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On today’s date in 1926, Giacomo Puccini’s last opera, Turandot, had its belated premiere at the La Scala Opera House in Milan, with Arturo Toscanini conducting. The originally scheduled 1925 premiere had to be postponed, as Puccini had died in November 1924, leaving Turandot unfinished.
Another Italian composer, Franco Alfano, was brought in to complete the opera based on Puccini’s sketches. It’s said that after showing Toscanini his completion, Alfano asked, “What do you have to say, Maestro?”
Toscanini replied, “I say I see Puccini’s ghost coming to punch me in the nose.”
On opening night, Toscanini stopped the performance at the point that Puccini had ceased composing and left the podium in tears — a touching act of homage to Puccini, perhaps, but also a vote of “no confidence” regarding Alfano’s completion of the beloved master’s score.
Although well received by critics, the Puccini Turandot with Alfano’s ending remained less popular than other Puccini operas for decades. After a run of performances in the late 1920s when the opera was still new, Turandot remained unperformed at the Metropolitan Opera until 1961, when Birgit Nilsson and Franco Corelli scored a huge success in a lavish Franco Zeffirelli revival production.
Giacomo Puccini (1858-1924): Nessun dorma, from Turandot; Academy of St Martin in the Fields; Neville Marriner, conductor; EMI 49552
By American Public Media4.7
176176 ratings
On today’s date in 1926, Giacomo Puccini’s last opera, Turandot, had its belated premiere at the La Scala Opera House in Milan, with Arturo Toscanini conducting. The originally scheduled 1925 premiere had to be postponed, as Puccini had died in November 1924, leaving Turandot unfinished.
Another Italian composer, Franco Alfano, was brought in to complete the opera based on Puccini’s sketches. It’s said that after showing Toscanini his completion, Alfano asked, “What do you have to say, Maestro?”
Toscanini replied, “I say I see Puccini’s ghost coming to punch me in the nose.”
On opening night, Toscanini stopped the performance at the point that Puccini had ceased composing and left the podium in tears — a touching act of homage to Puccini, perhaps, but also a vote of “no confidence” regarding Alfano’s completion of the beloved master’s score.
Although well received by critics, the Puccini Turandot with Alfano’s ending remained less popular than other Puccini operas for decades. After a run of performances in the late 1920s when the opera was still new, Turandot remained unperformed at the Metropolitan Opera until 1961, when Birgit Nilsson and Franco Corelli scored a huge success in a lavish Franco Zeffirelli revival production.
Giacomo Puccini (1858-1924): Nessun dorma, from Turandot; Academy of St Martin in the Fields; Neville Marriner, conductor; EMI 49552

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