I believe Oscar Wilde gets credit for the line, "But enough about me — what do YOU think about me?" Roughly a century ago, this portrait of the self-absorbed ego not only got laughs on the London stage, it also hit home with German concertgoers after a series of frankly autobiographical tone poems and operas by Richard Strauss had their premieres.

Take today's date in 1899, for example. Strauss's tone poem Ein Heldenleben (A Hero's Life), received its premiere in Frankfurt, with the composer himself conducting. Strauss quoted themes from his own works in the section of the new score marked, "The hero's works of peace," leaving no doubt in anyone's mind that the hero in question was Strauss himself. Depicted in carping and crabbed musical terms were "the hero's critics," meant to be taken as Strauss's real-life music critics. Understandably, THEY were not amused, and attacked Strauss for his inflated ego AND music.

Strauss, as usual, was totally unflappable and offered his own somewhat self-deprecating description of the origins of his heroic piece as follows:

"Beethoven's Eroica Symphony is so little beloved of our conductors these days that to fulfill this need I am composing a largish tone-poem entitled A Hero's Life, admittedly without a funeral march, yet in E-flat, and with lots of horns, which are the yardstick of heroism."

Richard Strauss (1864 - 1949) Ein Heldenleben (A Hero's Life), Op. 40 Minnesota Orchestra; Eiji Oue, conductor. Reference 83