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On today’s date in 1853, Giuseppe Verdi’s opera Il Trovatore (or The Troubador) had its premiere performance at the Teatro Apollo in Rome.
It proved an immediate hit. True, some did complain at the time about its gloomy, complicated and downright confusing plot. But Verdi’s music setting had such great tunes and such energetic verve that Il Trovatore quickly became the most popular of all his operas in the 19th century.
Its tunes were soon heard emanating from street corner barrel-organs, and, as a true sign of popularity, there were even comic parodies of its melodramatic blood and thunder storyline.
Reviewing a New York production in 1862, American composer and music critic William Fry had these observations: “Il Trovatore has a wonderful plot, beyond human comprehension. ... As to the music, there are some charming, popular, ingenious, artistic, great points; then, there are some others egregiously vulgar and rowdy. The ‘Anvil Chorus,’ for example, is about equal to a scene of mending a sewer set to music.”
And as for parodies, in the 1935 film A Night at the Opera, Il Trovatore — and opera, in general — receives a devastating sendup at the hands of the Marx Brothers.
Giuseppe Verdi (1813-1902) [arr. Franz Liszt] Miserere, fr Il Trovatore; Daniel Barenboim, piano Erato 75457; and Anvil Chorus, fr Il Trovatore; Chicago Symphony and Chorus; Georg Solti, cond. London 466 075
By American Public Media4.7
176176 ratings
On today’s date in 1853, Giuseppe Verdi’s opera Il Trovatore (or The Troubador) had its premiere performance at the Teatro Apollo in Rome.
It proved an immediate hit. True, some did complain at the time about its gloomy, complicated and downright confusing plot. But Verdi’s music setting had such great tunes and such energetic verve that Il Trovatore quickly became the most popular of all his operas in the 19th century.
Its tunes were soon heard emanating from street corner barrel-organs, and, as a true sign of popularity, there were even comic parodies of its melodramatic blood and thunder storyline.
Reviewing a New York production in 1862, American composer and music critic William Fry had these observations: “Il Trovatore has a wonderful plot, beyond human comprehension. ... As to the music, there are some charming, popular, ingenious, artistic, great points; then, there are some others egregiously vulgar and rowdy. The ‘Anvil Chorus,’ for example, is about equal to a scene of mending a sewer set to music.”
And as for parodies, in the 1935 film A Night at the Opera, Il Trovatore — and opera, in general — receives a devastating sendup at the hands of the Marx Brothers.
Giuseppe Verdi (1813-1902) [arr. Franz Liszt] Miserere, fr Il Trovatore; Daniel Barenboim, piano Erato 75457; and Anvil Chorus, fr Il Trovatore; Chicago Symphony and Chorus; Georg Solti, cond. London 466 075

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