Rare Book School

Rare Book School

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Rare Book School episodes

  • E. M. Rose, "Books for Virginia 1620: America's First Public Library?" 2025 NEH-SHARP Lecture
    This NEH-SHARP Living American History in Primary Documents Lecture by E. M. Rose was part of Rare Book School's 2025 Summer Lecture Series. You can watch the full recording of the lecture on YouTube at https://youtu.be/VaN2qqFnPto?feature=shared.
    đ—”đ—Żđ—Œđ˜‚đ˜ đ˜đ—”đ—Č 𝗧𝗼đ—č𝗾:
    What did American colonists need to know? What should they believe? The Virginia Company had clear ideas about such things as demonstrated by the significant sums spent on books for the use of the colonists. A recently unearthed list details 50 titles the Company purchased in December 1620 for shipment to America, most likely for a public library. E. M. Rose has been able to identify the author, title, edition, number of copies purchased, and cost per copy for most of the titles acquired for the benefit of the newest Americans. In this talk, Rose will review the assortment of religious texts for what they indicate about conventional Anglican orthodoxy in this period and will examine the agricultural and scientific texts intended for use in the colonies to get a sense of the technological interests and capabilities of the new Americans. Additionally, she will consider the books as a collection and library in contrast with other such collections and donations, discussing the medium of the printed book as an object for the light it throws on contemporary readers, book history, and the book trade. This lecture will further consider the role of the Virginia Company as an important publisher as well as a consumer of books and other printed ephemera.
    đ—”đ—Żđ—Œđ˜‚đ˜ đ˜đ—”đ—Č đ—Šđ—œđ—Č𝗼𝗾đ—Č𝗿:
    E. M. Rose is a scholar of medieval and early modern Europe, whose work has been hailed as “a model of thoroughgoing historical scholarship presented to a general audience and should be studied by scholars who wish to bring the humanities to the public square." Rose has taught at five universities in America and is currently Visiting Fellow at Murray Edwards College, Cambridge University. For the past three years, she was a Visiting Scholar at Oxford University. Her previous work in book history, “Books owned by a Renaissance Queen,” an essay on 80 books sent by James I to his daughter, appeared in 𝘋𝘩𝘳 đ˜Žđ˜¶đ˜­đ˜„đ˜Šđ˜Ż 𝘗𝘱𝘮𝘮𝘩𝘳 (2020). Rose’s articles have appeared in 𝘗𝘱𝘳𝘭đ˜Șđ˜ąđ˜źđ˜Šđ˜Żđ˜”đ˜ąđ˜łđ˜ș 𝘏đ˜Șđ˜Žđ˜”đ˜°đ˜łđ˜ș, the đ˜đ˜¶đ˜Żđ˜”đ˜Șđ˜Żđ˜šđ˜”đ˜°đ˜Ż 𝘓đ˜Ș𝘣𝘳𝘱𝘳đ˜ș đ˜˜đ˜¶đ˜ąđ˜łđ˜”đ˜Šđ˜łđ˜­đ˜ș, the 𝘝đ˜Ș𝘳𝘹đ˜Ș𝘯đ˜Ș𝘱 đ˜”đ˜ąđ˜šđ˜ąđ˜»đ˜Ș𝘯𝘩 𝘰𝘧 𝘏đ˜Șđ˜Žđ˜”đ˜°đ˜łđ˜ș, đ˜šđ˜”đ˜¶đ˜„đ˜Ș𝘩𝘮 đ˜Ș𝘯 đ˜”đ˜©đ˜Š 𝘈𝘹𝘩 𝘰𝘧 đ˜Šđ˜©đ˜ąđ˜¶đ˜€đ˜Šđ˜ł, the đ˜‘đ˜°đ˜¶đ˜łđ˜Żđ˜ąđ˜­ 𝘰𝘧 𝘌𝘯𝘹𝘭đ˜Șđ˜Žđ˜© đ˜ąđ˜Żđ˜„ 𝘎𝘩𝘳𝘼𝘱𝘯đ˜Șđ˜€ đ˜—đ˜©đ˜Ș𝘭𝘰𝘭𝘰𝘹đ˜ș, and đ˜›đ˜©đ˜Š 𝘕𝘩𝘾 𝘈𝘼𝘩𝘳đ˜Șđ˜€đ˜ąđ˜Ż đ˜ˆđ˜Żđ˜”đ˜Șđ˜Čđ˜¶đ˜ąđ˜łđ˜Ș𝘱𝘯. Her most recent essay on America’s first chart maker will appear in 𝘔𝘱đ˜Ș𝘯𝘩 𝘏đ˜Șđ˜Žđ˜”đ˜°đ˜łđ˜ș this summer. Rose’s first book, đ˜›đ˜©đ˜Š đ˜”đ˜¶đ˜łđ˜„đ˜Šđ˜ł 𝘰𝘧 𝘞đ˜Ș𝘭𝘭đ˜Ș𝘱𝘼 𝘰𝘧 𝘕𝘰𝘳𝘾đ˜Șđ˜€đ˜© (2015) was named one of the “Ten Best History Books of the Year” by the đ˜šđ˜¶đ˜Żđ˜„đ˜ąđ˜ș 𝘛đ˜Ș𝘼𝘩𝘮 of London and described by the 𝘞𝘱𝘭𝘭 đ˜šđ˜”đ˜łđ˜Šđ˜Šđ˜” đ˜‘đ˜°đ˜¶đ˜łđ˜Żđ˜ąđ˜­ as “a landmark of historical research.” The 𝘈𝘼𝘩𝘳đ˜Șđ˜€đ˜ąđ˜Ż 𝘏đ˜Șđ˜Žđ˜”đ˜°đ˜łđ˜Șđ˜€đ˜ąđ˜­ đ˜™đ˜Šđ˜·đ˜Ș𝘩𝘾 called it “a significant achievement” and the 𝘈𝘑𝘚 đ˜™đ˜Šđ˜·đ˜Ș𝘩𝘾 described it as “a truly excellent book. It deserves to be read and studied by scholars in many if not all fields of medieval studies.”
    52 min
  • Mark McConnell, "Christophe Plantin's Business Strategy," Karmiole Lecture, 9 July 2025
