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Radio has played a pivotal role in spreading the sound of jazz across America and around the world.
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During the Jazz Age of the 1920s and ’30s, South Carolina played a key yet often overlooked role in shaping the sound and spirit of American jazz.
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Gospel Music has had a profound influence on jazz. From the church pews to the bandstands, gospel has shaped jazz's emotional depth, phrasing, and spirit since its earliest days.
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There are several common song forms in jazz — the structures that shape the music we love.
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Scat singing is one of jazz’s most joyful expressions. The term scat is vocal improvisation where singers use nonsense syllables instead of lyrics, turning their voice into an instrument.
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In the early 20th century, jazz’s syncopated rhythms and improvisational flair began weaving into classical composition.
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“Trading fours” is a musical conversation in which musicians—usually a soloist and a drummer—alternate four-bar phrases.
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From the White House lawn to grand state dinners, jazz has long been part of the nation’s political soundtrack.
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In 1964, jazz legend and South Carolina native Dizzy Gillespie added a new title to his resume—presidential candidate.
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Little Pink Anderson was born in Spartanburg, South Carolina, on July 13, 1954. From infancy, he was immersed in music as the son of legendary bluesman Pink Anderson.
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From the publisher's feed
Rapp on Jazz, co-produced by South Carolina Public Radio and the ColaJazz Foundation, highlights the Palmetto State's connection to the history of jazz music and the current jazz scene. Join Mark…