and the political. David talks to writer and philosopher Lea Ypi (Free, Indignity) about where biography ends and philosophy begins and whether revolutionary politics requires the leading of a revolutionary life. What was Rosa Luxemburg’s true cause? Who or what betrayed her and her ideas? And how does her legacy live on?
Out now on PPF+: a bonus episode to accompany this series in which David and film historian Harrison Whitaker discuss the greatest Christmas film of ideas: Frank Capra’s It’s A Wonderful Life, which is much more than just a seasonal tearjerker. To get this and all our bonus episodes plus ad-free listening sign up to PPF+ https://www.ppfideas.com/join-ppf-plus
Next time: Wittgenstein w/Nikhil Krishnan
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Gary Marcus claims to just be an AI “realist”. Some would describe the controversial AI sceptic otherwise. But whatever his moniker, Marcus’ warnings about AI have been eerily accurate. In fact, 2025 could be described as the year scripted by Gary Marcus in 2024. He warned us about the limitations of LLMs, the bubbly economics of Sam Altman’s OpenAI, and the AGI hype. So what does Marcus predict about 2026? Is he really the Cassandra who glimpses the AI future before the rest of Silicon Valley?
AI, we’re told, has the potential to free us from mundane tasks, revolutionise industries, and solve global problems. Linguistics Professor Emily Bender, warns that the big tech companies who promote AI, with an almost spiritual zeal, may be off the mark. The warning? Don’t believe the hype.
Originally broadcast July 2025
As a gift to listeners, I read O. Henry’s classic "The Gift of the Magi"—a timeless reminder of what really matters most for our happiness during the holidays.
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In the first of a new series from Old Street in which historian focus on a single moment of history, pre-eminent English-language expert on the Soviet Union Sheila Fitzpatrick gives a detailed and darkly humorous account of the day in 1953 on which Stalin died, an event for which, despite its inevitability, both Russia and the wider world were almost completely unprepared. Fitzpatrick discussed The Death of Stalin with Owen Hatherley (Trans-Europe Express, The Alienation Effect).
Patricia Lockwood joins Kevin Young to read “In the Waiting Room,” by Elizabeth Bishop, and her own poem “Love Poem Like We Used to Write It.” Lockwood is the author of the novels “No One Is Talking About This” and “Will There Ever Be Another You,” along with two poetry collections and a memoir. She has won the Thurber Prize for American Humor and the Dylan Thomas Prize, and she’s a contributing editor at the London Review of Books.
How much can we truly know about the inner lives of others? Tom Sutcliffe is joined by Miles Leeson and Karen Leeder to reflect on the challenge of interpreting the minds and motivations of poets, both past and present.
Editor Miles Leeson presents Poems from an Attic, a newly published collection of Iris Murdoch’s previously unseen poetry. Found in a box long after her death, these intimate verses offer fresh insight into the desires of a writer better known for her novels and philosophy.
Professor Karen Leeder has spent much of her career studying the poetry of East Germany. Her recent translation of Durs Grünbein, Psyche Running: Selected Poems 2005-2022 won this year's Griffin Poetry Prize 2025. Grünbein has written about the wartime bombing of his birth city Dresden and as a translator of classical authors, including Aeschylus and Seneca, his work features reflections on the relevance of the past and of antiquity in the present.
Nick Makoha's latest volume of poetry The New Carthaginians draws on an eclectic range of artistic, historic and cultural sources from the politics of 1970s Uganda to the myth of Icarus and the exploded collages of the neo-expressionist art movement. He writes employing symbols and traditions in startling ways to transform what we might think we know into something completely new.
Producer: Ruth Watts
Elizabeth McCracken is the author of nine books: Here’s Your Hat What’s Your Hurry, The Giant’s House, Niagara Falls All Over Again, An Exact Replica of a Figment of My Imagination, Thunderstruck & Other Stories, Bowlaway, The Souvenir Museum, The Hero of This Book, and A Long Game: Notes on Writing Fiction. She’s received grants and fellowships from United States Artists, the Guggenheim Foundation, the National Endowment for the Arts, the Liguria Study Center, the American Academy in Berlin, the Fine Arts Work Center in Provincetown, and the Radcliffe Institute for Advanced Study.
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When we’re quoting someone who has articulated an important idea, it’s important to make sure that we’re quoting their entire point. Winston Churchill, Stewart Brand, and apocryphally, Harry Gordon Selfridge, are frequently only partially quoted.
Resources & links related to this episode:
Get in touch: [email protected]
Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app.
Find the transcript for this episode on the episode details page in the Apple Podcasts app.
See omnystudio.com/listener for privacy information.
Best-selling author Naomi Alderman answers your questions about her first non-fiction book, how she feels about her writing being used to train AI models and whether there will be a new series of ‘The Power’ on Amazon Prime.
And Naomi also reveals exciting new details about her latest novel, called ‘The Strangers’, which is set to be released in September 2026.
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Amol Rajan is a presenter of the Today programme on BBC Radio 4. He is also the host of University Challenge on BBC One. Before that, Amol was media editor at the BBC and editor at The Independent.
Radical with Amol Rajan is a Today Podcast. It was made by Lewis Vickers with Anna Budd. Digital production was by Gabriel Purcell-Davis. Technical production was by James Piper. The editor is Sam Bonham. The executive producer is Owenna Griffiths.