    Rare Book School's 2025 Kenneth Karmiole Endowed Lecture on the History of the Book Trades featured a talk by Mark McConnell on “Publishing in the Renaissance: Christophe Plantin’s Business Strategy." The event took place on 9 July 2025. You can watch the full recording of the lecture on YouTube at https://youtu.be/QFmRSz-laUE?feature=shared.
    About the Talk:
    Printing technology accelerated the forces of the Renaissance and the Reformation. But it also created a major new business problem: publishing risk. A publisher had to spend large sums of money to print a book before knowing how well it would sell. The publisher’s decision whether to accept this risk was a gateway through which all printed books had to pass. Mark McConnell has been investigating Christophe Plantin’s business records from the 1560s, still intact after 460 years. These records document in remarkable detail the activities of Europe’s largest printer at the time and make it possible to quantify the cost of individual books and the risk taken in publishing them. Applying modern business concepts to the data, McConnell will offer insights on key issues in publishing strategy: what types of books were printed, why books were produced in the forms we now see, how production costs shaped competition in the marketplace, and the steps that publishers took to control and reduce risk.
    About the Speaker:
    Mark McConnell comes to his historical research from his legal career, which he spent as a partner with the global law firm Hogan Lovells. McConnell specialized in international trade disputes, where he litigated questions like the competitive dynamics of industries and the efficiency of industrial processes. He applies the tools he developed in legal disputes to Christophe Plantin’s business records, examining Plantin’s operations from the perspective of modern business strategy. McConnell holds both a law degree and a master’s in business administration from Stanford University and did his undergraduate work in economics at Johns Hopkins University. He is now affiliated with Johns Hopkins again, where he is Associate Research Fellow at the Virginia Fox Stern Center for the History of the Renaissance Book.
    59 min
  • Janine Barchas, "Jane Austen on the Cheap," Rendell Lecture, 4 June 2025
    This recording of the 2025 Kenneth W. Rendell Endowed Lecture by Janine Barchas was part of Rare Book School's 2025 Summer Lecture Series. You can watch the full recording of the lecture on YouTube at https://youtu.be/BQNQuKHBdD4?feature=shared.
    đ—”đ—Żđ—Œđ˜‚đ˜ đ˜đ—”đ—Č 𝗧𝗼đ—č𝗾:
    In the latter half of the nineteenth century, cheap and shoddy reprintings of Jane Austen’s novels performed the heavy lifting of bringing her work and reputation before the general public. Inexpensive reprints and early paperbacks of Austen were sold at Victorian railway stations for one or two shillings, traded for soap wrappers, awarded as book prizes in schools, and targeted to Britain’s working classes. At just pennies a copy, Austen’s novels were also squeezed into tight columns on thin paper. Few of these hard-lived books survive. Yet such scrappy everyday versions of her novels made a substantial difference to Austen’s early readership. These were the books bought and read by ordinary people. And these are the books that, owing to their low status and production values, remain uncollected by academic libraries and largely unremarked by scholars. About 15 years ago, Janine Barchas began hunting for these lost books of Jane Austen. This is the story of how private collectors, eBay, and some lucky breaks came to the rescue.
