Who is remembered in Singaporean punk history, who has been erased in the commemorative process, and how? On this episode, co-hosts Jessica Schwartz and Russ Bestley speak with Ginette Chittick about her research efforts and digital archive practices that amplify "the voices that are rarely consulted in the already sparse research on Singaporean punk history." Ginette walks us through the significance of punk's emergence in a particular historical context, when soft authoritarianism and disciplinarity made Singaporeans subject to "common sense" etiquette and controls on political dissent, such that a band naming themselves "Opposition Party" was a meaningful act of defiance. Ginette shares how Singaporean punks had to navigate this system, where slam dancing was illegal and punks were required to raise $2,000 (in the 1990s!) just to put on a show. She also offers insight into how the uniqueness of this scene comes to life through the material culture she archives in her digital archive of Singaporean punk history, where studded leather jackets evince the layers of time, weather, and movements, from mosh-pit camaraderie to global flows of materials. Ginette also shared insights as a musician in a formative punk scene, playing in an all-female band--Psycho Sonique--in a male-dominated scene. And, we are excited to share a few of their songs with you all!

Guest Bio. 

Ginette Chittick is an educator, subculture researcher, shoegaze musician, and a DJ. She is currently pursuing her PhD at the London College of Communication, University of the Arts London, and her research focuses on Singaporean punk history and visual and material culture. As a key member of the early local punk and indie music scenes of the 1990s, Ginette Chittick co-founded Singapore’s first all-female punk band PsychoSonique, co-produced the city state’s earliest punk zine Outcast, and later riot grrrl zine CherrybombPress. She ran a DIY indie label, organised mini music festivals, and established the short-lived Lion City Riot Grrrl chapter in Singapore. With a background in fashion, she is the Programme Leader of the Diploma in Creative Direction for Fashion at the School of Fashion, LASALLE University of the Arts Singapore.

This episode features the music: Psycho Sonique, "I Don't Give a Damn," "I'm Gonna Crash!" and "One Nighter." All rights reserved. 

Links

Email: [email protected]

Instagram: https://instagram.com/ginettechittick

Website: ginettechittick.com Singaporeanpunkarchive.com

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 9, was recorded on Friday, February 13, 2025, on Zoom with participants in Singapore, the UK, and the US. Russ Bestley and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, which is available here.

Jessica Schwartz also edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

Happy 2026, punk scholars and other interested parties!

Your Punk Scholars Podcast co-hosts, Jessica Schwartz and Paul Hollins, are back in action with a recursively engaging interview of Prof. Martin James. Let us let you in on a couple of fun facts about our guest...."Martin has been punched by Goldie, pissed on by Iggy Pop and kidnapped by an unknown DJ in Italy. He also once swam across crocodile-infested waters in Indonesia, got stoned senseless with Cypress Hill in Amsterdam, and played Resident Evil with Ice T in Hollywood. Furthermore, he’s travelled the world with The Prodigy, written two books about them, provided record label biogs for each of their last 5 albums, and supplied sleeve notes to their greatest hits collection, Their Law. As a journalist, his weirdest interview was when he brought Afrika Bambaataa together with the hip hop originator’s hero Gary Numan… they were both quite bemused." ...and...."Legendary DJ Annie Nightingale MBE once described Martin as: “… one of the most conscientious, outspoken and honest writers working in music today — and he’s not afraid to cry!”

Guest Bio. 

Prof. Martin James is an independent scholar who was, until three years ago, Professor of Creative and Cultural Industries at Solent University in Southampton, UK. His areas of specialist interest include music journalism and the UK & US music press, music cities and late-twentieth-century alternative music; specifically, punk, post-punk, synth pop and electronic music. Martin’s academic and trade publications have focused on hidden histories in the mediated narratives of popular music. He is the author of several critically acclaimed books about music, including State of Bass: Jungle – the story so far (Velocity Press, 1997, 2020) and French Connections: from discotheque to discovery (Velocity Press, 2004, 2022). He is co-editor of the forthcoming Intellect Handbook of Global Music Industries (Intellect), Media Narratives in Popular Music (Bloomsbury Academic, 2022), and co-author of Understanding the Music Industries (Sage, 2012). Prior to becoming an academic in 2004, Martin worked in the UK national music press as a writer and editor. He was on the editorial staff of Melody Maker, Muzik, Vox and various others. Furthermore, he contributed to The Guardian, The Independent, and various lifestyle magazines. He continues to write for special music magazines and interview artists turned author at music literature events.

