Bill and Thomas make their early predictions for the 2026 Academy Awards, breaking down which films, performances, and directors could dominate the race. They talk about the potential frontrunners, the surprise contenders that might sneak into major categories, and the kinds of films the Academy tends to rally around as awards season heats up. Along the way, they debate possible snubs, dark horses, and which movies could ultimately take home the biggest prizes on Hollywood's biggest night.

Bill and Thomas are back in town for a 2025 film retrospective, looking back on the year’s biggest releases, surprises, disappointments, and debates. They break down what worked, what didn’t, and where their takes differ, before each revealing their top 5 movies of the year.

Bill and Thomas dive into the guerrilla-made indie film Shelby Oaks, a true Kickstarter project that Thomas even donated to. They talk about Chris Stuckmann’s filmmaking strengths as a longtime YouTube film critic stepping behind the camera and break down the elements that have made the film so divisive among audiences.

Bill and Thomas dive into their experience at the 61st Chicago International Film Festival. They talk about each film they saw, rank them from least to best, and explore what the festival says about Chicago, its film culture, and filmmaking at large.

Bill and Thomas dive into the newest horror sequel from Blumhouse, 'Black Phone 2,' before diving even deeper into a discussion of the best horror sequels and their personal favorites. Happy Halloween!

Bill and Thomas dive into Roofman and talk about how it somehow feels like four different films, yet keeps its tone perfectly balanced. The movie sneaks up on you with a slow, emotional build, full of looming dread and quiet darkness, but anchored by real heart. They highlight Channing Tatum's layered performance as a criminal with a good heart and complex morality, alongside Kirsten Dunst's deeply human portrayal that grounds the story in empathy and realism.

Bill and Thomas dive into Peacemaker Season 2, Episode 8, “Full Nelson.” They discuss how the finale left them disappointed, setting up the future of the DCU rather than giving this season a proper ending. The episode feels rushed, with too many storylines crammed into one hour that could have filled an entire season on their own.

Bill and Thomas dive into a Variety Episode! Covering TRON: Ares and Anemone. They talk about what makes both projects stand out, how they reflect the current state of sci-fi, and where the genre might be heading next. From bold visuals and experimental storytelling to unexpected creative choices, they unpack what's exciting, what's confusing, and why these films have everyone talking.

Bill and Thomas dive into Peacemaker Season 2 and talk about how the season has started to fall apart in its writing. They discuss the growing logic gaps, awkward staging moments, and how the show often sacrifices character intelligence for a quick gag or comedic bit. Even the moments that feel right don’t feel earned or properly paced, leaving the episode struggling to find the heart and rhythm that made the series stand out before.

Bill and Thomas break down Benny Safdie’s The Smashing Machine and talk about how his looser, thinner plot lets the emotions take over. They highlight Dwayne Johnson’s mesmerizing performance, shifting from gentle giant to explosive rage, and Emily Blunt’s grounded, humanistic portrayal that keeps the story emotionally real. They also dive into the film’s raw, gritty energy and its voyeuristic cinematography that makes every moment feel uncomfortably intimate.