[Cheyenne talks to Meik about the Open Music Contest's tenth anniversary.]

https://www.wfmu.org/playlists/shows/60913

[Emily Saltz from the Pop-Up Archive talks to Cheyenne about automated transcription for search, thus making audio a more shareable and accessible format for the web.]

https://www.wfmu.org/playlists/shows/60694

[Cheyenne talks to Ross about his relationship to the FMA and a few of his side interests, which include video art and making music.]

https://www.wfmu.org/playlists/shows/60592

[Cheyenne talks to Michael Weinberg about 3D printing as a disruptive technology, intellectual property law, Creative Commons and some of the controversy (and hilarity) related to 3D printing in the news.]

https://www.wfmu.org/playlists/shows/60495

[Kristin Thomson, who was a primary researcher on the Artist Revenue Streams Project, talks to Cheyenne about how artists make money.]

https://www.wfmu.org/playlists/shows/60388

[Cheyenne talks to composer Chad Crouch about his musical alter ego, Podington Bear, and why he released all of his music under CC BY-NC.]

https://www.wfmu.org/playlists/shows/60289

[Cheyenne talks to Bob George, Director of the Archive of Contemporary Music in NYC.]

https://www.wfmu.org/playlists/shows/60175

[Danielle Cordovez, a reference librarian at the NYPL's Rogers and Hammerstein Archives of Recorded Sound, tells Cheyenne about the collection and its uses - and some of the weird things lurking on the shelves.]

https://www.wfmu.org/playlists/shows/60069

[Bram and Gareth from Black Lantern Music talk about their first 100 releases and what's in store for the netlabel.]

https://www.wfmu.org/playlists/shows/59904

[Jenny Toomey, Director of the Internet Rights unit at the Ford Foundation, talks about the differences and similarities between running a DIY record label and helping innovators get the resources they need.]

https://www.wfmu.org/playlists/shows/59822