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In Europe, around 1780 there was a bold and wild new idea in popular music which has shaped the concerts you see to this very day. Up until then, orchestras were background music for entertaining in small rooms in private homes salons while everyone tittered, japed and drank.
Along came Joseph Haydn, who wrote music for grander spaces, where a larger orchestra was the main event, in turn, inspiring a young Wolfgang Amadeus Mozart to pen a rapid-fire flurry of ‘Joyous’ and ‘energising’ symphonies all within a five-year period.
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In Europe, around 1780 there was a bold and wild new idea in popular music which has shaped the concerts you see to this very day. Up until then, orchestras were background music for entertaining in small rooms in private homes salons while everyone tittered, japed and drank.
Along came Joseph Haydn, who wrote music for grander spaces, where a larger orchestra was the main event, in turn, inspiring a young Wolfgang Amadeus Mozart to pen a rapid-fire flurry of ‘Joyous’ and ‘energising’ symphonies all within a five-year period.
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