Razor-N-Tape

112 KBPS FILES - DON'T BE A DUNCE!

Canadian selectors, the Patchouli Brothers, are back for their 3rd installment of edits on Razor-N-Tape. They truly never miss with their deep digs and careful retouches, and this record once again delivers the goods from the mid-tempo gospel synth boogie groove of The Spirit, the burning uptempo disco fire of C U Move, the wide-smiling party hook of Teddy’s, and soulful machine funk of Do Ya Wanna. 4killers, no filler, straight to the bag!

Tracklist:

A1. The Spirit

A2. C U Move

B1. Teddy’s Highlife

B2. Do Ya Wanna?

112 KBPS FILES - DON'T BE A DUNCE!

Canadian selectors, the Patchouli Brothers, are back for their 3rd installment of edits on Razor-N-Tape. They truly never miss with their deep digs and careful retouches, and this record once again delivers the goods from the mid-tempo gospel synth boogie groove of The Spirit, the burning uptempo disco fire of C U Move, the wide-smiling party hook of Teddy’s, and soulful machine funk of Do Ya Wanna. 4killers, no filler, straight to the bag!

Tracklist:

A1. The Spirit

A2. C U Move

B1. Teddy’s Highlife

B2. Do Ya Wanna?

Brazilian Diogo Strausz returns to Razor-N-Tape with Gravity, a disco-boogie opus featuring the inimitable voice of Brandon Markell Holmes. A meticulously produced work of live-recorded soulful funk, Gravity channels the intricate arrangement style of 80s Brazilian producer Lincoln Olivetti, with punchy drums and bass, a tight and agile brass section, and tasty guitar and synth interplay. Brandon’s voice floats above it all, equally gritty and atmospheric, to deliver the relentlessly catchy hook that launches the song straight into orbit!

Mother ft. Chiqo Casidi by Razor-N-Tape

There’s Truth In Gospel by Razor-N-Tape

Let’s Go To Work ft. Aku by Razor-N-Tape

After a feature on last year’s VA Family Affair comp, Tokyo-based producer Yuu Udagawa drops her first solo EP on Razor-N-Tape. With releases on Freerange and Compost under her belt, Yuu has been developing a subtle and moody deep house sound that she displays across the 3 original songs of the Urban Physicality EP. Each track vibrates with dark chordal textures, pulsating drums and chopped vocal samples, beautifully layered to develop and slowly build. To round out the record, Takuya Matsumoto turns in a throbbing late-nite remix of the EP’s title track, with a tougher drum profile, cavernous bass and masterful sound design.

After a feature on last year’s VA Family Affair comp, Tokyo-based producer Yuu Udagawa drops her first solo EP on Razor-N-Tape. With releases on Freerange and Compost under her belt, Yuu has been developing a subtle and moody deep house sound that she displays across the 3 original songs of the Urban Physicality EP. Each track vibrates with dark chordal textures, pulsating drums and chopped vocal samples, beautifully layered to develop and slowly build. To round out the record, Takuya Matsumoto turns in a throbbing late-nite remix of the EP’s title track, with a tougher drum profile, cavernous bass and masterful sound design.

After a feature on last year’s VA Family Affair comp, Tokyo-based producer Yuu Udagawa drops her first solo EP on Razor-N-Tape. With releases on Freerange and Compost under her belt, Yuu has been developing a subtle and moody deep house sound that she displays across the 3 original songs of the Urban Physicality EP. Each track vibrates with dark chordal textures, pulsating drums and chopped vocal samples, beautifully layered to develop and slowly build. To round out the record, Takuya Matsumoto turns in a throbbing late-nite remix of the EP’s title track, with a tougher drum profile, cavernous bass and masterful sound design.

After a feature on last year’s VA Family Affair comp, Tokyo-based producer Yuu Udagawa drops her first solo EP on Razor-N-Tape. With releases on Freerange and Compost under her belt, Yuu has been developing a subtle and moody deep house sound that she displays across the 3 original songs of the Urban Physicality EP. Each track vibrates with dark chordal textures, pulsating drums and chopped vocal samples, beautifully layered to develop and slowly build. To round out the record, Takuya Matsumoto turns in a throbbing late-nite remix of the EP’s title track, with a tougher drum profile, cavernous bass and masterful sound design.