Ryan and Annie do a belated Christmas show of sorts with a deconstruction of Kon's third film, Tokyo Godfathers, delving into the 2003 film's often progressive depiction of homeless people, trans women, and immigrants.

Annie and Ryan push forward to the stylistically lighter and more hopeful sister film of Perfect Blue to further discuss what reality is and what it means to make your life your own.

Annie and Ryan begin the new year with a new filmmaker. In their first foray into the world of animation, our duo discusses what it means to live and exist, who determines your reality, and the value of the animated medium.

Annie and Ryan take a week off the format in order to share their top ten films of the year lists in a very strong year for film.

Ryan and Annie wrap up their run of Sciamma's filmography with her most recent film! Plus they give out awards for the filmography AND announce the next director? Exciting stuff.

Annie and Ryan dive into one of the most beloved films of the modern era and break down all of the reasons that the film community really got this one right.

Annie and Ryan get into it a little bit as they look at Sciamma's third effort. Ryan thinks the film is dishonest but Annie disagrees. They debate within.

Annie and Ryan discover a brilliant hidden gem while continuing through the films of Céline Sciamma.

Ryan and Annie begin their final filmography of the year by tackling Sciamma's debut film. They discuss everything from the awkward romance of high school and how that's captured here to synchronized swimming and what that visual metaphor could mean. If that's not exciting enough, Ryan sounds like he's in a cave the whole time because he didn't bring his audio equipment with him to travel. It's all inside this episode!

Ryan and Annie complete their third filmography by seeing the new Osgood Perkins film "Keeper" in theaters. But is it any good? Is the puzzle worth solving? Does it even make sense? Our heroes debate within.