Synopsis
On today’s date in 1692, London audiences were treated to lavish theatrical entertainment with The Fairy Queen.
This show was loosely based on Shakespeare’s comedy A Midsummer Night’s Dream, a play already 100 years old in 1692. To make it more in line with contemporary taste, characters were added or cut, and scenes shifted around to such an extent that Shakespeare, were he alive to see it, would be hard put to recognize much of his original concept. Musical sequences were also expanded, and the producers hired the leading British composer of the day to write them. His name was Henry Purcell, and The Fairy Queen would turn out to be the biggest success of his career. 
In addition to writing the show’s songs and dances, Purcell provided music to entertain the audience as they entered and exited the theater or stretched their legs during intermission.
The good news is no expense was spared in the show’s production. The bad news was the show’s producers barely recovered their expenses. Subsequent productions, they decided, would be less flashy, but, recognizing the quality of Purcell’s music, they signed him for their next extravaganza.
Music Played in Today's Program
Henry Purcell (1659-1695): The Fairy Queen; Le Concert des Nations; Jordi Savall, conductor; Auvidis 8583

Purcell's big show

Composers Datebook™ is a daily two-minute program designed to inform, engage, and entertain listeners with timely information about composers of the past and present. Each program notes significant or intriguing musical events involving composers of the past and present, with appropriate and accessible music related to each.

Music

Music History

Synopsis
Marcel Proust, James Joyce and Pablo Picasso walk into a bar. No, it’s not the start of some high-brow joke; that really happened in Paris on today’s date in 1922.
Well, not exactly: it was a hotel, not a bar, but certainly drinks were served when Sydney and Violet Schiff, two wealthy British patrons of the arts staying at the Hotel Majestic arranged what was called “soirée of the century.” The premiere of Igor Stravinsky’s opera-ballet Renard had just taken place across town, and the Schiffs decided to throw a late-night party in Stravinsky’s honor, and, to make things more interesting, invited Picasso, Joyce and Proust.
While other guests were in full evening dress, Picasso arrived with a traditional Catalan sash wrapped around his forehead. Joyce arrived late, underdressed, and already tipsy. Proust arrived even later — at 2:00 or 3:00 a.m., wearing a big fur coat and with a face “pale as the afternoon moon,” as Stravinsky later recalled.
So what did they all have to say to each other? Not much, according to all accounts. After all, it was a party, not a university seminar — or a bar joke, so there was punch, but no punch line.
Music Played in Today's Program
Igor Stravinsky (1882-1971): Renard; Orchestre Du Domaine Musical; Pierre Boulez, conductor; Decca 481151

Proust, Joyce, Stravinsky

Synopsis
On today’s date in 1969, Leonard Bernstein conducted his last concert as Music Director of the New York Philharmonic. Bernstein had assumed that post in November 1957, becoming the first American-born and trained conductor to do so.
For sports fans, these were Bernstein’s stats as of May 17, 1969:
He had conducted 939 concerts, more than anyone else in Philharmonic history. He had given 36 world premieres, 14 U.S. premieres, 15 New York City premieres and led more than 40 works never before performed by the orchestra.
At Philharmonic concerts, Bernstein conducted Vivaldi, Bach and Handel, but also Babbitt, Cage and Ligeti. He led the world premiere performance of the Symphony No. 2 by Charles Ives and included other elder American composers like Carl Ruggles and Wallingford Riegger on Philharmonic programs. He conducted works by his contemporaries, Ned Rorem and Lukas Foss, as well as his own compositions.
Bernstein would continue to appear with the New York Philharmonic as its Laureate Conductor, and as a popular guest conductor with major orchestras around the world. His final concerts were with the Boston Symphony at Tanglewood in the summer of 1990. He died in October of that year.
Music Played in Today's Program
Leonard Bernstein (1918-1990): Symphony No. 2 (The Age of Anxiety); Marc-Andre Hamelin, piano; Ulster Orchestra; Dmitry Sitkovetsky, condcutor; Hyperion 67170

Bernstein's Philharmonic stats

Synopsis
Today’s date in 1879 marks the birthdate of composer and pianist Régine Wieniawski, born in Brussels, the daughter of the Polish violinist and composer Henryk Wieniawski. Although a Franco-Belgian composer in style, she published her music under the Slavic-sounding pen name Poldowski. 

She was admired by many of the most famous musicians of her day. Henry Wood programmed her works on Proms concerts, and in 1912, she gave a concert at London’s Aeolian Hall, that, quite unusual for the time, consisted solely of her own works with the her at the piano. That concert introduced 24 of her songs, many to texts of French poet Paul Verlaine. 
The review in the Daily Telegraph noted, “nearly every song was a distinguished example of the art of word setting; and the sense of harmonic color is decidedly strong.” 
The performance of her Violin Sonata, also on the program, was not as well received; the London Times sniffed, “the method which was successful in the songs was less effective in the Violin Sonata.”

Oh well, Poldowski’s Verlaine settings are still very much admired and performed, and her instrumental music, neglected for decades, is also getting renewed attention.
Music Played in Today's Program
Régine Wieniawski (aka Poldowski) (1879-1932): Scherzo from Violin Sonata; Clare Howick, violin; Miroslaw Feldgebel, piano; Dux 1840

Poldowski

Synopsis
Crossword puzzle solvers know the three-letter answer to the clue “Composer Brian” is: E-N-O. But even fans of this British composer, performer and producer might not know his full name, which is Brian Peter George St. John le Baptiste de la Salle Eno.
Brian Eno was born in Suffolk, England on today’s date in 1948. He studied painting and music, and in his early 20s played synthesizer with the glam rock band Roxy Music before embarking on a solo career. In 1978, he released the album Music for Airports, which was, quite literally, meant as calming music that could be played in airports, since Eno was so annoyed by the inane, perky muzak he usually heard there.
Eno coined the term “ambient music” to describe his album, whose release coincided with the early days of minimalist movement, itself a reaction to music deemed too complex and complicated.
“I was quite sick of music that was overstuffed,” Eno said, commenting, “In the late 60s and early 70s, recording went from two-track to four-track to eight-track to 16-track to 32-track, and music got more and more grandiose, sometimes with good effect, but quite often not.”
Music Played in Today's Program
Brian Eno (b. 1948): Music for Airports; Brian Eno, synthesizers; Polydor 2310 647

Happy birthday, Brian Eno

Synopsis
In the 1980s, the Finnish Broadcasting Company had come up with the idea of commissioning a whole evening’s worth of orchestral pieces by native composer Einojuhanni Rautavaara, which, when taken together, would form a conventional concert program of overture, concerto and symphony. These three works have come to be called the Angel Trilogy, since each of them has a title with the word “angel” in it.
Rautavaara’s Fifth Symphony, with the working title Monologue with Angels, premiered on today’s date in 1986, was originally to be the symphonic conclusion of this triple commission. But Rautavaara dropped the title, and his Symphony No. 7, (Angel of Light), ended up being the third part of the Angel Trilogy, alongside the overture Angels and Visitations and the double-bass concerto Angel of Dusk.
If you asked the mystical Rautavaara why he changed his mind, he would probably have said it really wasn’t his idea at all. Rautavaara believed his compositions already existed in “another reality,” as he said, and his job was just to bring it into our world in one piece. 
“I firmly believe that compositions have a will of their own,” he said, “even though some people smile at the concept.”
Music Played in Today's Program
Einojuhani Rautavaara (1928-2016): Symphony No. 5; Leipzig Radio Symphony; Max Pommer, conductor; BMG 62671


Purcell's big show

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