In this week’s New REELease, Will and Tucker tackle Wicked: For Good, the sequel that had big shoes (and broomsticks) to fill. Tucker comes in fresh to the Wicked universe, Will brings lingering mixed feelings from the first film, and together they break down why this follow-up didn’t quite land.

They dig into Act Two issues, new songs that don’t stick, characters that feel over-explained, and cinematography choices that drain the magic. A few fun moments aside, both hosts walk away disappointed and wondering why stage musicals struggle so much on screen.

Stick around for what’s coming next on Reel It In 2.0.

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In the first episode of our new series Fishing for Your Favorites, Will and Tucker welcome their very first guest: the iconic Brooke—longtime friend, loyal listener, and certified Ella Enchanted superfan.

Brooke dives into why this movie means so much to her, and together the trio unpacks everything from feminist undertones and Y2K fairy-tale chaos to the soundtrack, filming locations, and the movie’s delightfully weird cultural references. They revisit their favorite scenes and quotes, break down the most unhinged visual effects, and debate which songs still live rent-free in their heads.

From costumes to commentary, politics to Prince Charmont, this episode is one big love letter to Anne Hathaway’s most underrated classic.

🎣 Watch Ella Enchanted, send us your thoughts, and stay tuned for more favorites from friends.

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Welcome to Reel It In 2.0! In this week’s New REELease, Will and Tucker introduce the revamped format: two mini-episodes on the newest movies in theaters, and two full deep dives on the “best” movies you’ve never heard of.

For this week’s new release, they’re heading off-world with Predator: Badlands—the second Predator movie of the year. Tucker’s all in on the Yautja lore, while Will admits he’s more of an Alien guy. Together, they break down the film’s surprising buddy-comedy twist, Elle Fanning’s scene-stealing synthetic, and the pulpy sci-fi fun that makes Badlands a blast.

Plus, a tease for next week’s full episode — an in-depth look at Ella Enchanted with a special guest.

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In this episode of Reel It In, Will and Tucker dive into two highly anticipated releases: Tron: Ares and Black Phone 2. From neon grids to haunted hallways, they break down what worked, what didn’t, and whether either sequel was worth the wait.

For Tron: Ares, the conversation covers everything from Nine Inch Nails’ pulsing soundtrack to the film’s ambitious visuals and mixed storytelling. Will’s all in on the spectacle, while Tucker questions if the script ever caught up to the style. Then, it’s on to Black Phone 2, where improved performances can’t fully mask clunky dialogue and a lack of real scares—but the themes of trauma and redemption still pack a punch.

Plus, it’s October, which means scary movie traditions. Tucker recommends Rec and Rec 2, while Will digs into Michael Haneke’s unsettling classics Funny Games and Benny’s Video.

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In this episode of Reel It In, Will and Tucker cover everything from animal horror to brutal sports drama in a packed week of movie talk. They dig into the heartwarming yet unsettling Good Boy, celebrating its indie creativity and canine charm, before jumping into The Smashing Machine, a raw, unconventional sports film that mixes power, pain, and deeply human struggle.

The conversation also revisits One Battle After Another—its layered storytelling and societal reflections—and branches into October horror recommendations, Tron’s CGI legacy, and the quirks of animal-focused filmmaking.

From the nasty realism of fight sound design to the emotional punch of small-scale horror, let's drop a line and dive in.

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In this episode of Reel It In, Will and Tucker unpack One Battle After Another—a sprawling new political drama that balances dark humor, emotional depth, and sharp commentary. Experienced in IMAX, the film’s scale and visual storytelling make it a cinematic standout, with powerhouse performances from Leonardo DiCaprio and Sean Penn anchoring its complex narrative.

We dive into the film’s character studies, themes of power and identity, and how humor softens its heaviest moments. Plus, the guys share thoughts on The Strangers: Chapter 2, Gabby’s Dollhouse: The Movie, and revisiting classics like Licorice Pizza and Sunset Boulevard.

From IMAX quality debates to heartfelt recommendations, this episode blends personal anecdotes with thoughtful film analysis—exactly what Reel It In does best.

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In this episode of Reel It In, Will and Tucker double up with two new releases: Him and A Big Bold Beautiful Journey.

First up is Him, a horror-thriller about a college athlete invited to train with a football star that quickly spirals out of control. Despite its intriguing premise, we dig into why the film’s tone and execution left us disappointed.

Then we shift to A Big Bold Beautiful Journey, a film about two strangers reliving past moments. We debate its script, casting, and whether it might have worked better as a musical—though Will admits to being charmed by its visual style and earnestness.

Plus: Tucker revisits classics like Butch Cassidy and the Sundance Kid and Klute, while Will dives into the bloody fun of Final Destination Bloodlines.

Will and Tucker tackle Stephen King’s The Long Walk and its leap to the big screen. But first—Tucker shares a story about rescuing a cat from a car engine, and the guys catch up on recent watches like Friendship and Nobody 2.

Then it’s all about The Long Walk: from its dystopian premise to the challenges of adaptation, and the performances that carried it—especially Cooper Hoffman and David Johnson. Tucker praises the film’s stripped-down approach and raw performances, while Will pushes back on the script and visual style. Together, they debate the ending, the film’s themes, and where it sits among King adaptations.

Plus: final reflections, what’s next for the pod, and a teaser for upcoming episodes.

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In this episode of Reel It In, Will and Tucker dive into The Conjuring: Last Rites, the latest entry in James Wan’s haunted universe. We break down the Warrens’ storyline, the family dynamics at play, and how this film’s dual plots and cursed object fit into the broader franchise.

From Patrick Wilson and Vera Farmiga’s reliably strong performances to the introduction of new (and sometimes corny) characters, we explore the film’s mix of scares, charm, and messy storytelling. Was it coherent horror or just franchise fatigue?

Plus: a look at the future of the Conjuring cinematic universe, our personal reactions, and whether Last Rites closes the book—or leaves the door wide open—for more.

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In this episode of Reel It In, Will and Tucker head to 90s New York for Darren Aronofsky’s Caught Stealing. Based on the cult novel, the film follows Hank Thompson (Austin Butler) whose life spirals out of control after he agrees to watch his neighbor’s cat.

We dig into the film’s gritty setting, Aronofsky’s bold directorial choices, and how the tone swings between dark comedy and brutal violence—drawing comparisons to Tarantino and the Coen Brothers. From Butler’s lead performance to Zoe Kravitz and the standout supporting cast, we break down the film’s character work and cinematic style.

Plus: our predictions for how Caught Stealing will be received, the moments that stuck with us most, and a quick look at upcoming releases we’re excited about.

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