This episode features the music: Nostalgia Deathstar "ZU (Night of the Claustrozombies)" featuring Prof Tara Brabazon and Prof Steve Redhead. 2025. All rights reserved. 

Links

Email: [email protected]

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 8, was recorded on January 16, 2025, on Zoom with participants in the UK and the US. Paul Hollins and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, which is available here.

Jessica Schwartz also edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

Here we go again…the second Punk Scholars Podcast live taping…this time, we’re LIVE AT LEEDS from the 12th Annual Punk Scholars Network Conference 2025 at the University of Leeds. In a roundtable format, punk scholars from your familiar PSP co-hosting crew– Jessica Schwartz, Paul Hollins, Mike Dines, and Russ Bestley–spotlight conference organizer, Stan Erraught, and speak on the importance of the PSP in the context of the annual PSN conference gathering.  

Note: For context, given the occasional reference to Caroline, this taping was preceded by a six-minute clip of Caroline Collett's book reading from the previous episode of the Punk Scholars Podcast (PSP S2 E6). We encourage you to listen to that episode (and all others) as well.

Guest Bio and Conference Abstract

Stan Erraught is a lecturer in Music Business and Popular Music in the School of Music at the University of Leeds. He holds a PhD in Philosophy from University College, Dublin. He has published a monograph on Music, Value, and Utopia: Nostalgia for an Age Yet to Come (Rowman and Littlefield 2018) and his article, ‘The Country and Irish Problem’ was published in Popular Music in 2021. Rebel Notes: Popular Music and Conflict will be published in early 2025 by Beyond the Pale. He is currently writing a book on Popular Music, Modernity and Anxiety: Ireland 1950-1990.

PUNK: PAST, PRESENT, FUTURE.

The Punk Scholars Network 12th Annual Conference and Postgraduate Symposium was hosted by the School of Music at the University of Leeds on the 12th & 13th December 2025. The theme of the conference was Punk: Past, Present, Future.

As punk approaches its half century - if we take the year of the first Ramones album and the first Sex Pistols single as year zero - this year's Punk Scholars Network conference explored how a cultural form that rejoiced in the rejection of the past, and a joyful skepticism towards any kind of future, can deal with its own history, its fragility in the face of age, and the sustainability of the form itself as it passes from first person memory into history. Papers were presented on topics that examined the past in light of these concerns, as well as those that interrogated the present and inquired what 'punk' is now and the future of a form that remains resilient and innovative.

Guest and Conference Links

Stan Erraught | School of Music | University of Leeds

Stanley Erraught Discography: Vinyl, CDs, & More | Discogs

On Music, Value and Utopia: Nostalgia for an Age Yet to Come?

Leeds Conference 2025 — Punk Scholars Network

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 7, was recorded on December 11, 2025, on Zoom with roundtable participants in Leeds, UK, and in the US. Jessica Schwartz, Paul Hollins, Mike Dines, and Russ Bestley co-hosted and co-produced this episode. Paul Hollins and Jessica Schwartz edited the transcript, which is available here.

Jessica Schwartz edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

This week, we have something quite different for you. We have the absolute pleasure of introducing you to Caroline Collet. Caroline would not describe herself as a ‘Punk Scholar’, though she did work with me and Martin James on the ‘Four Old Lags’ paper presented at the PSN conference in Buckingham a couple of years ago. Where do we start with the force of nature that is Caroline Collett? Listen to hear for yourselves…

Guest Bio. 