    đ—”đ—Żđ—Œđ˜‚đ˜ đ˜đ—”đ—Č đ—Šđ—œđ—Č𝗼𝗾đ—Č𝗿:
    Janine Barchas is Chancellor's Council Centennial Professor in the Book Arts at the University of Texas at Austin. In đ˜›đ˜©đ˜Š đ˜“đ˜°đ˜Žđ˜” 𝘉𝘰𝘰𝘬𝘮 𝘰𝘧 𝘑𝘱𝘯𝘩 đ˜ˆđ˜¶đ˜Žđ˜”đ˜Šđ˜Ż (2019), she championed the importance of humble and error-filled reprintings to reception history. What a 𝘕𝘩𝘾 𝘠𝘰𝘳𝘬 𝘛đ˜Ș𝘼𝘩𝘮 reviewer termed her “smart detective work” owes much, Barchas admits, to her student days at Rare Book School. In addition to curating public exhibitions for the Folger Shakespeare Library, the Harry Ransom Center, and Jane Austen’s House Museum, Barchas is also the creator of the e-gallery, “What Jane Saw” (www.whatjanesaw.org), a digital heritage project that reconstructs two popular art spectacles witnessed by Austen in 1796 and 1813. Barchas’s most recent book is a graphic novel, đ˜›đ˜©đ˜Š đ˜•đ˜°đ˜·đ˜Šđ˜­ 𝘓đ˜Ș𝘧𝘩 𝘰𝘧 𝘑𝘱𝘯𝘩 đ˜ˆđ˜¶đ˜Žđ˜”đ˜Šđ˜Ż, 𝘈 đ˜Žđ˜łđ˜ąđ˜±đ˜©đ˜Șđ˜€ 𝘉đ˜Șđ˜°đ˜šđ˜łđ˜ąđ˜±đ˜©đ˜ș (2025), with London-based illustrator Isabel Greenberg.
    1 hr 12 min
  • Mindell Dubansky, "A Parallel History of Books and Blooks," 2 June 2025
    This talk by Mindell Dubansky was part of Rare Book School's 2025 Summer Lecture Series. You can watch the full recording of the lecture on YouTube at https://youtu.be/SsTUbRhUYDs?feature=shared.
    đ—”đ—Żđ—Œđ˜‚đ˜ đ˜đ—”đ—Č 𝗧𝗼đ—č𝗾:
    Throughout the world, for hundreds of years, people have expressed themselves by making plain and decorated objects in imitation of specific titles and types of books. No genre of book or bookbinding has been ignored. Mindell Dubansky calls these objects 𝘣𝘭𝘰𝘰𝘬𝘮, a contraction of book-look. History has shown that infusing an object with bookish characteristics creates an emotional attachment to the object analogous to our feelings for a beloved or important book. This, in turn, increases our desire to own, share, and treasure our book-shaped objects. Love, friendship, humor, play, faith, enlightenment, and commemoration are all common and abiding themes of blooks. Dubansky’s lecture will touch on some of the areas in which real books and book-like objects most closely intersect. These include how the bookbinding trade was involved in making blooks, how blook-making followed publishing trends and popular titles, how disused books have historically been repurposed as blooks, and how the idea of the book has been translated into a myriad of unexpected objects by artists and inventors. Dubansky’s curated show on blooks for the Center for Book Arts in New York was profiled earlier this year by đ˜›đ˜©đ˜Š 𝘕𝘩𝘾 𝘠𝘰𝘳𝘬 𝘛đ˜Ș𝘼𝘩𝘮: https://www.nytimes.com/.../review/bo....
