Karol Mikuli, often seen as Charles Mikuli (Armenian: Գարոլ Միքուլի or Գարոլ Պզտիկեան; 22 October 1821 – 21 May 1897) was a Polish pianist, composer, conductor and teacher. His students included Moriz Rosenthal, Raoul Koczalski, Aleksander Michałowski, Jaroslaw Zieliński, Kornelia Parnas and Heinrich Schenker

Prof. Dr. Ara Sayegh - F. Chopin Karol Mikuli Part 7

«Նոր Յառաջ» Երկօրեայ թերթի 18 Նոյեմբեր 2021-ի լրահոսը: Շաքէ Մանկասարեան

P/F is a fragmental, experimental novel with modulations characteristic of zen Buddhism Koans. Old and new Yerevan, the river Գետար Getar, the vanished tram and the “lonely” man, who tries to find himself in the city of his fading memories, they all meet in the novel. All the fragments of the novel are linked with each other, but their order does not matter at all and is just conditional. The author dedicated the book to all his tutors of Zen Buddhism. The fragments of the novel are interconnected, but their sequence is not important, it is totally random. After the first reading the book requires another one and many more if the reader has caught the essence of it. P/F is a novel with a new approach to life and to finding answers to many of your questions.

«Նոր Յառաջ» Երկօրեայ թերթի 16 Նոյեմբեր 2021-ի լրահոսը:

https://onlinearmenianstore.com/products/aram-pachyan-pf

Prof. Dr. Ara Sayegh - F. Chopin Karol Mikuli Part 6

https://operakrolewska.pl/en/repetoire/karol-mikuli-monographic-concert/

A concert celebrating the bicentenary of the birth of Karol Mikuli.

The wide range of interests and professional activities of Karol Mikuli (1821-1897) distinguish this prominent figure among the nineteenth-century creators of Polish musical culture. Coming from an Armenian family, the hero of the concert gained fame and recognition not only as a pianist and composer but also as an excellent teacher and a tireless organizer of musical life in Lviv.

In his vocal work – unlike, for example, in the work of Stanisław Moniuszko, who was active in the same period – one will not find characteristic “Polish” elements, allusions to folk music or the use of texts by national poets. Mikuli models his compositions on the German singing tradition, inspired by the masters of romantic poetry – the works of Franz Schubert and Robert Schumann, Felix Mendelssohn, and Johannes Brahms, imitating the delightful sounds of nature on the one hand, and on the other hand sorrowfully reflecting on personal experiences. These themes are perfectly reflected in the concert program – songs from Op. 16 and 17 and the cycle op. 27 with a much more individual character. The whole will end with the thought-provoking cantata Die Reue (‘Sorrow’) from 1880 in its original version for baritone and string orchestra, which until recently was considered lost.

Although during Karol Mikuli’s lifetime his works were printed by the most eminent publishers in Paris, Leipzig, and Kyiv, today they are not widely known. The 200th anniversary of the composer’s birth is an excellent occasion to recall his interesting and unjustly forgotten works for solo voice with instrumental accompaniment, which will be performed by the artists of the Polish Royal Opera.

https://kids.kiddle.co/Karol_Mikuli

Prof. Dr. Ara Sayegh - F. Chopin Karol Mikuli Part 5

https://operakrolewska.pl/en/repetoire/karol-mikuli-monographic-concert/

A concert celebrating the bicentenary of the birth of Karol Mikuli.

The wide range of interests and professional activities of Karol Mikuli (1821-1897) distinguish this prominent figure among the nineteenth-century creators of Polish musical culture. Coming from an Armenian family, the hero of the concert gained fame and recognition not only as a pianist and composer but also as an excellent teacher and a tireless organizer of musical life in Lviv.

In his vocal work – unlike, for example, in the work of Stanisław Moniuszko, who was active in the same period – one will not find characteristic “Polish” elements, allusions to folk music or the use of texts by national poets. Mikuli models his compositions on the German singing tradition, inspired by the masters of romantic poetry – the works of Franz Schubert and Robert Schumann, Felix Mendelssohn, and Johannes Brahms, imitating the delightful sounds of nature on the one hand, and on the other hand sorrowfully reflecting on personal experiences. These themes are perfectly reflected in the concert program – songs from Op. 16 and 17 and the cycle op. 27 with a much more individual character. The whole will end with the thought-provoking cantata Die Reue (‘Sorrow’) from 1880 in its original version for baritone and string orchestra, which until recently was considered lost.

