This week Paul reflects on insights gained at this year’s Podcast Movement conference, focusing on the opportunity for more people to be served by community podcasting. Jennifer reports back from Radio Day by the Bay, which included a live radio drama performance that connects up to the present-day explosion in scripted fictional podcasts. And then we deconstruct the Princeton Review’s 2019 “Best College Radio Stations” list.

Feature image credit: Breakingpic on Pexels

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KEXP’s Media Asset Librarian Dylan Flesch and Libby S. Hopfauf, Audiovisual Archivist for Moving Image Preservation of Puget Sound, guest to tell us about the event. They explain why it’s vital to preserve these music memories right now, and give some advice for folks and organizations who want to join in the effort.

Jennifer, Eric and Paul also discuss National Radio Day, which happens August 20.

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Jennifer Waits takes us on an auditory tour of the farm, along with a visit to the station’s Hudson, NY studio, where station manager and managing news editor Lynn Sloneker lays out all these audio feeds. Then in the Wave Farm studio, artistic director Tom Roe details the organization’s history, which has its roots in the unlicensed micropower radio movement of the 1990s.

Every year Wave Farm hosts artists in residence, who create unique works and installations exploring the many aspects of electromagnetic transmission. One was the musical artist Quintron, who created the Weather Warlock, a weather-controlled synthesizer. Eric Klein gave him a call to learn more about this project and his work.

The post Podcast #151 – The Wave Farm Grows Transmission Arts appeared first on Radio Survivor.

What killed smooth jazz radio? Why aren’t there any commercial classical stations any longer? And, why do radio stations have a “format” to begin with? Matthew Lasar joins us to explore these questions about the fundamental organizing principle of most music radio.

Matthew is a co-founder of Radio Survivor and the author of three important books on radio, including Pacifica Radio: The Rise of an Alternative Network and Radio 2.0.

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But first we do some follow-up about phone phreaker ‘Captain Crunch’ Draper (#147) and the nearly 1,000 challenges filed against applications for FM translator repeater stations (#144). Paul also reports on the National Association of Broadcasters’ proposal to further loosen radio ownership regulations.

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On this week’s episode we venture to prison and to a very unusual high school radio station. Members of the artist collective Provisional Island (Heidi Ratanavanich, Eileen Shumate, and Michael McCanne) speak with us about their prison-radio-themed exhibit, An Electric Kite, which is on view at the historic site/museum Eastern State Penitentiary in Philadelphia through at least fall, 2018. The installation incorporates a low power radio transmission as well as a visual components.

Additionally, Jennifer shares her tour of VCS Radio at Vacaville Christian Schools in Vacaville, California. The high school radio station is part of the school’s music program and has many unusual elements. Not only is it a low power FM (LPFM) station, but it also broadcasts in HD and is housed in the band room. It also has secret Morse Code and carrier current broadcasts.

The post Podcast #147 – Prison Radio Exhibit and a High School Station in a Band Room appeared first on Radio Survivor.

Inspired by an episode of Anthony Bourdain: Parts Unknown, we travel all the way to Antarctica to learn about mysterious community radio station, Ice Radio. Sadly, we learned of Anthony Bourdain’s death on the day that we recorded this episode.

Ice Radio is the latest iteration of a radio station that began more than 50 years ago at McMurdo Station. Our guest Elizabeth Delaquess is a Broadcast Engineer at McMurdo Station in Antarctica, working at both the radio and television stations there. She also shares some tales about her magical encounters with shortwave radio stations while “on the ice.”

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