Writer Caroline Collett was born in 1962 and grew up in Yorkshire, where she was a music-mad kid and teenage punk, before going on to win a scholarship to Oxford to study Modern Languages. After graduating, she became the main news writer for the newly-launched MTV Europe before becoming a presenter on both youth and film shows for Channel 4, ITV, BBC2 and SuperChannel and then a producer/director for a daily film show on BSB. In 1998, Caroline formed her own communications company, working as a creative copywriter and publicist for artists, architects and designers. Out of hours, she is a creative writer, with a special interest in memoir, music of the 70s and 80s and the interplay of art and gender.   

Links

www.carolinecollettwriter.com

CarolineCollettWriter (@CollettWriter) / Posts / X

https://bsky.app/profile/collettwriter.bsky.social

https://www.instagram.com/caroline_r_collett/

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Contact us: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 6 was recorded on November 13, 2025 on Zoom with participants in the UK. Paul Hollins hosted and produced this episode. Jessica Schwartz edited the audio. Jessica Schwartz and Paul Hollins edited the transcript, available here.

Hosted on Acast. See acast.com/privacy for more information.

Where to begin with a guest such as Dr. Russ Bestley, who has done so much for the punk scholarly community, not to mention all the graphic design work, exhibits, publications--including his newest publication, Turning Revolt Into Style (2025), and network organizing...Where to begin...or really, where and how to end?! As you'll hear, in this episode, co-hosts Paul Hollins and Jessica Schwartz face this daunting task as they opt to take a deep dive into Russ' most recently published book while also inquiring about his formative punk years, education, and publications. And, even with a keen focus on Turning Revolt Into Style, we still manage to cover a range of issues, not least the reemergent questions concerning the Art School-Punk connection, punk politicization (via visual communication in addition to the music), and punk diasporic networks. We also experience a myth-busting moment when Russ shares his genealogical knowledge of Jaime Reid's famous "God Save the Queen" image. Check it out!

Guest Bio. 

Dr Russ Bestley is Reader in Graphic Design & Subcultures at London College of Communication. His areas of specialist interest include graphic design, popular culture, alternative music scenes and subcultures, comedy and humour. He is editor of the academic journal Punk & Post-Punk, now in its fourteenth year, series editor and art director for the Global Punk book series published by Intellect Books, and a founding member of the Punk Scholars Network. His research archive can be accessed at www.hitsvilleuk.com. Russ has written several books, including Turning Revolt into Style: The Process and Practice of Punk Graphic Design (2025), Action Time Vision: Punk & Post Punk 7” Record Sleeves (2016), Visual Research (2004, 2011, 2015, 2022), Up Against the Wall (2002), and Experimental Layout (2001). His book The Art of Punk, was published by Omnibus Press (UK), Voyageur (North America), Hannibal Verlag Gmbh (Germany) and Hugo et Compagnie (France) in 2012. In 2013, he established the Graphic Subcultures research hub at the London College of Communication, before going on to form the UAL Subcultures Interest Group in 2022. He has designed and curated exhibitions in London, Southampton, Blackpool, Leeds, Oxford, Birmingham, and Newcastle, and designed books, posters, record covers, and other material for Active Distribution, the Hope Collective, PM Press, and many other DIY and independent labels, publishers, and producers. He recently designed a critically acclaimed autobiography by Pauline Murray, Life’s A Gamble, for Omnibus Press.

Links

Email: [email protected]

Hitsville UK

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 5, was recorded on October 10, 2025, on Zoom with participants in the UK and the US. Paul Hollins and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, which is available here.

Jessica Schwartz also edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

Straight outta Jakarta, Indonesia, across all kinds of time zones, we at the Punk Scholars Podcast (PSP) are proud to bring you Indonesian "punk for life" and scholarship leader, organizer, and musician, Fakhran Ramadhan. Interviewed by the PSP co-host team, Jessica Schwartz and Mike Dines, Fahkran's interview bursts with knowledge and a love for his punk community and the political milieu that necessitated punk's uprising and resistance, bringing joy and friendship from collective struggle and the promise of difference and inclusion. As PSN Indonesia Chair, Fakhran continues to be an enthusiastic, tireless documentarian of his scene and music from his band, No Slide Next.

