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RNZ's executive editor of specialist news Jeremy Rees has read the shortlist. Is Flesh a worthy winner? 

Something a little different this week. Andy, Una and Nicky discuss the novel Transit by Rachel Cusk, the second part of her award-winning Outline trilogy. Outline, the first volume was published in 2014, with Transit following two years later and then finally Kudos in 2018; our conversation encompasses all three books. Backlisted began not long after Outline was published, and in the time we’ve been on air, the novels have gone from being well-reviewed new titles to bestsellers to backlist classics. When the history of early 21st-century literature is written, Rachel Cusk may well be cited as the figure responsible for taking the genre of autofiction into the mainstream. All three of us have a distinctly different relationship to these novels and we thought it might be illuminating to spend a hour or so comparing notes. Good news: it was! We hope you enjoy listening to us talking about reading books about people talking about writing books about people talking about books, as much as we enjoyed talking about them. 

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A conversation between Robert Harrison and Christy Wampole about the origins and history of Entitled Opinions.

Sometimes a teaching story has such a great lesson that it doesn’t even matter if it’s not true. While the famous story of the sardines and the catfish turns out to be apocryphal, it illustrates a useful truth: Being in an environment where we need to show hustle can be better for us than quiet, stagnant surroundings.

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Ian McMillan enjoys the language of the iconic 'Night Mail' poem by W.H. Auden, invites us into signal boxes, imagines train station bars, and evokes the empty platforms that inspire songs - as he celebrates 200 years of railway inspired poetry with his guests Don Paterson, Carmen Marcus, Bella Hardy and Patrick McGuinness.

Don Paterson is a poet and musician. He's the editor of an anthology of train poems called 'Train Songs' (with Sean O'Brien) and described the chapters of his memoir 'Toy Fights' as 'train windows'. The Verb has commissioned Don to write a poem about a station that seems to him particularly unpoetic..

Carmen Marcus is a graduate of the 'Verb New Voices' writing scheme. She is a novelist and poet, and for the anniversary of the passenger railway she has been talking to passengers on the Stockton & Darlington line and writing train inspired poems. Carmen brings railway trolls and brand new words for the excitement of train travel to the Verb studio.

Patrick McGuinness is British-Belgian writer and poet. He teaches French and Comparative Literature at Oxford. His latest book is a series of essays called 'Ghost Stations' - he explains why the idea of the 'ghost station' has been such a powerful 'engine' for his writing.

Bella Hardy is a lover of ballads, a BBC Folk Singer of the Year, and a songwriter. The Verb has asked her to respond to one of the greatest train platform inspired songs of all time - Paul Simon's 'Homeward Bound' . Bella performs a brand new song that celebrates the way waiting for a train can lead artists to come up with some of their best work.

You'll also hear the acoustics of a real signal box - part of a soundscape produced by Sheffield folk and electronics duo Polyhymns.

Produced by Faith Lawrence

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My neologism-du-jour is “enstatification”. It’s what is happening in MAGA America with Trump’s Gaucho-style swaggering into the economy and his reversal to autarky and a back-to-the-future Monroe Doctrine. With the growth of a 19th-century style state power, America is trying to become the new China. Meanwhile, as Keith Teare notes in his latest That Was The Week newsletter, China is the new America in its embrace of technological innovation, particularly its trebling down on clean energy. That’s why the “Too Big To Fail” debate about OpenAI is so heavily laced in irony. It’s not just Sam Altman’s chutzpah in trying to simultaneously become the punter and the house in his multi-trillion-dollar bet on ChatGPT. But it might actually reflect the new realities of second-quarter 21st-century America. We’ve been wondering for a while now what comes after neo-liberalism. In a neologism: enstatification.

* China Has Already Won the Clean Energy Race—And That Changes Everything Keith Teare confirms what The Economist reported: China’s clean energy capacity dwarfs America’s by a decade or more. This isn’t just about being green—it’s about controlling the energy infrastructure that AI requires. China is becoming the 21st century’s combination of America and Saudi Arabia.

* Jensen Huang’s Verdict: China Will Win the AI Race Because It Deregulates While America Bureaucratizes The NVIDIA CEO’s provocative claim isn’t just marketing—it reflects a real competitive advantage. While four Democratic states pursue AI regulation at the state level, Beijing is loosening regulations and slashing energy costs for data centers. Democracy’s decentralization may be its Achilles heel in rapid technological competition.