Although during Karol Mikuli’s lifetime his works were printed by the most eminent publishers in Paris, Leipzig, and Kyiv, today they are not widely known. The 200th anniversary of the composer’s birth is an excellent occasion to recall his interesting and unjustly forgotten works for solo voice with instrumental accompaniment, which will be performed by the artists of the Polish Royal Opera.

https://kids.kiddle.co/Karol_Mikuli

ԳԵՐՄԱՆԻԱ Քէօլնի մէջ հսկում՝ հայ նահատակներու յիշատակին:

ԱԹԷՆՔ ՀՅԴ Երիտասարդական միութեան բողոքի երթը՝ դէպի Թուրքիոյ դեսպանատուն:

«Նոր Յառաջ» Երկօրեայ թերթի 13 Նոյեմբեր 2021-ի լրահոսը:

ՊՈՒԼԿԱՐԻԱ Պուլկարահայ ծանօթ երգահան, ջութակահար Հայկաշոտ Աղասեանի շնորհուած է Պուլկարիոյ մայրաքաղաք Սոֆիայի Պատուոյ քաղաքացիի կոչում։

ՄԻԱՑԵԱԼ ՆԱՀԱՆԳՆԵՐ Politico.- ԱՄՆ կայանալիք ժողովրդավարութեան վեհաժողովին Հայաստան հրաւիրուած է, բայց ոչ՝ Թուրքիան ու Ազէրպայճանը

ԳԵՐՄԱՆԻԱ - ՀԱՅԱՍՏԱՆ Տեղեկատուական արհեստագիտութեանց ուսուցման դասընթացքներ՝ վիրաւոր եւ հաշմանդամ զինուորներուն եւ կամաւորականներուն համար:

Շաքէ Մանկասարեան «Նոր Յառաջ»-1663

Prof. Dr. Ara Sayegh - F. Chopin Karol Mikuli Part 4

https://operakrolewska.pl/en/repetoire/karol-mikuli-monographic-concert/

A concert celebrating the bicentenary of the birth of Karol Mikuli.

The wide range of interests and professional activities of Karol Mikuli (1821-1897) distinguish this prominent figure among the nineteenth-century creators of Polish musical culture. Coming from an Armenian family, the hero of the concert gained fame and recognition not only as a pianist and composer but also as an excellent teacher and a tireless organizer of musical life in Lviv.

In his vocal work – unlike, for example, in the work of Stanisław Moniuszko, who was active in the same period – one will not find characteristic “Polish” elements, allusions to folk music or the use of texts by national poets. Mikuli models his compositions on the German singing tradition, inspired by the masters of romantic poetry – the works of Franz Schubert and Robert Schumann, Felix Mendelssohn, and Johannes Brahms, imitating the delightful sounds of nature on the one hand, and on the other hand sorrowfully reflecting on personal experiences. These themes are perfectly reflected in the concert program – songs from Op. 16 and 17 and the cycle op. 27 with a much more individual character. The whole will end with the thought-provoking cantata Die Reue (‘Sorrow’) from 1880 in its original version for baritone and string orchestra, which until recently was considered lost.

Although during Karol Mikuli’s lifetime his works were printed by the most eminent publishers in Paris, Leipzig, and Kyiv, today they are not widely known. The 200th anniversary of the composer’s birth is an excellent occasion to recall his interesting and unjustly forgotten works for solo voice with instrumental accompaniment, which will be performed by the artists of the Polish Royal Opera.

https://kids.kiddle.co/Karol_Mikuli

Փրոֆ. Յովհաննէսեան՝ ԻՒՆԷՍՔՕ-Ռուսաստանի «Մենտելէեւ» մրցանակի համադափնեկիր

Նոյեմբեր 9-ին Մեծն Բրիտանիոյ խորհրդարանին մէջ կը քննարկուի «Հայոց ցեղասպանութեան ճանաչման օրինագիծը»

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«Նոր Յառաջ» Երկօրեայ թերթի 4 Նոյեմբեր 2021-ի լրահոսը: Շաքէ Մանկասարեան