Visionary contemporary artist Kent Monkman invites us into the brilliantly transformative world of his creative endeavors, where art becomes a powerful tool for rewriting history. As Kent prepares to showcase "History is Painted by the Victors" at the Denver Art Museum, he shares how childhood visits to museums in Winnipeg ignited his mission to challenge the biased portrayals of Indigenous peoples. With a masterful blend of beauty and humor, Kent's work confronts the misrepresentations by 19th-century settler artists, urging a reevaluation of the narratives that have long marginalized Indigenous voices.

Step into the intriguing realm of Miss Chief Eagle Testicle, Kent's dynamic alter ego, who boldly subverts the gaze of traditional settler artists. This character, embodying gender fluidity and empowered sexuality, serves as a beacon of reclamation and resilience, offering a Cree perspective that reclaims Indigenous stories within art history. From abstract painting to a distinct representational style, Kent's artistic evolution reflects a deep homage to Indigenous traditions while innovatively engaging with historical narratives.

We also explore Kent's journey beyond visual art, transitioning into literary storytelling with the memoirs of Miss Chief. In collaboration with Giselle Gordon, Kent weaves North American history with Cree cosmology, offering fresh perspectives that continue to challenge perceptions. The conversation extends to the profound impact of his exhibition "Shame and Prejudice" across Canada, fueling awareness of residential schools and highlighting the resilience of Indigenous communities. Kent's work is not just art; it's a legacy paving the way for future generations of Indigenous artists, fostering a renewed hope for a world where authentic representation and acceptance are the norm.

Find out more about his exhibit here: https://www.denverartmuseum.org/en/exhibitions/kent-monkman