    đ—”đ—Żđ—Œđ˜‚đ˜ đ˜đ—”đ—Č đ—Šđ—œđ—Č𝗼𝗾đ—Č𝗿:
    Mindell Dubansky is Conservator at Watson Library, The Metropolitan Museum of Art, and the author of numerous books and exhibition catalogs on the book and paper arts. These include đ˜›đ˜©đ˜Š đ˜‰đ˜Šđ˜Žđ˜” đ˜’đ˜Šđ˜±đ˜” đ˜šđ˜Šđ˜€đ˜łđ˜Šđ˜”: 200 𝘠𝘩𝘱𝘳𝘮 𝘰𝘧 𝘉𝘭𝘰𝘰𝘬𝘮 (2025); đ˜Œđ˜źđ˜¶đ˜­đ˜ąđ˜”đ˜Ș𝘯𝘹 𝘉𝘰𝘰𝘬𝘮: 𝘉𝘰𝘰𝘬 đ˜–đ˜Łđ˜«đ˜Šđ˜€đ˜”đ˜Ž 𝘧𝘳𝘰𝘼 đ˜›đ˜©đ˜Š 𝘓đ˜ș𝘯𝘯 đ˜ąđ˜Żđ˜„ đ˜‰đ˜łđ˜¶đ˜€đ˜Š đ˜đ˜Šđ˜€đ˜Źđ˜źđ˜ąđ˜Ż 𝘎đ˜Șđ˜§đ˜” (online catalog); 𝘙𝘩𝘼𝘩𝘼𝘣𝘩𝘳 𝘔𝘩: 𝘈𝘼𝘩𝘳đ˜Șđ˜€đ˜ąđ˜Ż đ˜Šđ˜ąđ˜łđ˜·đ˜Šđ˜„ đ˜šđ˜”đ˜°đ˜Żđ˜Š 𝘉𝘰𝘰𝘬𝘮 𝘧𝘳𝘰𝘼 đ˜”đ˜©đ˜Š 𝘭𝘱𝘯 𝘉𝘩𝘳𝘬𝘩 đ˜Šđ˜°đ˜­đ˜­đ˜Šđ˜€đ˜”đ˜Ș𝘰𝘯 (2024); đ˜—đ˜ąđ˜”đ˜”đ˜Šđ˜łđ˜Ż đ˜ąđ˜Żđ˜„ 𝘍𝘭𝘰𝘾: 𝘈 đ˜Žđ˜°đ˜­đ˜„đ˜Šđ˜Ż 𝘈𝘹𝘩 𝘰𝘧 𝘈𝘼𝘩𝘳đ˜Șđ˜€đ˜ąđ˜Ż đ˜‹đ˜Šđ˜€đ˜°đ˜łđ˜ąđ˜”đ˜Šđ˜„ đ˜—đ˜ąđ˜±đ˜Šđ˜ł (2023); 𝘉𝘭𝘰𝘰𝘬𝘮: đ˜›đ˜©đ˜Š đ˜ˆđ˜łđ˜” 𝘰𝘧 𝘉𝘰𝘰𝘬𝘮 đ˜›đ˜©đ˜ąđ˜” 𝘈𝘳𝘩𝘯'đ˜” (2016); and đ˜›đ˜©đ˜Š đ˜—đ˜łđ˜°đ˜±đ˜Šđ˜ł đ˜‹đ˜Šđ˜€đ˜°đ˜łđ˜ąđ˜”đ˜Ș𝘰𝘯 𝘰𝘧 𝘉𝘰𝘰𝘬 đ˜Šđ˜°đ˜·đ˜Šđ˜łđ˜Ž: đ˜›đ˜©đ˜Š 𝘓đ˜Ș𝘧𝘩 đ˜ąđ˜Żđ˜„ 𝘞𝘰𝘳𝘬 𝘰𝘧 𝘈𝘭đ˜Șđ˜€đ˜Š 𝘊. 𝘔𝘰𝘳𝘮𝘩 (2008). Dubansky's personal collection of book objects and her groundbreaking research on the subject have previously featured in exhibitions at the Grolier Club and Metropolitan Museum of Art, in publications including đ˜›đ˜©đ˜Š 𝘕𝘩𝘾 𝘠𝘰𝘳𝘬 𝘛đ˜Ș𝘼𝘩𝘮, and on television shows such as CBS' đ˜šđ˜¶đ˜Żđ˜„đ˜ąđ˜ș 𝘔𝘰𝘳𝘯đ˜Ș𝘯𝘹. To facilitate research in the study of book objects, she has established the Blook Institute, a series of activities designed to promote the study of book objects, and their relation to book history, the book arts, material culture, and art history.
    1 hr 8 min

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Since 1972, the Book Arts Press and Rare Book School have offered more than 600 public lectures on a wide variety of bibliographical topics.