Guest Bio. 

Muhammad Fakhran al Ramadhan, or Fakhran Ramadhan, is an Assistant Professor in the English Department at Universitas Islam 45 Bekasi, West Java, Indonesia. He earned his M.Hum in Humanities from Universitas Indonesia and is currently preparing a research proposal on aging punk in Indonesia for his doctoral degree, which he plans to undertake in 2026. Fakhran is a punk scholar, musician, and Chair of the Punk Scholars Network Indonesia. His academic and creative work focuses on Indonesian popular culture, popular music, and youth subcultures—particularly punk—while exploring broader themes of identity, politics, resistance, alternative education, and grassroots cultural production. Through his leadership in the Punk Scholars Network Indonesia, he actively connects academia and activism by organizing conferences, cross-cultural collaborations, public talks, and community-based research.

Fahkran's Playlist (as explained in the episode)

1. No Slide Next – “Hymne Guru Indonesia”, from the album From First to Last, Vandal Destructor, 2025.
2. Anthrax – The Devils You Know, from the album XL, 2022.
3. MCPR – “We Are Punk, We Are Pride”, from the album Songs for Priders, Priders HQ Records, 2023.
4. Romi and The Jahat – “Buah Hati”, from the album Rumah, Nilai Merah Records, 2018.
5. Bad Religion – “Do What You Want”, from the album Suffer, Epitaph, 1988.
6. No Use for a Name – “Biggest Lie”, from the album The Feel Good Record of the Year,  Fat Music, 2008.

Links

Fakhran Email = [email protected] 

Fakhran Instagram = @fakhranramadhan 

PSN Indonesia Instagram = @psn_indonesia15 

No Slide Next Instagram = @noslidenext 

PSN Indonesia Email = [email protected]

Fakhran Linkedin

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 4, was recorded on September 10, 2025, on Zoom with participants in the UK, the US, and Jakarta, Indonesia_. Mike Dines and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, which is available here.

Jessica Schwartz also edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

From record collecting to radio, from art history to punk, pin-ups, and disciplinary-breaking work in the field of design, we bring you none other than Dr. Maria Elena Buszek. Interviewed by Punk Scholars Podcast (PSP) co-host team Jessica Schwartz and Russ Bustley, Dr. Buszek traces her love of and engagement with punk, as well as hip-hop, from a generative, albeit de-industrializing, Detroit, MI, to finding more punk community in Omaha, Nebraska. This episode helps trace the significance of a punk scholar's positional contributions to pushing disciplinary limits and grappling with the tensions between the "old guard" of and "new" critical approaches to disciplines, including the rethinking of canons and recontextualizing of work through feminist perspectives and Riot Grrrl logics.

Guest Bio. 

Maria Elena Buszek, Ph.D. is a scholar, critic, curator, and Professor of Art History at the University of Colorado Denver, where she teaches courses on Modern and contemporary art and design. Her recent publications include the books Pin-Up Grrrls: Feminism, Sexuality, Popular Culture and Extra/ordinary: Craft and contemporary art; contributions to the anthologies Punkademics: The Basement Show in the Ivory Tower and Design History Beyond the Canon; catalogue essays for numerous international exhibitions; and articles and criticism in such journals as Art in America, Art Journal, Flash Art, and Punk & Post-Punk, where she also serves as an Associate Editor. With Hilary Robinson, she edited the 2019 anthology of new writing, A Companion to Feminist Art. Her current book project, Punk Feminisms: No Style But Strength, explores the feminist art and activism at punk’s roots. Dr. Buszek is also a prolific independent curator, who has previously worked at the Museum of Modern Art in New York and the Los Angeles County Museum of Art. Recent exhibitions include Danger Came Smiling: Feminist Art and Popular Music at the Franklin Street Works, Inner Ear Vision: Sound as Medium (with Raven Chacon and Robert Aiki Aubrey Lowe) at the Bemis Center for Contemporary Arts, and Sensitive Content (with Alayo Akinkugbe and Helen Beard) at Unit London. In 2022, Dr. Buszek was inducted into the fellowship of the University of Colorado’s President’s Teaching Scholars. The President’s Teaching Scholars Program honors faculty from the university’s four campuses who “embody teaching, scholarship, creative work and research with excellence in all.”

