Come for the horns. Stay for the PSA on how Ethan loves hot tubs and uses his almost every other day! Todd thought he had a pretty good bead on the person who sits across from him doing these podcasts for five years, but Ethan’s a veritable unpeeling onion.
Okay, so this batch of songs: Ethan and I fully admit that these tunes are at the end of some big searches for us both. We collect, then order, the songs into groups, and we’ll be honest, some of the groupings are… strained? But we do like them. Or at least the majority of them. We’re skating towards, but not falling into the ice, of “When Horns Are Meh.” We self-correct.
It’s just another reminder at how much music has been made and is constantly being made, even within strict parameters. I mean, how many of you are going to be listening to Croatian, Yugoslavian, and Indiana-an punk in the same sitting this week? We just upped the ante by making sure there were horns (or horn-like sounds made by a synthesizer?) in the mix.
If anyone has any idea how/why The Easter Monkeys from Cleveland got Charlie Watts to record their album in 1983, we’re all ears, because that’s extremely weird. We’re assuming it’s that Charlie Watts, the Rolling Stones drummer.