#238: As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.  Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick.

#238: As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today. Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick.

#238: As we continue our series "Revival House," How to LA producer Victoria Alejandro is taking us to The New Beverly Cinema over in Fairfax, where movies are always on film. The theater, owned by Quentin Tarantino, has a long history as complex as LA's. Join us as we explore the building's history and discover what makes it a special place to catch a double feature today.&nbsp; Guests: Theater and operations manager Jules McLean, projectionist Danielle Wakin, and film professor and theater historian Ross Melnick.&nbsp;

Revival House: The New Beverly Cinema, Always On Film

How to L.A. aims to drop a little knowledge about ALL the things that affect the people of Los Angeles, whether that’s something that makes our city great (tacos!) or something that we need to work on, like the alarming number of traffic collisions. We serve the curious Angeleno who wants to better connect with our city, discover the new, navigate the confusing and even drive some change along the way. 
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

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How to L.A. aims to drop a little knowledge about ALL the things that affect the people of Los Angeles, whether that’s something that makes our city great (tacos!) or something that we need to work on, like the alarming number of traffic collisions. We serve the curious Angeleno who wants to better connect with our city, discover the new, navigate the confusing and even drive some change along the way. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

How to L.A. aims to drop a little knowledge about ALL the things that affect the people of Los Angeles, whether that’s something that makes our city great (tacos!) or something that we need to work on, like the alarming number of traffic collisions. We serve the curious Angeleno who wants to better connect with our city, discover the new, navigate the confusing and even drive some change along the way.&nbsp;
Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

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Revival House: The New Beverly Cinema, Always On Film

Revival House: The New Beverly Cinema, Always On Film

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