Links

Website: www.mariabuszek.com

IG: maria.elena.buszek

Celebrating the in Betweenness of Punk Art History: A Conversation with Maria Buszek by Daniel Makagon - Razorcake

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 3, was recorded on August 8, 2025, on Zoom with participants in the UK and the US. Russ Bestley and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, available here.

Jessica Schwartz edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

You heard him on the first episode alongside Russ Bestley in a discussion about co-founding and sustaining the PSN and its significant role in growing the field of punk scholarship globally. You heard him as co-host, helping shape the form and direction of this podcast. In this episode, co-hosts Jessica Schwartz and Paul Hollins take a deep dive into the work of prolific punk scholar, Mike Dines, as he traces his inspired journey from classical music and anarcho-punk to an epiphanic realization and Krishnacore, and recently, serving as lead editor on a handbook on popular music methodologies and hosting a podcast, as well as continuing his academic position and leadership role in the PSN. Speaking of which, we've included a clip from an AMASS song called "Academia" about the Punk Scholars Network. You won't want to miss this and, more importantly, our compelling conversation that takes new directions and, at times, probes the depths of our musical affinities in a critical context--all shared by a familiar voice amidst familiar voices.

Guest Bio. 

Mike Dines is a British musician, writer, scholar and publisher who has written widely on subcultures and popular music, co-editing The Aesthetics of Our Anger: Anarcho-Punk, Politics, Music (2016), Punk Pedagogies: Music, Culture and Learning (2017), The Punk Reader: Research Transmissions from the Local and the Global (2019), Punk Now!! Contemporary Perspectives on Punk ( 2020), Trans-Global Punk Scenes: The Punk Reader Vol. 2 (2020) and Punk Identities, Punk Utopias: Global Punk and Media (2021). His current writing takes him in the direction of popular music and spirituality with the co-edited collection Exploring the Spiritual in Popular Music: Beatified Beats (2021). He was lead editor on The Intellect Handbook of Popular Music Methodologies (2025), the first comprehensive overview of methodological approaches within the field of popular music studies. He is currently Programme Leader for BA (Hons) Music and MA Professional Arts Practice at Middlesex University and is an avid supporter of Portsmouth Football Club.

Links

Email: [email protected]

Dr Mike Dines | Middlesex University

Tales From the Punkside | Itchy Monkey Press

Punk Scholars Network

Intellect Books | Global Punk

Song excerpt

AMASS, "Academia" Gamekeepers Gallows. 2024.

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 2, was recorded on July 9, 2025, on Zoom with participants in the UK and the US. Paul Hollins and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, available here.

Jessica Schwartz edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

We’re back….with Season 2 marking the beginning of the SECOND YEAR of the Punk Scholars Podcast. And, who better to ring in the new PSP year than OG (or, OP/original punk) co-host, Paul Hollins, to help break down all things punk scholarship with our special guest, an original member of the PSN US crew–Daniel Makagon. In this episode, we–Jessica Schwartz and Paul Hollins–take turns asking Daniel about all things DIY, ethnography, house shows v. venues, Lollapalooza U (tune in and find out what that course offering entails), college radio, and the key to the mystery of what Daniel believes defines the core of punk (for him, at least)...here’s a couple clues - it’s not experimental fashion or radical art…

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Guest Bio. 

