
Sign up to save your podcasts
Or


Russian émigré composer and pianist Sergei Rachmaninoff was himself the soloist on today’s date in 1927 in the first performance of his Piano Concerto No. 4 with the Philadelphia Orchestra, conducted by Leopold Stokowski.
Rachmaninoff had premiered his Concerto No. 3 in New York in 1909, and he’d been thinking about writing another one for over a decade. In the meantime, his life had been disrupted by both the Russian Revolution and the exhausting business of earning a living as a touring virtuoso pianist. In 1926, he finally felt he could afford to take some time off and put a Piano Concerto No. 4 down on paper.
In its original form, it turned out to be a much longer work than even Rachmaninoff thought practical. He joked to a friend that its movements would have to be “performed on successive nights, like Wagner’s Ring operas.”
He made a number of cuts before the Philadelphia premiere, but even so, the new work was not well received, and so he kept cutting. Audiences and critics still remained cool, and Rachmaninoff eventually shelved the work for a time — quite a time. In 1941 he prepared a “final cut” version, which ended up considerably shorter than his other three Piano Concertos, and recorded it with Eugene Ormandy and the Philadelphia Orchestra.
Sergei Rachmaninoff (1873-1943): Piano Concerto No. 4; Jean-Yves Thibaudet, piano; Cleveland Orchestra; Vladimir Ashkenazy, conductor; London 458 930
By American Public Media4.7
176176 ratings
Russian émigré composer and pianist Sergei Rachmaninoff was himself the soloist on today’s date in 1927 in the first performance of his Piano Concerto No. 4 with the Philadelphia Orchestra, conducted by Leopold Stokowski.
Rachmaninoff had premiered his Concerto No. 3 in New York in 1909, and he’d been thinking about writing another one for over a decade. In the meantime, his life had been disrupted by both the Russian Revolution and the exhausting business of earning a living as a touring virtuoso pianist. In 1926, he finally felt he could afford to take some time off and put a Piano Concerto No. 4 down on paper.
In its original form, it turned out to be a much longer work than even Rachmaninoff thought practical. He joked to a friend that its movements would have to be “performed on successive nights, like Wagner’s Ring operas.”
He made a number of cuts before the Philadelphia premiere, but even so, the new work was not well received, and so he kept cutting. Audiences and critics still remained cool, and Rachmaninoff eventually shelved the work for a time — quite a time. In 1941 he prepared a “final cut” version, which ended up considerably shorter than his other three Piano Concertos, and recorded it with Eugene Ormandy and the Philadelphia Orchestra.
Sergei Rachmaninoff (1873-1943): Piano Concerto No. 4; Jean-Yves Thibaudet, piano; Cleveland Orchestra; Vladimir Ashkenazy, conductor; London 458 930

6,773 Listeners

38,915 Listeners

8,771 Listeners

9,202 Listeners

5,780 Listeners

927 Listeners

1,388 Listeners

1,287 Listeners

3,161 Listeners

1,975 Listeners

523 Listeners

183 Listeners

13,767 Listeners

3,083 Listeners

248 Listeners

28,135 Listeners

430 Listeners

5,470 Listeners

2,194 Listeners

14,142 Listeners

6,423 Listeners

2,515 Listeners

4,836 Listeners

574 Listeners

244 Listeners