* OpenAI’s “Too Big to Fail” Status Reveals the New Age of Enstatification Despite David Sacks’ denials, OpenAI’s strategic importance means it effectively cannot be allowed to fail—not because of systemic financial risk like 2008, but because of national competitiveness concerns. This isn’t neoliberalism anymore; it’s America’s version of state capitalism.

* The Real Convergence Isn’t US vs China—It’s Both Nations Embracing State-Directed Economies Trump’s Intel investment, Sacks and Andreessen’s push for centralized AI policy, and China’s directed innovation represent a global trend toward what Keith calls state involvement in “procuring and distributing wealth.” Alibaba and Google, Huawei and NVIDIA—they’re becoming more alike than different.

* Keith Teare’s Optimism: “Everyone Will Win” in the AI Economy—But Some Pigs Are More Equal: Keith argues this isn’t a zero-sum race with winners and losers, but a rising tide lifting all boats through reciprocity. America and China will both capture massive value from AI’s potential $26 trillion GDP boost by 2035. I remain skeptical: history suggests great power competitions don’t end in shared prosperity.

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Patricia Lockwood's latest book is the third exploring her inner state, just don't call it a trilogy. A call to all Jane Austen lovers with the beginning of our new series Dear Jane, and Markus Zusak on the wonder of books.

Chronically online American author Patricia Lockwood blurs the lines between fiction and memoir in her latest book, Will There Ever Be Another You. Patricia is best known for her memoir Priest Daddy and the Booker Prize shortlisted novel, No One is Talking About This. Her new book is inspired by her own experience of long COVID and what it did to her mind. She tells Claire Nichols about over-ordering at the Wendy's franchise, the connections between her three books and feeling well again.

We're celebrating Jane Austen's 250th birthday with Dear Jane, a brand-new series about her life, her books, her legacy, and why authors are still inspired by her novels. In the first instalment, Roller Derby Austen fanatic and academic Devoney Looser busts some myths and explains why she believes Jane Austen was wild, not mild. Devoney's new book is Wild for Austen: A Rebellious, Subversive, and Untamed Jane.

The Book Thief by Markus Zusak was voted in at second place in our recent Top 100 Books countdown. This year also marks 20 years since this beloved book was published. It's about Leisel, a feisty German girl who finds power in stealing books and was inspired by Markus's parents' experiences in Europe during World War Two. It's a novel of big ideas and huge creative risks including Death as the narrator. Claire spoke to Markus for The Book Show's series My Biggest Book.

Listen to the Top 100 Books countdown.

Download a printable list of the Top 100 Books.

UnHerd's Freddie Sayers talks with Professor of Economic Policy at the University of Oxford, Sir Dieter Helm, about the great climate "self-delusion." As global leaders, royals, and celebrities jet into Rio for the 30th UN Climate Summit (COP 30), Helm - one of the world's most respected climate economists - argues the entire Net Zero project, championed by the very elites at the summit, is built on smoke and mirrors, and reveals: why 30 years of COPs have been ineffective; the core deceit politicians have been telling the public for decades; how the West's green policies are actually helping China while leading to our own self-sabotage; and why the UK's "clean energy" dream is a fantasy that is leading to economic ruin. What is the real path forward, and is it too late to fix the mess we've made?

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From the Probabilities Archive: Joe R. Lansdale, in conversation with Richard Wolinsky and Richard A. Lupoff, recorded August 2, 1994 during the author tour for the Hap and Leonard novel, “Mucho Mojo,” recorded in the KPFA Studios.

Joe R. Lansdale writes a broad spectrum of fiction, from his successful Hap and Leonard series of noir mysteries, to fantasy and horror short fiction, to western novels and short stories, as well as a variety of genre mash-ups. His latest Hap and Leonard mystery, Hatchet Girls, according to Wikipedia, is the 27th in that series. There are forty non-series novels, plus over forty short story collections, including the most recent to date, In the Mad Mountains, stories inspired by H.P. Lovecraft. There are five books in his Drive-In series, three in his Ned the Seal series, plus various chapbooks. He’s also written for television and film, including episodes of Love, Death and Robots, and a Hap and Leonard TV series, which ran on AMC+ for three seasons, starting in 2016. A new interview coming soon.

The post Joe R. Lansdale, Prolific Genre Author (Part One: 1994 Interview) appeared first on KPFA.