Daniel Makagon received his PhD from the University of South Florida. Makagon's teaching and research interests are in urban communication, ethnography, documentary, and music industries (DIY and corporate). He is author of Underground: The Subterranean Culture of Punk House Shows (2015), Where the Ball Drops: Days and Nights in Times Square (University of Minnesota Press, 2004) and co-author with Mark Neumann of Recording Culture: Audio Documentary and the Ethnographic Experience (Sage, 2008). Makagon has also published articles about guerrilla art, DIY punk touring, community, and urban life in Communication and Critical/Cultural Studies, Punk & Post Punk, Southern Communication Journal, Journal of Communication Inquiry, and Text & Performance Quarterly. He is editor of a special issue of Liminalities, on "On the City", and co-editor with Michael LeVan of a special issue of Text & Performance Quarterly on the seven deadly sins. His audio documentaries have been broadcast on public radio and the internet, and he publishes a (mostly) monthly column with Razorcake magazine. Prior to becoming a professor, Makagon worked as a radio and retail promoter and then as an A&R representative in the music industry.

Links

[email protected]

Instagram @danielmakagon

https://razorcake.org/tag/daniel-makagon/

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 2, Episode 1, was recorded on June 13, 2025, on Zoom with participants in the UK and the US. Paul Hollins and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, which is available HERE.

Jessica Schwartz also edited the audio.

Hosted on Acast. See acast.com/privacy for more information.

“Philosophers theorize about changing the world. The point is to change it. And we have changed the world… hopefully [we] inspire people to not feel so isolated in these looming institutions like the academy, rather than feeling I'm not worthy, you know, putting a PSN shirt on and going, yeah, we got this. We did this.” - Alastair ‘Gords’ Gordon

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One year ago, we began the PSP as an extension of the Punk Scholars Network, which has branches worldwide, to amplify punk scholarship across various disciplines. The PSN has provided a supportive community, necessary when punk scholarship remains underappreciated and misunderstood. In this spirit, we welcome PSN co-founder, Alastair ‘Gords’ Gordon, to speak on the beginnings of the PSN, his work on authenticity (among other projects), the significance of anarcho-punk, playing in bands, and crucially, his advice to punk scholars. Don't miss this impactful conclusion to an inspired inaugural season!  

Guest Bio. 

Alastair ‘Gords’ Gordon is Senior Lecturer in Media and Communications at Leicester De Montfort University, UK. He is a cultural sociologist with key interests in critical theory, hauntology, the paranormal and occulture and all manifestations of subcultures and insurgent cultures. He has supervised and examined doctoral theses in the areas of local festival culture, international punk culture; folklore and digital culture. In 2012, Gords co-founded the internationally famous Punk Scholars Network with Mike Dines.  He used to record and tour internationally in such bands as Hard to Swallow, John Holmes, Geriatric Unit and Endless Grinning Skulls.  He is author of numerous academic articles and book chapters.  Most recently he authored Crass Reflections (2016) now in its fifth edition, and co-edited The Punk Reader Vol.1 (2019) and The Punk Reader Vol.2 (2021). His forthcoming research chapter is:  Gordon, A. Dines, M, Stewart, F forthcoming (2025) ‘Psychic TV: Hauntological Cultic Rejection And Autoethnographic Legacies’ in Partridge, C. Wagner, T (eds) New Religions, Spiritualties, and Popular Music, London, Bloomsbury.'

Links

Email: [email protected] 

Gords — Punk Scholars Network

Alastair Gordon - De Montfort University, Leicester, UK)

Discogs website (music/discography)

Musical Excerpts: 

Geriatric Unit, “Hell Is Just Too Good For You.” Distance and Damage. 2008. 

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We’d love to hear from you and are soliciting episode ideas and guests. Contact us at: [email protected]

The PSP theme music is excerpted from “Crows” by Watch You Drown. All rights reserved. 

Season 1, Episode 12, was recorded on May 12, 2025, on Zoom with participants in the UK and the US. Mike Dines and Jessica Schwartz co-hosted and co-produced this episode and edited the transcript, which is available here.

Jessica Schwartz also edited the audio.

Hosted on Acast. See acast.com/privacy for more information.