We have 2 recordings this week, which I put in one post.

Part 1

• Start -    Ash discussed new seating arrangements including for the coro piccolo singers.  He also went into what group would rehearse what pieces, and where.  At just under 4 minutes someone played the piano part for movement 19, Si Puer Cum Puellula, but it's not the rehearsal.
• 5:10    Ash began rehearsal for 19, Si Puer Cum Puellula, for the tenor and bass coro piccolo only
• 26:40    All tenors and basses rehearse In Taberna, beginning with movement 12, Olum Lacus Colueram, the choral part after a tenor solo.
• 33:45    Tenors and basses rehearse movement 14, In Taberna Quando Sumus, which Ash rehearsed backward.
• 54:12    Sopranos and altos came in, Ash arranged seating.  There were announcements, discussion of concert dress.  Full chorus did some warmups. 
• 1:04:23   Rehearsed movement 20, Veni Veni Venias
• 1:13:30   Rehearsed movement 22, Tempus Est Iocundum
• 1:28:40    Rehearsed movement 24, Blanziflor Et Helena

1:34:54   Announcements and break

Filesize:  127 MB

Click here to listen or download

Part 2

Before we did anything, Ash had us rearrange our seating for the full run.

3:37    Phil announced Jessica Furer, to do Why I Sing.  She explained that she would perform The Doll Song from Offenbach's Tales of Hoffman.

8:36   Ash announced the run of Carmina Burana with details on taking notes and issues of standing and tone and especially diction, and entry at the concert.

• 13;00    1  O, Fortuna 
• 16:43    2  Fortune Plango Vulnera 
• 20:30    3  Veris Leta Facies
• 25:25    5  Ecce Gratum
• 29:48    7  Floret Silva
• 34:16    8  Chramer, gip die varwe mir
• 36:53    9  Swaz hie gat umbe
• 37:45       Chume, Chum, Geselle Min
• 39:38    10  Were Diu Werelt Alle Min
• 40:30     Ash gave us an analysis of our performance this evening with instructions for next week; final discussion included some requests from Barbara Miller.

Filesize: 59.8 MB 
Click here to listen or download