Reel War Project

This week on Reel War Project Charles and Aaron discuss another iconic franchise: Dawn of the Planet of the Apes. We explore reluctant warriors, settler narratives of atavism, and digital blackface. Come for the apes, stay for the pacifism…and BEAR SCARES.

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This week on Reel War Project Charles and Aaron continue their conversation about non-violence via 2002’s Bloody Sunday. Messaging and counter messaging, confrontation and escalation, paratroopers stymied by a wall and a ditch. “Yesterday we dared to fight, today we dare to WIN.”

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This week on Reel War Project Charles and Aaron talk about pacifism in a war movie via John Sayles’ “Matewan.” Organizing! Folk tunes! Scabs! Poverty by design meets anti-violence activism; STAND UP (FRIENDS!) LET THE BOSSES KNOW.

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This week on Reel War Project Charles, Aaron Eli discuss Batch 7: The Spectacle of Slaughter. Does adding blood make a war movie more critical? Is having a cis-het-white-settler-soldier-hero enough to make an anti-war movie a kind of apologetic? What is the deal with bullets plinking into trays?

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This week on Reel War Project Charles, Aaron Eli discuss Michael Bay’s 13 Hours: The Secret Soldier of Benghazi. Anti-state patriotism as almost parody; is every bearded, muscled white guy wearing Oakley’s and carrying a gun just an American flag trying to get out? The answer, obviously, is MORE GUNS.

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This week on Reel War Project Charles, Aaron Eli, our guest Biggs from Not Safe for Network discuss Netflix’s 2015 movie Siege of Jadotville. We talk about anti-US neoliberalism, non-aggressor war stories as imperial aesthetic, and making tropey movies as a small studio like Netflix. Oh! And door sounds.

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This week on Reel War Project Charles, Aaron and Eli kick off Batch 7 with a discussion of 1964’s Zulu. We explore the setter-white gaze, annoying pacifists, singing soldiers, and apologetic war story-telling (here’s a hint, don’t name the movie after the defeat). Oh, and SABATON.

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This week in Batch 6 Episode 4: “Apocalypse How” Aaron and Charles re-visit batch 4 on borrowing war tropes, comparing Star Wars to Jarhead; we talk about the difference between being visible and being looked at; and we explore the thematic tensions between humanity and violence in Vietnam war cinema.

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On the third episode of Dirt Maps Aaron interviews Dr. Amanda Dawson about her article describing "performing imperialism" the "camera gun," and the intersections of storytelling, mediums like film and theater, and our notions of veterans and war.

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This week on Reel War Project Charles and Aaron talk about 2005's Jarhead. Textual winking in music, recruiting and then denying expectations, defeated masculinity, sequels nobody thought possible, "this is not Rambo time"!

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