Yazzus is one of the most exciting DJs out of the UK right now. But she doesn't play the usual UK stuff. Instead, her work—her productions and her DJing—is both a historiography and a dialogue of the Black Atlantic connection, taking in dance music genres from both sides of the pond. Her work, encompassing techno, electro and sometimes house, is an Afrofuturist project that combines past, present and future. Her recent EP, Black Metropolis, accomplishes this with a genuinely innovative take on '90s Black dance music that uses a vintage template to do something fresh.

She calls her RA Podcast a "Black excellence" mix, traveling between eras and places, featuring artists like Skin On Skin, Paul Johnson, Drexciya and Huey Mnemonic. It's part of her mission to highlight (and remind people) about the Black origins of dance music, and also the vitality of today's Black dance music. This mix is a history lesson, a narrative and a rave all in one, something we're proud to host from an exciting young mind in the electronic music scene.

@yazzus-1

Read more at https://ra.co/podcast/862

RA.862 Yazzus

Music

"All in my life, I've gone back and forth between North and East London," Karen Nyame KG said in a recent mini-doc about her studio process. "These areas are multicultural [...] you just become a sponge for that type of energy." More than two decades into her career, these parts of the UK capital remain a defining influence on The Rhythm Goddess, whose music weaves together ideas from across London and the diaspora, blending R&B and soul with global dance music forms.

A leading face of London's hybrid club sound, KG's sound is seductive and luxurious. Her excellent productions, which span UK funky, amapiano and East Coast club, have a velvety touch, as if cut from high-end fabric. Her ear for smoky, sultry grooves, showcased on her Rhythm In The City party-turned-label, is impeccable, and her tracks have become more song-oriented, ranging from sultry to braggadocious. Her classy DJ mixes are a study in bounce and groove, incorporating everything from highlife to Afrotech to dubby rollers.

Since re-entering the club circuit in 2018 after a six-year hiatus, KG has become a role model for women talents in the electronic music world. Her stance on racial and gender disparities within the industry has helped orchestrate safer spaces in music, inspiring aspiring Black creatives in the process. KG's RA Podcast is nothing short of sexy, loaded with swung rhythms and lithe drums across gqom, Afrohouse and jazzy deep house. It radiates a level of confidence and intimacy that can only come from years of vision—and a constant passion for sensual, soulful music.

@KARENNYAMEKG

Read more at https://ra.co/podcast/936

RA.936 Karen Nyame KG

This past February, Tesfa Williams released his debut album—over 20 years into his career. Raves Of Future Past distilled decades of experience on London dance floors into a potent and powerful blend of grime, house, rave and techno. Made with an Elektron Digitakt to imitate the rough textures of early '00s UK dance music, the LP is an anachronistic history lesson that throws everything in a blender, imagining what gqom might sound like as an Eski track and giving new life to the short-lived "sublow" sound Williams helped invent with classic tracks like "Invasion," released under his earlier alias DJ Dread D.

Since the sublow days, however, Williams has become a torchbearer for UK house music and African diasporic sounds like Afro house and gqom in London. He's put out soulful hits like "Heartbeat"—recently reissued by Local Action—and released a steady stream of dance records for PMR and Strictly Rhythm. He's what you might call a jack of all trades, except for that he's actually a master of them all.

His RA Podcast charts his musical journey in reverse chronological order, starting with smooth, African-influenced sounds and winding through grime and dubstep, eventually landing at jungle. He threads a needle through diverse genres (and eras), and posits that the traditional UK hardcore continuum is a bigger spectrum than you might think, with gqom's heave and amapiano's log drum equally important in the musical equation. It's nearly two hours of UK dance music past and present, from a DJ who has lived it all.

@twilliamsmusic

Read more at https://ra.co/podcast/935

RA.935 T.Williams

Simon Aussel is known for a particularly wild DJing style and leftfield bassy bangers, and it's his curious and playful approach to clubland that's won him loyal fans over the years. Whether photographing drink tokens from gigs or creating an 8-bit version of his debut album on a Game Boy cartridge, he seems to approach every endeavour with childlike joy and wonder—rare qualities in an industry that can leave so many jaded.

The Nantes-born, Paris-based artist's love of club culture, digging and world-building has set him on a blazing path in club music. He's released an exceptionally wide range of music, including a Memphis rap tape for Trilogy Tapes, dubstep-trap-jazz hybrids with Egyptian singer Abdullah Miniawy and deadly hard drum for Livity Sound. His mixes, meanwhile, are fast becoming DJ lore thanks to his knack for connecting seemingly opposed genres like new wave and fast techno. Look no further than his now-infamous Dekmantel Selectors set from 2021 or a marathon back-to-back with Skee Mask in 2022. 

As the French DJ gets more comfortable with story-telling, he's getting more personal and focusing on deeper, slower sounds. That's evident on this RA Podcast—six months in the works—which incorporates woozy downtempo, weighty dub and bleepy beats. Of course, in the chaotic middle section there's plenty of huge basslines, plus old-school electro, acidic techno and even a bouncy edit of the Montell Jordan classic "This Is How We Do It." Showcasing his quirks, influences and growth, this is Simo Cell in prime time.

@simocell

Read more at https://ra.co/podcast/934

RA.934 Simo Cell

By anyone's standards, KI/KI has had a meteoric rise. She started DJing at queer party SPIELRAUM in Amsterdam in 2018, and by now she's one of Europe's most-talked about DJs. She blends modern strands of techno with trance and acid in a way that feels all her own, veering away from the sugar highs of other DJs or the clobbering kick drums of so much fast dance music. Her style is aerodynamic and sleek, not bludgeoning.

In addition to her DJ career, KI/KI runs the label slash, which has put out music from the likes of Alpha Tracks, Peachlyfe and Newa, artists who share her canny blend of techno and trance aesthetics and sneaky pop sensibilities. Acid is another big love, as shown by her 5HRS OF ACID concept. The decades-old sound has become a key part of her style and appeal, as you'll hear on her RA Podcast. It's a barreling 90 minutes through techno and trance with trap and dubstep accents, breathless but perfectly paced.

@ki_slash_ki

Read more at https://ra.co/podcast/933

RA.933 KI/KI

Earlier this year, we described Los Angeles act 1morning as one of the funkiest young producers in modern-day techno. And we stand by it. The fast-rising upstart is building a solid fan base around North America and beyond with a rugged, vintage style of swung techno and hardgroove. His all-vinyl DJ sets and pumping productions on the likes of Fixed Rhythms and Mála Ádh stand out for their distinctly old-school flavour—steamrolling hi-hats à la Robert Hood, swift choppage behind the decks and deep, deep grooves. Like many of his all-vinyl heroes, he's also a treat to watch behind the decks

The up-and-comer had a hell of a year in 2023, from playing in Japan to going on his first European tour, and his momentum shows no signs of slowing. He debuted at New York's dweller festival this year and K9 Unit, his duo with Bloodhound, recently did a night with fellow hardgroove king Regal86. It's only a matter of time until 1morning gets to a festival or a club near you so until then, enjoy his RA Podcast for now. The mix unfortunately came with some less than stellar circumstances, as the records 1morning pulled were stolen from his car, and so instead this RA Podcast became a statement of resilience and creativity—and, in his words, "an outlet for my rage."

@1morning

Read more at https://ra.co/podcast/932

RA.862 Yazzus

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