Welcome to Pursuing the Muse. Today, we're joined by singer songwriter Theo Kandel to talk about his wonderful new album, A Horse Named Friday. It is the follow up to his debut album Eating, Drinking and Being and Love and I'm happy to say there is no sophomore slump here.
Stick around to hear how a stolen bowling ball sparked a ten-minute mockumentary film in addition to a great song. Learn how Sheryl Crow met Paul Simon to inspire his track "The Station,". Also find out why he structured the record to start and end in the exact same musical key.
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https://www.theokandel.com/
https://www.instagram.com/theokandel
https://theokandel.substack.com/
https://www.youtube.com/channel/UC3vyFRckdQb9oObCKpYtu2A
https://www.facebook.com/theokandelmusic
https://www.tiktok.com/@theokandel
https://theokandel.myshopify.com/
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• 00:00 - Theme and Intro
• 02:19 - Welcome: Tom Compton introduces Theo Kandel to Pursuing the Muse
• 02:48 - Production credits on A Horse Named Friday and band lineup
• 04:53 - Collaborative arranging and songwriting for "The Station"
• 05:48 - Day-of demos vs. Grand Street Recording studio blocks
• 06:43 - Growth and grief: The existential impact of losing Oliver Freiberg
• 09:14 - "Sadness is a Sine Wave" and the physics of emotional elasticity
• 10:13 - The Heraclitean river metaphor of change in "A Horse Named Friday"
• 11:00 - Tracklist design, sequencing vibes, and key relationships in G
• 12:57 - Sonic arc: Transitioning from pop energy to introspection
• 14:21 - John Prine’s influence, universal accessibility, and avoiding pretension
• 15:37 - Writing in the conversational second person and self-deprecation
• 16:10 - Releasing "For Oliver" as a standalone tribute single
• 18:51 - Vanderbilt English degree, T.S. Eliot, and Frank O'Hara's Lunch Poems
• 22:30 - The bowling-obsessed real-life origin of "7-10 Split"
• 23:24 - Fictionalizing a bowling-alley love triangle with walkdowns
• 26:12 - Smashed windows and searching Echo Park dumpsters
• 27:39 - PBA Tour bowler Bailey Maverick’s custom balls on tour
• 29:06 - Grace Runnels’ screenplay and the 10-minute mockumentary music video
• 30:46 - The value of cinematic music videos vs. short-form vertical content
• 32:11 - Spinal Tap meets Kingpin comedic overlap in filming
• 32:51 - Early songwriting foundations and parents' classic records
• 33:36 - Inside Llewyn Davis and the Greenwich Village folk movement
• 33:47 - John Fahey, Travis style picking, and DI tape saturation tricks
• 36:03 - High school guitar lessons and building muscle memory
• 38:06 - James Taylor’s BBC live performance techniques and clean attack
• 40:09 - Hollow body guitar sustain vs. clean acoustic ASMR flatness
• 41:09 - Learning Colin Hay's "Waiting for My Real Life to Begin"
• 42:47 - Delays and logistics of the nine-month single rollout strategy
• 45:15 - Tracklist length, budget limitations, and artistic discernment
• 48:16 - Strip-down palette cleansers: Somewhere Along the Trail, Vol. 3
• 50:49 - Vinyl design and upcoming physical release schedules
• 51:20 - "Very Great Quest Tour" West Coast acoustic lineup
• 52:16 - Schubas Tavern, wood acoustics, and Chicago Handshake Malört shots
• 53:26 - The career sine wave of LPs and acoustic EPs
• 54:05 - Substack newsletter and lyrics deep dives in "The 7-10 Split"
• 55:34 - Social media footprint across Instagram, TikTok, and YouTube
• 55:49 - The bonfire metaphor of TikTok algorithmic careers
• 57:52 - Meeting Evan Honer and recording "Flight to JFK" live session
• 58:13 - Woodstock songwriting retreats and finding community
• 59:15 - Stage acrobatics, backflips, and stage bench press alternatives
• 01:00:11 - Outro and closing remarks