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La Valse — one of the most popular orchestral works by Maurice Ravel — was performed for the first time this day in 1920 by the Lamoureux Orchestra in Paris, conducted by Camille Chevillard. Ravel’s score was subtitled a “choreographic poem for orchestra in the tempo of the Viennese waltz.”
La Valse is a far more Impressionistic work than any of the waltzes by the Strauss Family. It is certainly darker. Ravel said, “I had intended this work to be a kind of apotheosis of the Viennese waltz, with which was associated in my imagination an impression of a fantastic and fatal kind of Dervish’s dance.”
La Valse was written for the great ballet impresario Serge Diagalev, who apparently found it undanceable, and his failure to stage La Valse caused a serious rift in his friendship with Ravel.
Contemporary composer Judith Lang Zaimont is an unabashed Ravel enthusiast — ”Ravel’s music defines ‘gorgeous,’” she said. “It’s beguiling to the ear, and sensuous. His textures are built in thin layers, like a Napoleon pastry, and his intricate surfaces — beautifully worked-out — shine and fascinate.”
Zaimont should know. For many years she taught composition at the University of Minnesota, and her own solo piano, chamber and orchestra works are increasingly finding their way into concert halls and onto compact disc.
Maurice Ravel (1875-1937): La Valse; Boston Symphony; Charles Munch, conductor; RCA 6522
Judith Lang Zaimont (b. 1945): Symphony No. 1; Czech Radio Symphony; Leos Svarovsky, conductor; Arabesque 6742
By American Public Media4.7
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La Valse — one of the most popular orchestral works by Maurice Ravel — was performed for the first time this day in 1920 by the Lamoureux Orchestra in Paris, conducted by Camille Chevillard. Ravel’s score was subtitled a “choreographic poem for orchestra in the tempo of the Viennese waltz.”
La Valse is a far more Impressionistic work than any of the waltzes by the Strauss Family. It is certainly darker. Ravel said, “I had intended this work to be a kind of apotheosis of the Viennese waltz, with which was associated in my imagination an impression of a fantastic and fatal kind of Dervish’s dance.”
La Valse was written for the great ballet impresario Serge Diagalev, who apparently found it undanceable, and his failure to stage La Valse caused a serious rift in his friendship with Ravel.
Contemporary composer Judith Lang Zaimont is an unabashed Ravel enthusiast — ”Ravel’s music defines ‘gorgeous,’” she said. “It’s beguiling to the ear, and sensuous. His textures are built in thin layers, like a Napoleon pastry, and his intricate surfaces — beautifully worked-out — shine and fascinate.”
Zaimont should know. For many years she taught composition at the University of Minnesota, and her own solo piano, chamber and orchestra works are increasingly finding their way into concert halls and onto compact disc.
Maurice Ravel (1875-1937): La Valse; Boston Symphony; Charles Munch, conductor; RCA 6522
Judith Lang Zaimont (b. 1945): Symphony No. 1; Czech Radio Symphony; Leos Svarovsky, conductor; Arabesque 6742

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